Historia Amoris PDF Download
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Author: Edgar Saltus
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 201
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Book Description
DigiCat Publishing presents to you this special edition of "Historia Amoris" (A History of Love, Ancient and Modern) by Edgar Saltus. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Edgar Saltus
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 201
Get Book Here
Book Description
DigiCat Publishing presents to you this special edition of "Historia Amoris" (A History of Love, Ancient and Modern) by Edgar Saltus. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 808
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Book Description
Author: Carl Van Vechten
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 312
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1162
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 922
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Book Description
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 1076
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Book Description
Author: Marina Scordilis Brownlee
Publisher: Princeton University Press
ISBN: 1400861403
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
In this wide-ranging study Marina Scordilis Brownlee investigates the importance of the letter--often a complex interplay of objectivity and subjectivity--in the establishment of novelistic discourse. She shows how Ovid's Heroides explore the discourse of epistolarity in a way that exerted a lasting effect on Italian, French, and Spanish works of the Middle Ages and Renaissance, especially on the fifteenth-century Spanish novela sentimental, or "sentimental romance." Presenting this proto-novelistic form as a highly original rewriting of Ovid, Brownlee demonstrates that its language model interrogates rather than affirms the linguistic referentiality implied by romance. Whereas the ambiguity of the sign had been articulated in fourteenth-century Spain (most notably by the Libro de buen amor), it is the fifteenth-century novela sentimental that fully grasps the existentially, novelistically dire consequences of this ambiguity. And in the process of deconstructing the referentiality that underlies romance, the novela sentimental reveals itself to be a discursively essential step in the evolution of the modern novel. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 494
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1010
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Book Description
Author: Patrick J. Quinn
Publisher: Cambridge Scholars Publishing
ISBN: 1443884286
Category : Social Science
Languages : en
Pages : 225
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Book Description
There can be little doubt that after the American Civil War, a significant number of largely urban American women’s relationships with men began to change. This transition was brought about through many changing conditions in American society that were predicated by socio-economic considerations such as female education, large scale immigration from Europe which challenged traditional American values, the onset of large scale consumerism, and the erosion of the narrow religious moralism which previously restricted the female role in a burgeoning urban landscape. This book examines one particular manifestation of upheaval in American society: the appearance in literature and art of two distinct types of women who challenged the dominant patriarchal culture from the Civil War to just after the conclusion of World War One. The book looks primarily at the literary depiction of the femme fatale and the New Woman, and also dedicates chapters to their influences in fine art and music. The question as to why these two female types precipitated so much intellectual and artistic angst in their educated male readers is further considered. The book traces these two distinct categories of heroines as they make inroads into the preserve of male domination, and examines the various defenses male writers and artists used to slow down the pace of female emancipation both sexually and socially. Along the way, the book looks at the way in which the 1893 Columbian Exhibition in Chicago unexpectedly encouraged further female advancement, how Wagner’s operas gave women greater confidence toward self-fulfillment, and how Otto Weininger’s outrageous teachings managed to stem the tide of American female emancipation for a short time. The book surveys how the appearance of the Gibson Girl, the bicycle, and even the advent of bloomers were depicted in literature and supported the advent of this New Woman until she was grudgingly accepted despite philosophical warnings that the female agenda included a plan to destroy masculinity and make men subservient to the female rule. The book concludes with a discussion of F. Scott Fitzgerald’s The Beautiful and the Damned where the reader observes the complete destruction of the decadent-inclined Anthony Patch by a siren with no heart or introspection.
