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Author: Agnes Fyfe
Publisher: London : M. Parrish
ISBN:
Category : Costume
Languages : en
Pages : 48
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Book Description
Author: Agnes Fyfe
Publisher: London : M. Parrish
ISBN:
Category : Costume
Languages : en
Pages : 48
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Book Description
Author: Susan Manning
Publisher: University of Illinois Press
ISBN: 025203676X
Category : History
Languages : en
Pages : 297
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Book Description
Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket.
Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
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Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Author: Jens Richard Giersdorf
Publisher: University of Wisconsin Pres
ISBN: 029928963X
Category : History
Languages : en
Pages : 249
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Book Description
The Body of the People is the first comprehensive study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, Jens Richard Giersdorf investigates a national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis. Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.
Author: Ron Houston
Publisher:
ISBN: 9781930890916
Category :
Languages : en
Pages : 0
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Book Description
Histories, descriptions, lyrics, musical scores, and illustrations for 41 popular social dances of Old Germany from the 1860s to the 1930s, as introduced to recreational international folk dancers and German dance groups in North America by Gretel and Paul Dunsing, the most well-known and popular North American teachers of German dances, songs, and music between 1925 and 1971. The book concludes with a brief biography of the Dunsings. Spiral binding allows the book to "lay-flat" when opened. The information in this book comes from the archives of Gretel and Paul Dunsing held by the Society of Folk Dance Historians and from correspondence with those who knew the Dunsings. Dances include old favorites such as "At the Inn (Beim Kronenwirt)," "Jaegerquadrille," "Kegelquadrille," "Polka zu Dreien," "Rheinlaender zu Dreien," "Sonderburger Doppel-Quadrille," "Tampet," "Windmueller," and many more.
Author: Michael S. Neiberg
Publisher: Harvard University Press
ISBN: 0674049543
Category : History
Languages : en
Pages : 331
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Book Description
By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting in 1914, Neiberg dispels the notion that Europeans were rabid nationalists intent on mass slaughter. He reveals instead a complex set of allegiances that cut across national boundaries.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: E. L. Lancaster
Publisher: Alfred Music
ISBN: 9781457420252
Category : Music
Languages : en
Pages : 76
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Book Description
Each unit in this highly popular series contains a balance of theory, technique, sight-reading, repertoire, harmonization, improvisation and ensemble activities. Updated for the 2nd edition of Alfred's Group Piano for Adults, the Teacher's Guide includes:new repertoire preparation and analysis suggestions, recommended examinations teaching tips, lesson plans and answer keys, improvisation exercises and two new sections: Reading Focus and Planning Group Lessons.
Author: Elizabeth Burchenal
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 136
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Book Description
Author: Isa Partsch-Bergsohn
Publisher: Routledge
ISBN: 1134358210
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
First Published in 1995. In Modern Dance in Germany and the United States: Crosscurrents and Influences Isa PartschBergsohn discusses the phenomenon of the modem dance movement between 1902 and 1986 in an international context, focussing on its beginnings in Europe and its philosophy as formulated by the pioneers Dalcroze, Laban, Wigman and Jooss. The author traces the effects the Third Reich had on these artists, and shows the influence these key choreographers had on the developing American modem dance movement through the postwar years, concentrating in particular on Kurt Jooss and his Tanztheater. When America took the lead in modem dance innovation during the sixties, artists such as Martha Graham, Jose Limon, Paul Taylor, Alvin Ailey and Alwin Nikolais overwhelmed European audiences. Subsequently, the artists of the New German Tanztheater revitalized German theatre traditions by blending new content with some of the American contemporary dance techniques. Although the history of modem dance in these two countries is closely linked, the author describes how each country has kept its own unique and distinctive style.
