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Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521558433
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Devoted to the study of music from the early Middle Ages to the end of the seventeenth century
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521558433
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Devoted to the study of music from the early Middle Ages to the end of the seventeenth century
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521622424
Category : Music
Languages : en
Pages : 350
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521807739
Category : Music
Languages : en
Pages : 338
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 20 include: The Footnote Quarrels of the Modal Theory: A Remarkable Episode in the Reception of Medieval Music; The Vatican Organum Treatise Re-examined; Ludwig Senfl and the Judas Trope: Composition and Religious Toleration at the Bavarian Court; Who 'Made' the Magnus liber?
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521760034
Category : Music
Languages : en
Pages : 312
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Book Description
The study of music from the early Middle Ages to end of the seventeenth century.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521472821
Category : Music
Languages : en
Pages : 322
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Book Description
Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521451802
Category : Music
Languages : en
Pages : 258
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Book Description
Includes contributions on European knowledge of Arabic texts referring to music and the motets of Philippe de Vitry and the fourteenth-century renaissance
Author: Justin Paterson
Publisher: Routledge
ISBN: 0429957238
Category : Technology & Engineering
Languages : en
Pages : 321
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Book Description
3D Audio offers a detailed perspective of this rapidly developing arena. Written by many of the world’s leading researchers and practitioners, it draws from science, technologies, and creative practice to provide insight into cutting-edge research in 3D audio. Through exploring the intersection of these fields, the reader will gain insight into a number of research areas and professional practice in 3D sonic space. As such, the book acts both as a primer that enables readers to gain an understanding of various aspects of 3D audio, and can inform students and audio enthusiasts, but its deep treatment of a diverse range of topics will also inform professional practitioners and academics beyond their core specialisms. The chapters cover areas such as an Ambisonics, binaural technologies and approaches, psychoacoustics, 3D audio recording, composition for 3D space, 3D audio in live sound, broadcast, and movies – and more. Overall, this book offers a definitive insight into an emerging sound world that is increasingly becoming part of our everyday lives.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521790734
Category : Music
Languages : en
Pages : 312
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521842501
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Musical history from the early Middle Ages to the end of the seventeenth century.
Author: Manuel Pedro Ferreira
Publisher: Taylor & Francis
ISBN: 1000949141
Category : Music
Languages : en
Pages : 228
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Book Description
This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.
