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Author: Edith Furnas
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author: Edith Furnas
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author: Georgia Young
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Author: Frederick Parkes Weber
Publisher:
ISBN:
Category :
Languages : en
Pages : 850
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Author: Ernst Grabovszki
Publisher: Camden House
ISBN: 9781571132338
Category : History
Languages : en
Pages : 252
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Insightful essays on the striking resemblances between the Viennese literary/cultural scene in 1900 and 100 years later.This book of new essays by widely-published scholars from the United States, Great Britain, Germany, and Austria examines the artistic, social, political, and historical continuities and discontinuities in Viennese literature during the periods around 1900 and 2000. It takes its impetus from the idea that both turns of the century are turning points in the development of Austrian literature and history. The essays show that in both periods literature not only reflects societal conditions and political issues, but also serves to criticize them. Ernst Grabovszki''s introduction sets the context of literature in Vienna in 1900 and 2000, and is followed by essays exploring the followingtopics bearing on the city''s literature across the two periods: writing about Vienna (Janet Stewart); art and architecture (Douglas Crow); psychoanalysis and the literature of Vienna (Thomas Paul Bonfiglio); poetry in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina. in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina. in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina. in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina.strian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina.
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 756
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Author: Silvia Bigliazzi
Publisher: Routledge
ISBN: 0415661412
Category : Art
Languages : en
Pages : 267
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This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational accuracy in favor of a recreational and post-dramatic attitude, underlying the role of the director and playwright instead. This book discusses the delicate balance between translating and directing from an intercultural, semiotic, aesthetic, and interlingual perspective, taking a critical stance on approaches that belittle translation for the theatre or equate it to an editorial practice focused on literality. Chapters emphasize the idea of dramatic translation as a particular and extremely challenging type of performance, while consistently exploring its various textual, intertextual, intertranslational, contextual, cultural, and intercultural facets. The notion of performance is applied to textual interpretation as performance, interlingual versus intersemiotic performance, and (inter)cultural performance in the adaptation of translated texts for the stage, providing a wide-ranging discussion from an international group of contributors, directors, and translators.
Author: Alba Amoia
Publisher: Bloomsbury Publishing USA
ISBN: 0313016488
Category : Literary Criticism
Languages : en
Pages : 508
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Book Description
The final decades of the 20th century have seen an explosion of interest in multiculturalism. But multiculturalism is more than an awareness of the different cultures comprising contemporary societies. For centuries, people from around the world have come in contact with cultures other than their own, and their exposure to multiple cultures has fostered their creativity and ability to make lasting contributions to civilization. The effects of multiculturalism are especially apparent in literature, since writers tend to be particularly aware of their environments and record their experiences. This reference includes alphabetically arranged entries for more than 100 world writers from antiquity to 1945, who were significantly influenced by cultures other than their own. Included are entries for major canonical Ancient and Modern writers of the Western and Eastern worlds. Each entry is written by an expert contributor and includes a brief biography, a discussion of multicultural themes and contexts, a summary of the writer's critical reception, and primary and secondary bibliographies. By illuminating the shaping influence of multiculturalism on these writers, the volume points to the lasting value of multiculturalism in the contemporary world.
Author: A. Schutz
Publisher: Springer Science & Business Media
ISBN: 9401028494
Category : Social Science
Languages : en
Pages : 297
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Book Description
"Die soziale Welt und die Theorie der sozialen Handlung," das aus gleich zu erkHirenden Griinden hinzugefiigt wurde, obwohl es yom Autor nieht aufgefiihrt worden war. AIle vorliegenden Abhandlungen sind, wie der Titel dieses Bandes anzeigt, Studien zur soziologischen Theorie. Sie gruppieren sieh nach den allge meinen Kategorien der reinen und angewandten Theorie, wobei die erste Gruppe die erst en zwei Abhandlungen dieses Buches um faBt. Die Reihenfolge, in der sieh das Material innerhalb der zwei Hauptteile prasentiert, ist im groBen und ganzen die chronolo gische Folge der Erstveroffentlichung. Zunachst ein paar Bemerkungen iiber den Band als ganzen. Der Titel "Angewandte Theorie" kann vielleieht miBverstand lich erscheinen, wenn. man den Schliissel-Satz von Teil2 in dem Sinne liest, als wiirde er Einsiehten in die Struktur praktischer Ziele beinhalten. Diese Studien besch1i. ftigen sieh Dieht mit "So zial-Technik" (social engineering) oder "Wie lost man soziale Probleme?" Sie beschaftigen sieh, wie der Autor in seinem ganzen Lebenswerk, mit der Anwendung der Theorie auf ein besseres Verstandnis der sozialen Realitat. Ihr Akzent liegt mehr auf dem Verstehen als auf der Anwendung. Und dennoch fiihren die hier entwiekelten Interpretationen des tieferen Sinnes von mensch lichem Verhalten naher zu einem sinnvollen Zugang zu dessen Problemen als es Abhandlung iiber "Techniken und Methoden des Losens von Problemen" je konnten. Der Mann, der mit einem Hauch von Selbstreflektion Aufsatze schrieb iiber "Gleiehheit" und iiber "Den Fremden" und iiber "Den Heimkehrel," ist in allen menschliehen Dingen ein Weiser und nieht minder ein Forscher und Gelehrter.
Author: Robert ter Horst
Publisher: University Press of Kentucky
ISBN: 0813187710
Category : Drama
Languages : en
Pages : 405
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Book Description
Although Pedro Calderón de la Barca was one of the greatest and most prolific playwrights of Spain's Golden Age, most of his nonallegorical comedias—118 in all—have remained unknown. Robert ter Horst presents here the first full-length study of these works, a sustained, meditative analysis dealing with more than 80 plays, conveying a sense of the whole of Calderón's secular theater. To approach so vast a body of literature, Mr. ter Horst examines the meaning and function in Calderón of three broad subjects—myth, honor, and history—the warp threads across which the playwright weaves a subtle tapestry of contrasts, dualities, and conflicts: the private person versus the public person, the inner realm versus the outer, masculine against feminine, poet against prince. The Calderón who emerges is a consciously consummate artist whose lifelong study was the passions of the human mind and body. In addition, he is seen as a synthesizer of his Spanish literary heritage and especially as a brilliant adapter of Cervantes' insights to the stage. Robert ter Horst's profound and far-ranging analysis sheds light on many fine works previously neglected and finds new depths in such supreme achievements as No hay cosa como callar, El segundo Escipión, and La vida es suefio.
Author: Panos Karagiorgos
Publisher: Cambridge Scholars Publishing
ISBN: 1443891509
Category : Language Arts & Disciplines
Languages : en
Pages : 160
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Book Description
This collection contains 300 Greek maxims and proverbs accompanied by their counterparts in eight European languages: English, French, German, Italian, Spanish, Swedish, Dutch, and Russian. The introduction relates the history, the origin, and the importance of proverbs; it also includes a short chapter on the use of proverbs in English, German, French, Italian, Spanish, and Modern Greek literature. This book is a useful companion both for translators and interpreters; a vade mecum not only for them, but also for every learner of the above mentioned European languages.
