Fiction International 40: Animals PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Fiction International 40: Animals PDF full book. Access full book title Fiction International 40: Animals by . Download full books in PDF and EPUB format.
Author:
Publisher: Fiction International
ISBN: 9781879691780
Category :
Languages : en
Pages : 208
Get Book Here
Book Description
Author:
Publisher: Fiction International
ISBN: 9781879691780
Category :
Languages : en
Pages : 208
Get Book Here
Book Description
Author: Jeff Menne
Publisher: Columbia University Press
ISBN: 0231545088
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project. Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”
Author:
Publisher: Fiction International
ISBN: 9781616581916
Category :
Languages : en
Pages : 180
Get Book Here
Book Description
Author:
Publisher: Fiction International
ISBN: 9781879691803
Category : Art and war
Languages : en
Pages : 192
Get Book Here
Book Description
Author: Catherine Parry
Publisher: Springer
ISBN: 331955932X
Category : Literary Criticism
Languages : en
Pages : 253
Get Book Here
Book Description
This book is about ordinary animals and how they are imagined in twenty-first century fiction. Examining contemporary animal representations and the fraught and potent distinctions humans fashion between themselves and all other animals, it asks how a range of novels make, re-make or un-make traditional conceptions of the creatures we love, admire, eat, vilify and abuse. Other Animals’ detailed readings of horses, an animalised human, a donkey, ants, chickens and chimpanzees develop new critical practices in Literary Animal Studies. They explore the connections between fictional animal representation, narrative form, ethics, and the lives and warm bodies of the real-world creatures that precede and exceed our imagination. Human-animal relationships are conditioned by our imaginative shapings of other animals, and by our sense of distinction from them, and Other Animals opens out how fictional animal forms and tropes respond to, participate in, or challenge the ways animals’ lives are lived out in consequence of human imaginings of them.
Author: Ruth Hawthorn
Publisher: Springer Nature
ISBN: 3031092414
Category : Literary Criticism
Languages : en
Pages : 311
Get Book Here
Book Description
This book explores the vast array of animals that populate detective fiction. If the genre begins, as is widely supposed, with Edgar Allan Poe’s “Murders in the Rue Morgue” (1841), then detective fiction’s very first culprit is an animal. Animals, moreover, consistently appear as victims, clues, and companions, while the abstract conception of animality is closely tied to the idea of criminality. Although it is often described as an essentially conservative form, detective fiction can unsettle the binary of human and animal to intersect with developing concerns in animal studies: animal agency, the ethical complexities of human/animal interaction, the politics and literary aesthetics of violence, and animal metaphor. Gathering its 14 essays into sections on ontologies, ethics, politics, and forms, Animals in Detective Fiction provides a compelling and nuanced analysis of the central role creatures play in this enduringly popular and continually morphing literary form.
Author: Nora Castle
Publisher: Springer Nature
ISBN: 3031416953
Category :
Languages : en
Pages : 376
Get Book Here
Book Description
Author: Susan McHugh
Publisher: U of Minnesota Press
ISBN: 0816670323
Category : Literary Criticism
Languages : en
Pages : 295
Get Book Here
Book Description
How cross-species companionship is figured across a variety of media--and why it matters.
Author: Hilary Thompson
Publisher: Routledge
ISBN: 1351122053
Category : Literary Criticism
Languages : en
Pages : 274
Get Book Here
Book Description
Novel Creatures takes a close look at the expanding interest in animals in modern fiction and argues that the novels of this time reveal a dramatic shift in conceptions of "creatureliness." Scholars have turned to the term "creaturely" recently to describe shared aspects of human and animal experience, thus moving beyond work that primarily attends to distinctions between the human and the animal. Carrying forward this recent scholarship, Novel Creatures argues that creatureliness has been an intensely millennial preoccupation, but in two contrasting forms—one leading up to the turn of the century, the other after the tragic events of 9/11.
Author: Jens Elze
Publisher: Springer
ISBN: 3319519387
Category : Literary Criticism
Languages : en
Pages : 230
Get Book Here
Book Description
This book is about the contemporary picaresque novel. Despite its popularity, the picaresque, unlike the bildungsroman, is still an undertheorized genre, especially for the context of postcolonial literatures. This study considers the picaresque novel’s traditional focus on poverty and deprivation, and argues that its postcolonial versions urge us to conceive of as a more wide-ranging sense of precarity and precariousness. Non-linear biography, episodic style, protean identities, unreliable narratives, and abject landscapes are the social and formal aspects through which this precarity is thematized and performed. A concise analysis of these concepts and phenomena in the picaresque provides the structure for this book. What is especially significant in comparison to other forms of postcolonial (post)modernism is that the picaresque does not offer a general critique of a project of modernity, but through its persistent precarity points to the paradoxical logics of capitalism, which are especially nuanced under the conditions of neo-imperialism and neoliberalism. The book features texts by established postcolonial authors such as Salman Rushdie and V.S. Naipaul, but especially focuses on the more recent proliferation of the genre in works by Aravind Adiga, Mohsin Hamid and Indra Sinha.
