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Author: LaLonnie Lehman
Publisher: Bloomsbury Publishing
ISBN: 0747814392
Category : History
Languages : en
Pages : 63
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Book Description
The Great Gatsby is that rare classic that inescapably defines the age from which it sprang: the Roaring '20s, an era of economic boom, stylish excess and above all an explosion of new and exciting fashions. This book chronicles the sparkling spectacle of Jazz Age fashion as it moves from the corseted world of the 1910s to flapper dresses, fedoras and bejeweled headbands. Illustrated with period photographs, designer sketches and key excerpts from The Great Gatsby novel, the book fully captures the style and glamour of the age of Jay Gatsby and Daisy Miller. It spans the entire wardrobe of both men and women, including day and evening wear, accessories, casual attire and “fads” like smoking jackets, tiaras and cigarette holders.
Author: LaLonnie Lehman
Publisher: Bloomsbury Publishing
ISBN: 0747814392
Category : History
Languages : en
Pages : 63
Get Book Here
Book Description
The Great Gatsby is that rare classic that inescapably defines the age from which it sprang: the Roaring '20s, an era of economic boom, stylish excess and above all an explosion of new and exciting fashions. This book chronicles the sparkling spectacle of Jazz Age fashion as it moves from the corseted world of the 1910s to flapper dresses, fedoras and bejeweled headbands. Illustrated with period photographs, designer sketches and key excerpts from The Great Gatsby novel, the book fully captures the style and glamour of the age of Jay Gatsby and Daisy Miller. It spans the entire wardrobe of both men and women, including day and evening wear, accessories, casual attire and “fads” like smoking jackets, tiaras and cigarette holders.
Author: LaLonnie Lehman
Publisher: Bloomsbury Publishing
ISBN: 0747814384
Category : History
Languages : en
Pages : 131
Get Book Here
Book Description
The Great Gatsby is that rare classic that inescapably defines the age from which it sprang: the Roaring '20s, an era of economic boom, stylish excess and above all an explosion of new and exciting fashions. This book chronicles the sparkling spectacle of Jazz Age fashion as it moves from the corseted world of the 1910s to flapper dresses, fedoras and bejeweled headbands. Illustrated with period photographs, designer sketches and key excerpts from The Great Gatsby novel, the book fully captures the style and glamour of the age of Jay Gatsby and Daisy Miller. It spans the entire wardrobe of both men and women, including day and evening wear, accessories, casual attire and “fads” like smoking jackets, tiaras and cigarette holders.
Author: Elizabeth M. Sheehan
Publisher: Cornell University Press
ISBN: 1501728156
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Modernism à la Mode argues that fashion describes why and how literary modernism matters in its own historical moment and ours. Bringing together texts, textiles, and theories of dress, Elizabeth Sheehan shows that writers, including Virginia Woolf, D.H. Lawrence, W.E.B. Du Bois, Nella Larsen, and F. Scott Fitzgerald, turned to fashion to understand what their own stylized works could do in the context of global capital, systemic violence, and social transformation. Modernists engage with fashion as a mood, a set of material objects, and a target of critique, and, in doing so, anticipate and address contemporary debates centered on the uses of literature and literary criticism amidst the supposed crisis in the humanities. A modernist affect with a purpose, no less. By engaging modernism à la mode—that is, contingently, contextually, and in light of contemporary concerns—this book offers an alternative to the often-untenable distinctions between strong or weak, suspicious or reparative, and politically activist or quietist approaches to literature, which frame current debates about literary methodology. As fashion helps us to describe what modernist texts do, it enables us to do more with modernism as a form of inquiry, perception, and critique. Fashion and modernism are interwoven forms of inquiry, perception, and critique, writes Sheehan. It is fashion that puts the work of early twentieth-century writers in conversation with twenty-first century theories of emotion, materiality, animality, beauty, and history.
Author: Josephine Collins
Publisher: Laurence King Publishing
ISBN: 1529419948
Category : Design
Languages : en
Pages : 209
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Book Description
Fashion writing now enjoys its highest-ever profile as the digital world has multiplied the number of platforms on which it is available. No longer confined to restrictive print schedules or occasional broadcast slots, fashion is now an ever-present content driver. With retailers, brands and designers all in on the act, plus the emergence of citizen fashion coverage from the social media community, the volume of fashion journalism has risen beyond any predictions. While bloggers monetise their musings - indeed, create successful and influential fashion media and fashion product businesses - traditional magazines and newspapers have expanded their multi-channel fashion content in order to secure more touch points with consumers and drive revenue from fashion advertising. Aimed at students on specialist fashion journalism courses or general/lifestyle journalism degrees, this guide will also appeal to untrained writers, including content creators, who want to add a professional approach to their fashion writing.
Author: Adam Geczy
Publisher: Bloomsbury Publishing
ISBN: 1474265553
Category : Design
Languages : en
Pages : 233
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Book Description
There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that “critical fashion” is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change.
