Author: Richard Moody
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 0

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Book Description

Author: Richard Moody
Publisher:
ISBN:
Category :
Languages : en
Pages : 873

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Book Description

Author: Richard Moody
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 924

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Book Description

Author: Jon W. Finson
Publisher: Oxford University Press
ISBN: 019535432X
Category : Music
Languages : en
Pages : 367

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Book Description
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.

Author: Paul Fryer
Publisher: McFarland
ISBN: 147668166X
Category : Performing Arts
Languages : en
Pages : 220

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Book Description
This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time

Author: Vicki K. Janik
Publisher: Bloomsbury Publishing USA
ISBN: 0313033579
Category : Literary Criticism
Languages : en
Pages : 571

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Book Description
Jesters and fools have existed as important and consistent figures in nearly all cultures. Sometimes referred to as clowns, they are typological characters who have conventional roles in the arts, often using nonsense to subvert existing order. But fools are also a part of social and religious history, and they frequently play key roles in the rituals that support and shape a society's system of beliefs. This reference book includes alphabetically arranged entries for approximately 60 fools and jesters from a wide range of cultures. Included are entries for performers from American popular culture, such as Woody Allen, Mae West, Charlie Chaplin, and the Marx Brothers; literary characters, such as Shakespeare's Falstaff, Rabelais' Gargantua and Pantagruel, and Singer's Gimpel; and cultural and mythological figures, such as India's Birbal, the American circus clown, the Native American Coyote, Taishu Engeki of Japan, Hephaestus, Loki the Norse fool, schlimiels and schlimazels, and the drag queen. The entries, written by expert contributors, are critical as well as informative. Each begins with a biographical, artistic, religious, or historical background section, which places the subject within a larger cultural and historical context. A description and analysis follow. This section may include a discussion of the fool's appearance, gender role, ethical and moral roles, social function, and relationship to such themes as nature, time, and mortality. The entry then discusses the critical reception of the subject and concludes with an extensive bibliography of general works.

Author: Roger A. Hall
Publisher: Cambridge University Press
ISBN: 9780521793209
Category : Drama
Languages : en
Pages : 304

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Book Description
This book examines how the American frontier was presented in theatrical productions.

Author: John Gassner
Publisher: Courier Corporation
ISBN: 9780486410982
Category : Performing Arts
Languages : en
Pages : 788

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Book Description
Sixteen works from American theater, 1787 1911: "Charles the Second" (1824); "Fashion "(1845); "Uncle Tom's Cabin" (1852); "The Count of Monte Cristo" (1883); "The Mouse-Trap" (1889); "The Great Divide" (1906); more. Background essay. "

Author: Various
Publisher: Penguin
ISBN: 1101177217
Category : Drama
Languages : en
Pages : 561

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Book Description
This unique volume includes eight early dramas that mirror American literary, social, and cultural history: Royall Tylers The Contrast (1789); William Dunlap'sAndre (1798); James Nelson Barker's The Indian Princess (1808); Robert Montgomery Bird's The Gladiator (1831); William Henry Smith's The Drunkard(1844); Anna Cora Mowatt's Fashion (1845); George Aiken's Uncle Tom's Cabin(1852); and Dion Boucicault's The Octoroon (1859). For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author: Brenda Murphy
Publisher: Cambridge University Press
ISBN: 9780521327114
Category : Drama
Languages : en
Pages : 252

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Book Description
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.