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Author: Vicente Blasco Ibez
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539417385
Category :
Languages : en
Pages : 304
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Book Description
La Horda
Author: Vicente Blasco Ibez
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539417385
Category :
Languages : en
Pages : 304
Get Book Here
Book Description
La Horda
Author: Vicente Blasco Ibáñez
Publisher:
ISBN:
Category : Ibiza (Spain)
Languages : en
Pages : 370
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Book Description
Author: Julie A. Steiner
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 160
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Book Description
This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998.
Author: Vicente Blasco Ibáñez
Publisher: Library of Alexandria
ISBN: 1465534628
Category : Fiction
Languages : en
Pages : 426
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Book Description
Author: Joan Neuberger
Publisher: Cornell University Press
ISBN: 1501732781
Category : Performing Arts
Languages : en
Pages : 507
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Book Description
This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.
Author: Thomas S. Hibbs
Publisher:
ISBN: 9781602583795
Category : Culture in motion pictures
Languages : en
Pages : 257
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Book Description
Author: Sergei Eisenstein
Publisher: Cambridge ; New York : Cambridge University Press
ISBN:
Category : Performing Arts
Languages : nl
Pages : 494
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Book Description
Theorieën van de Russische filmregisseur (1898-1948) over de vele mogelijkheden van het medium film
Author: Huguette Glowinski
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 248
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Book Description
Jacques Lacan (1901-81) was one of the most original and controversial thinkers of the post-war period. His ideas had a profound effect on the intellectual movements of his time and his work is of continuing importance to a wide range of disciplines: psychoanalytic theory and practice, literary criticism, critical social theory, linguistics, cinema, art criticism and political science. Lacan's ideas can, however, be notoriously difficult: convoluted, idiosyncratic, arcane, and almost always obscure! A Compendium of Lacanian Terms provides students of Lacan with a clear and helpful exposition on some 40 key terms. Each entry outlines the conceptualization of the idea, locating it within Lacanian discourse, and the evolution of the term within the development of Lacan's ideas. A list of references is provided at the end of each entry. The editors' brief essay-like descriptions of key Lacanian terms are a superb idea, much needed in both academic and clinical arenas of psychoanalytic world. - Choice - Jan 2002
Author: Terence
Publisher: Oxford University Press, USA
ISBN: 0198149719
Category : Drama
Languages : en
Pages : 367
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Book Description
"Terence (?184-159 B.C.) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. All six of his plays survive. This new translation with introduction and explanatory notes aims to be both accurate and idiomatic, and to convey the liveliness of the plays as pieces written for the theatre."--BOOK JACKET.
Author: Naum Kleiman
Publisher: National Geographic Books
ISBN: 0500093938
Category : Art
Languages : en
Pages : 0
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Book Description
The first comprehensive book on the extensive, yet rarely seen, graphic works of pioneering filmmaker Sergei Eisenstein Sergei Eisenstein is regarded as one of cinema’s greatest revolutionaries. Less well known is that he was also a prolific graphic artist who drew compulsively as a means of expressing his ideas. Arranged chronologically, Eisenstein on Paper is divided into six chapters, each prefaced by short texts relating to the graphic works of each distinct period, and interwoven with excerpts from Eisenstein’s own essays and diary entries. In 1930 Eisenstein traveled to the United States and then Mexico, where he produced hundreds of drawings influenced by ancient and contemporary Mexican art. Forced to return to Russia in 1932, Eisenstein came under the scrutiny of the Communist government and, struggling to make further films without political interference, turned again to sketching for artistic freedom. By the end of his life, he had pared his style down to the utmost simplicity and sincerity. Despite completing relatively few films in his lifetime, Eisenstein made several thousand drawings. Eisenstein on Paper is the product of a groundbreaking collaboration with RGALI, the Russian State Archive of Arts and Literature, and is a fitting tribute to an incredible graphic talent.