Author: Chelsea Rousso
Publisher: Bloomsbury Publishing USA
ISBN: 1501328271
Category : Business & Economics
Languages : en
Pages : 233
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Book Description
Fashion Forward demystifies the exciting career of a fashion forecaster and fosters skills that will benefit any design professional. The book begins with an overview of fashion forecasting theories and concepts and then leads readers through a step-by-step guide to creating and presenting a forecast. The authors reveal the inner workings of global fashion forecasting through real-world examples and interviews with both influential forecasters and the designers who rely upon them. Fashion Forward enables readers to start spotting tomorrow's trends today and compellingly communicate them-both visually and verbally-to inspire fashion innovators. New to this Edition - Current images and examples. Updated fashion photos to include current and trending images, professional presentations and forecast examples, plus new interviews and quotes. - Covers the latest methods and technology. New coverage of social media, technology and data analytics practices in fashion forecasting. - Enhanced global perspective. New content addressed the global apparel industry, emphasizes international forecasting firms, includes interviews with global forecaster and trend specialists, and more diverse images and examples throughout the book. - Practical career information and hands-on application. Updated and expanded career opportunities sections and enhanced activities provide real-world simulations and insights. - New online STUDIO resources offer students self-study quizzes, flashcards, additional projects and online resources. PLEASE NOTE: Purchasing or renting this ISBN does not include access to the STUDIO resources that accompany this text. To receive free access to the STUDIO content with new copies of this book, please refer to the book + STUDIO access card bundle ISBN 9781501328350.
Author: Peter Bug
Publisher: Springer Nature
ISBN: 981139542X
Category : Business & Economics
Languages : en
Pages : 305
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Book Description
This book aims to explore various aspects of the use of moving images in fashion retail and fashion apparel companies in-store or online. The use of moving images is growing in numbers and in relevance for consumers. Films can be used in various forms by fashion businesses in traditional media like cinema or TV and in modern forms like in social media or moving images in high street stores. The book provides a data-oriented analysis of the state-of-the-art with certain future outlooks. Additional areas of covering fashion in moving images, such as ‘fashion company identity films’ or ‘fashion and music videos’ are covered in order to get a more complete analysis from a consumer influenced perspective.
Author: Francesca Granata
Publisher: Bloomsbury Publishing
ISBN: 1350058793
Category : Design
Languages : en
Pages : 241
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Book Description
This is the first anthology of fashion criticism, a growing field that has been too long overlooked. Fashion Criticism aims to redress the balance, claiming a place for writing on fashion alongside other more well-established areas of criticism. Exploring the history of fashion criticism in the English language, this essential work takes readers from the writing published in avant-garde modernist magazines at the beginning of the twentieth century to the fashion criticism of Robin Givhan-the first fashion critic to win a Pulitzer Prize-and of Judith Thurman, a National Book Award winner. It covers the shift in newspapers from the so-called “women's pages” to the contemporary style sections, while unearthing the work of cultural critics and writers on fashion including Susan Sontag and Eve Babitz (Vogue), Bebe Moore Campbell (Ebony), Angela Carter (New Statesman) and Hilton Als (New Yorker). Examining the gender dynamics of the field and its historical association with the feminine, Fashion Criticism demonstrates how fashion has gained ground as a subject of critical analysis, capitalizing on the centrality of dress and clothing in an increasingly visual and digital world. The book argues that fashion criticism occupied a central role in negotiating shifting gender roles as well as shifting understandings of race. Bringing together two centuries of previously uncollected articles and writings, from Oscar Wilde's editorials in The Woman's World to the ground-breaking fashion journalism of the 1980s and today's proliferation of fashion bloggers, it will be an essential resource for students of fashion studies, media and journalism.
Author: Eugenia Paulicelli
Publisher: Bloomsbury Publishing USA
ISBN: 1441189157
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Since its beginning and during periods of great transformations, movie-going for both men and women was akin to going to a fashion parade. Before the explosion of digital technology and its enchanted world, access to fashion was only accessible on the big screen. Fashion and style became reachable for the masses through cinema. And, with the genre of the fashion film, this continues today. Focusing on a number of crucial films and directors from the silent era to the present, this study will offer, for the first time, an in-depth exploration of the interaction between fashion and Italian cinema. The study, however, will privilege the golden age of Italian cinema, especially the crucial decades of the 1950s and 1960s during which, through the marriage of fashion and film, Italian fashion and style were launched globally. Through the lens of fashion, the study will revisit the films of some of Italy's most important film-makers, such as Antonioni, Fellini, Visconti and others and films as old as Mario Oxilia's silent Rapsodia Satanica (1917) to Luca Guadagnino's I am Love (2009).
Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 0486995054
Category : Design
Languages : en
Pages : 60
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Book Description
Five decades of glamorous, royalty-free designs include classic costumes by top designers, including Chanel, St. Laurent, Courrèges, Mary Quant, Halston, Laura Ashley, Carolina Herrera, Galliano, and many others. All carefully researched and meticulously rendered, the designs are appropriate for either computer or traditional cut-and-paste use. 140 full-color figures.
