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Author: Ashley Killar
Publisher: Troubador Publishing Ltd
ISBN: 1803132574
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
Shortly after the New York Times had hailed John Cranko’s achievement as 'The German Ballet Miracle', his death mid-Atlantic deprived the world of one of its greatest choreographers. After leaving his native South Africa at eighteen, never to return, Cranko quickly became a resident choreographer with the Royal Ballet. He collaborated closely with luminaries such as Benjamin Britten and John Piper and encouraged the young Kenneth MacMillan. Tirelessly innovative, he devised a hit musical revue, Cranks as well as perennial favourites such as Pineapple Poll. His charm and wit endeared him to colleagues and royalty alike, but in the late 1950s his star began to wane. This, and a much-publicised scandal, drove Cranko to leave England for Germany. There, his work as director and choreographer of the Stuttgart Ballet enjoyed phenomenal success in USA, Russia and Europe. Fifty years after his tragically early death, Cranko’s story ballets continue to enrich ballet audiences around the world. The author danced in the Stuttgart Ballet’s premieres of Cranko’s Onegin, Romeo and Juliet and many more. He reveals the man behind the masterpieces and explores an array of lesser-known works, bringing to light fascinating facts about the genesis of Cranko’s ballets. Lavishly illustrated with rare photographs, the book contains Cranko’s personal letters and extensive reference material. It brings the reader surprising insights into the life and work of a truly exceptional man of theatre.
Author: Ashley Killar
Publisher: Troubador Publishing Ltd
ISBN: 1803132574
Category : Biography & Autobiography
Languages : en
Pages : 512
Get Book Here
Book Description
Shortly after the New York Times had hailed John Cranko’s achievement as 'The German Ballet Miracle', his death mid-Atlantic deprived the world of one of its greatest choreographers. After leaving his native South Africa at eighteen, never to return, Cranko quickly became a resident choreographer with the Royal Ballet. He collaborated closely with luminaries such as Benjamin Britten and John Piper and encouraged the young Kenneth MacMillan. Tirelessly innovative, he devised a hit musical revue, Cranks as well as perennial favourites such as Pineapple Poll. His charm and wit endeared him to colleagues and royalty alike, but in the late 1950s his star began to wane. This, and a much-publicised scandal, drove Cranko to leave England for Germany. There, his work as director and choreographer of the Stuttgart Ballet enjoyed phenomenal success in USA, Russia and Europe. Fifty years after his tragically early death, Cranko’s story ballets continue to enrich ballet audiences around the world. The author danced in the Stuttgart Ballet’s premieres of Cranko’s Onegin, Romeo and Juliet and many more. He reveals the man behind the masterpieces and explores an array of lesser-known works, bringing to light fascinating facts about the genesis of Cranko’s ballets. Lavishly illustrated with rare photographs, the book contains Cranko’s personal letters and extensive reference material. It brings the reader surprising insights into the life and work of a truly exceptional man of theatre.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: Kathrina Farrugia-Kriel
Publisher: Oxford University Press
ISBN: 0190871490
Category : Performing Arts
Languages : en
Pages : 1013
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Book Description
"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--
Author: Helen Julia Minors
Publisher: Bloomsbury Publishing
ISBN: 1350175757
Category : Language Arts & Disciplines
Languages : en
Pages : 217
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Book Description
How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process? Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
Get Book Here
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: Mervyn Cooke
Publisher: Boydell & Brewer
ISBN: 9780851158303
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Investigation into the influence of Eastern music on Britten's composition. Benjamin Britten's interest in the musical traditions of the Far East had a far-reaching influence on his compositional style; this book is the first to investigate the highly original cross-cultural synthesis he was able to achieve through the use of material borrowed from Balinese, Japanese and Indian music. Britten's visit to Indonesia and Japan in 1955-6 is reconstructed from archival sources, and shown to have had a profound impact on his subsequent work: the techniques of Balinese gamelan music were used in the ballet The Prince of the Pagodas (1957), and then became an essential feature of Britten's compositional style, at their most potent in Death in Venice(1973). The No drama and Gagaku court music of Japan were the inspiration for the trilogy of church parables Britten composed in the 1960s. The precise nature of these influences is discussed; Britten's sporadic borrowings from Indian music are also fully analysed. There is a survey of critical responses to Britten's cross-cultural experiments. Dr MERVYN COOKE lectures in music at the University of Nottingham.
Author: James Neufeld
Publisher: Dundurn
ISBN: 1459728300
Category : Performing Arts
Languages : en
Pages : 2215
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Book Description
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
Author: Lynsey McCulloch
Publisher: Oxford University Press
ISBN: 019049879X
Category : Music
Languages : en
Pages : 633
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Book Description
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Author: Andree Grau
Publisher: Routledge
ISBN: 113469654X
Category : Art
Languages : en
Pages : 248
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Book Description
Europe Dancing examines the dance cultures and movements which have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. The contributors chart the art form, and discuss the outside influences which have shaped it. This comprehensive book explores: * questions of identity within individual countries, within Europe, and in relation to the USA * the East/West cultural division * the development of state subsidy for dance * the rise of contemporary dance as an 'alternative' genre * the implications for dance of political, economic and social change. Useful historical charts are included to trace significant dance and political events throughout the twentieth century in each country. Never before has this information been gathered together in one place. This book is essential reading for everyone interested in dance and its growth and development in recent years.
