Cambridge Cultural History of Britain: Volume 9, Modern Britain PDF Download
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Author: Boris Ford
Publisher: Cambridge University Press
ISBN: 9780521428897
Category : Art
Languages : en
Pages : 376
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Book Description
This book is a comprehensive survey for students, specialists and general readers of all major branches of the arts in early Britain. It also reveals the cultural and social setting in which writers, musicians, architects and other artists of the period worked.
Author: Boris Ford
Publisher: Cambridge University Press
ISBN: 9780521428897
Category : Art
Languages : en
Pages : 376
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Book Description
This book is a comprehensive survey for students, specialists and general readers of all major branches of the arts in early Britain. It also reveals the cultural and social setting in which writers, musicians, architects and other artists of the period worked.
Author: Paul Ward
Publisher: Routledge
ISBN: 1134600429
Category : History
Languages : en
Pages : 262
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Book Description
What does it mean to be British? It is now recognized that being British is not innate, static or permanent, but that national identities within Britain are constantly constructed and reconstructed. Britishness since 1870 examines this definition and redefinition of the British national identity since the 1870s. Paul Ward argues that British national identity is a resilient force, and looks at how Britishness has adapted to changing circumstances. Taking a thematic approach, Britishness since 1870 examines the forces that have contributed to a sense of Britishness, and considers how Britishness has been mediated by other identities such as class, gender, region, ethnicity and the sense of belonging to England, Scotland, Wales and Ireland.
Author: Dominic Sandbrook
Publisher: Abacus
ISBN: 0349141282
Category : History
Languages : en
Pages : 741
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Book Description
'An active pleasure to read' Mail on Sunday Harold Wilson's famous reference to 'white heat' captured the optimistic spirit of a society in the midst of breathtaking change. From the gaudy pleasures of Swinging London to the tragic bloodshed in Northern Ireland, from the intrigues of Westminster to the drama of the World Cup, British life seemed to have taken on a dramatic new momentum. The memories, images and colourful personalities of those heady times still resonate today: mop-tops and mini-skirts, strikes and demonstrations, Carnaby Street and Kings Road, Harold Wilson and Edward Heath, Mary Quant and Jean Shrimpton, Enoch Powell and Mary Whitehouse, Marianne Faithfull and Mick Jagger. In this wonderfully rich and readable historical narrative, Dominic Sandbrook looks behind the myths of the Swinging Sixties to unearth the contradictions of a society caught between optimism and decline.
Author:
Publisher: BRILL
ISBN: 9004393544
Category : History
Languages : en
Pages : 375
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Book Description
In A World At War, 1911-1949, leading and emerging scholars of the cultural history of the two world wars begin to break down the traditional barriers between the historiographies of the two conflicts, identifying commonalities as well as casting new light on each as part of a broader mission, in honour of Professor John Horne, to expand the boundaries of academic exploration of warfare in the 20th century. Utilizing techniques and approaches developed by cultural historians of the First World War, this volume showcases and explores four crucial themes relating to the socio-cultural attributes and representation of war that cut across both the First and Second World Wars: cultural mobilization, the nature and depiction of combat, the experience of civilians under fire, and the different meanings of victory and defeat. Contributors are: Annette Becker, Robert Dale, Alex Dowdall, Robert Gerwarth, John Horne, Tomás Irish, Heather Jones, Alan Kramer, Edward Madigan, Anthony McElligott, Michael S. Neiberg, John Paul Newman, Catriona Pennell, Filipe Ribeiro de Meneses, Daniel Todman, and Jay Winter. See inside the book.
Author: Simone Krüger (ed.)
Publisher: Lulu.com
ISBN: 0956895867
Category : Education
Languages : en
Pages : 231
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Book Description
This book provides a collection of graduate students' writings in popular music studies.
