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Author: Lawrence Manley
Publisher: Harvard University Press
ISBN: 9780674170155
Category : History
Languages : en
Pages : 380
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Book Description
A major reinterpretation of the development of European literary theory, this wide-ranging study offers a new approach to ways of thinking about man's work in general. This book is a history of the idea of convention, the roles it played in the formative stages of English and Continental literary theory and in the development of modern thought.
Author: Lawrence Manley
Publisher: Harvard University Press
ISBN: 9780674170155
Category : History
Languages : en
Pages : 380
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Book Description
A major reinterpretation of the development of European literary theory, this wide-ranging study offers a new approach to ways of thinking about man's work in general. This book is a history of the idea of convention, the roles it played in the formative stages of English and Continental literary theory and in the development of modern thought.
Author: Steven Mailloux
Publisher: Cornell University Press
ISBN: 1501720953
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
In Interpretive Conventions, Steven Mailloux provides a general introduction to reader-response criticism while developing his own specific reader-oriented approach to literature. He examines five influential theories of the reading process—those of Stanley Fish, Jonathan Culler, Wolfgang Iser, Norman Holland, and David Bleich. He goes on to argue the need for a more comprehensive reader-response criticism based on a consistent social model of reading. He develops such a reading model and also discusses American textual editing and literary history.
Author: Theo d'. Haen
Publisher: John Benjamins Publishing
ISBN: 9027222096
Category : Literary Collections
Languages : en
Pages : 457
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Book Description
This work is a critical evaluation of the concepts of convention and innovation as applied in the study of changing literary values, hierarchies and canons. Two approaches are analyzed: (1) the linking of convention and the subject's awareness of convention, and (2) systems theory. The merits of both approaches are discussed and an attempt is made to combine them and to regard systems of literary communication primarily as systems of conventions. Specific cases of changing conventions and innovation are illustrated with examples from the field of versification (Rimbaud), reception studies (Puskin, Goethe, George Eliot), the dichotomy of forgetting/remembering (Nietzsche, Proust), avant-garde, the American dream, and popular genres assimilated in Postmodernism.
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
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Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Author: Jane O. Newman
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
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Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Author: C. B. Schmitt
Publisher: Cambridge University Press
ISBN: 9780521397483
Category : Philosophy
Languages : en
Pages : 986
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Book Description
This 1988 Companion offers an account of philosophical thought from the middle of the fourteenth century to the emergence of modern philosophy.
Author: Julia Reinhard Lupton
Publisher: Bloomsbury Publishing
ISBN: 1350109223
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Romeo and Juliet is the most produced, translated and re-mixed of all of Shakespeare's plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play's dispersal into neighbouring art forms – including ballet, opera, television and architecture – and geographical locations, including Italy, Ireland, France, India and Korea. Chapters trace Shakespeare's own acts of adaptation and appropriation of sources and the play's subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Hector Berlioz's 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare's lovers in the narrative forms of fiction, film and serial television, including works by James Joyce, Samuel Beckett and HBO's series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare's work in India, as well as productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the tensions between the notion of Shakespeare as a universal author and the lived experiences of marginalized communities as they engage with his plays.
Author: Nigel Voak
Publisher: OUP Oxford
ISBN: 0191532010
Category : Religion
Languages : en
Pages : 368
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Book Description
Richard Hooker (1554-1600) has traditionally been seen as the first systematic defender of an Anglican via media between Rome and Geneva. Revisionists have argued recently, however, that Hooker was in fact a thoroughly Reformed theologian. Dr Voak takes issue with this interpretation, arguing that Hooker over time became highly critical of numerous Reformed positions. Beginning with philosophical principles underlying Hooker's theology (e.g. free will, resistibility of grace), the book then considers issues such as original sin, justification and sanctification, merit and the religious authority of scripture, reason, and tradition. Finally, Hooker's late manuscripts are examined, in which he defends himself from the charge of heresy.
Author: Stephanie Elsky
Publisher: Oxford University Press
ISBN: 0192605844
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Custom, Common Law, and the Constitution of English Renaissance Literature argues that, ironically, custom was a supremely generative literary force for a range of Renaissance writers. Custom took on so much power because of its virtual synonymity with English common law, the increasingly dominant legal system that was also foundational to England's constitutionalist politics. The strange temporality assigned to legal custom, that is, its purported existence since 'time immemorial', furnished it with a unique and paradoxical capacity—to make new and foreign forms familiar. This volume shows that during a time when novelty was suspect, even insurrectionary, appeals to the widespread understanding of custom as a legal concept justified a startling array of fictive experiments. This is the first book to reveal fully the relationship between Renaissance literature and legal custom. It shows how writers were able to reimagine moments of historical and cultural rupture as continuity by appealing to the powerful belief that English legal custom persisted in the face of conquests by foreign powers. Custom, Common Law, and the Constitution of English Renaissance Literature thus challenges scholarly narratives in which Renaissance art breaks with a past it looks back upon longingly and instead argues that the period viewed its literature as imbued with the aura of the past. In this way, through experiments in rhetoric and form, literature unfolds the processes whereby custom gains its formidable and flexible political power. Custom, a key concept of legal and constitutionalist thought, shaped sixteenth-century literature, while this literature, in turn, transformed custom into an evocative mythopoetic.