Author: Danae Karydaki
Publisher: Taylor & Francis
ISBN: 0429589042
Category : History
Languages : en
Pages : 237
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Book Description
This book draws on a range of key archives and oral testimonies to provide the first systematic and historical study of the origins, context, development, frustrations, inner contradictions, and legacies of the Columbus Centre. The Columbus Centre, a remarkable though largely forgotten research institute, was established at the University of Sussex in 1966, triggered by claims of a dearth of academic research about Nazism and the Holocaust. Its basic stated aim was to bring together psychoanalysis and history for a scholarly investigation of discrimination, mass violence, and the preconditions of genocide in the past and the present. The Nazi crimes were studied along with other instances of prejudice and mass violence, such as sixteenth- and seventeenth-century witch-hunts, South African apartheid, the persecution of the Roma people, and race relations in the United States and modern-day Britain. The book seeks to place the Columbus Centre in the historiography of mass violence by analysing the Centre’s works through four historiographical prisms or power relations in which they were produced: psychoanalysis, class, race, and gender. This interdisciplinary volume is a valuable text for scholars and students of historiography, psychoanalysis, genocide and violence, and postwar Europe, and for professionals within the field of psychology.
Author: John Heskett
Publisher: Bloomsbury Publishing
ISBN: 1474221289
Category : Design
Languages : en
Pages : 342
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Book Description
A John Heskett Reader brings together a selection of the celebrated design historian John Heskett's key works, introduced and edited by Clive Dilnot of Parsons, the New School, USA. Heskett, who passed away in early 2014, was a pioneering British-born writer and lecturer. His research was foundational for the study of industrial design, and his research into the relationship between design, policy and economic value is still a regular reference-point for academics and students alike. This anthology represents well the great range of his work, covering such varied topics as the growth of Japanese industrialism, modernism in the Third Reich, and 1980's corporate design management. Including both hard-to-access and previously unpublished material like Crafts, Commerce and Industry and Economic Value of Design, the book demonstrates Heskett's passionate interest in exploring the relationship of design and making with economic value across the entirety of human history. Featured texts include, What is Design, Chinese Design: what can we learn from the past?, The 'American System' and Mass Production, The Industrial Applications of Tubular Steel, Creative Destruction: the nature and consequences of change through design, Reflections on Design and Hong Kong, besides many others.
Author: Jorn Weingartner
Publisher: Bloomsbury Publishing
ISBN: 085773900X
Category : History
Languages : en
Pages : 335
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Book Description
In 1834, Lord Melbourne spoke the words that epitomised the British government's attitude towards its own involvement in the arts: 'God help the minister that meddles with Art'. However, with the outbreak of World War II, that attitude changed dramatically when 'cultural policy' became a key element of the domestic front. Not only a propaganda tool, it aimed to boost morale and prevent a wartime cultural blackout. "The Arts as a Weapon of War" traces the evolution of this policy from the creation of the Committee for the Encouragement of Music and the Arts, in 1939, to the drafting of the Arts Council's constitution in 1945. From the improvement of the National Gallery to Myra Hess' legendary concerts during the blitz, Jorn Weingartner provides a fascinating account of the powerful policy shift that laid the foundations for the modern relationship between government and the arts.
Author: Clive Bloom
Publisher: Routledge
ISBN: 1317897560
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
The first in a three-volume sequence, this book covers the period between 1900 and 1929, providing a perceptive and thorough analysis of British literature within its historical, cultural and artistic context. It identifies the crucial, interwoven relationships between literature and the visual arts, modern poetry, popular fiction, journalism, cinema, music and radio. Much factual detail and a literary chronology guide the reader through the text.
Author: John Albert Walker
Publisher: Pluto Press (UK)
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The vibrant fine arts and mass culture that the United Stated exported to Britain in the postwar period had a powerful and far-reaching impact on many British artists, art students and critics. In a fascinating social and cultural history covering the period from the 1940s to the 1990s, but with emphasis on the 1950s and 1960s, John A. Walker offers a scholarly but accessible account of America's Cold War cultural offensive and the role played by American artists living in Britain.This is the first text to document in detail the variegated responses of British artists to postwar America and its art, criticism and mass media. Their reactions that ranged from Americanism - enthusiasm and compliance - to Anti-Americanism - criticism and resistance. Covering significant art movements such as Abstract Expressionism, the Independent Group and Pop Art, Walker synthesises information from hundreds of published sources and interviews to paint a vivid picture of a crucial period in British culture.Many of the critics, painters and sculptors featured - Lawrence Alloway, Peter Blake, Reyner Banham, Anthony Caro, Clement Greenberg, David Hockney, Richard Hamilton, R.B. Kitaj, John Latham, Claes Oldenburg, Eduardo Paolozzi, Herbert Read, Bridget Riley, Larry Rivers - are now internationally famous. The study is brought up to date with an overview of the decline in American influence during in the 1980s and 1990s and the rise of Brit Art.
