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Author: W. Zwalf
Publisher: Trustees of British Museum and British Library Board
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
"Catalog of an exhibition drawn mainly from the resources of the British Museum and British Library"--Preface.
Author: W. Zwalf
Publisher: Trustees of British Museum and British Library Board
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
"Catalog of an exhibition drawn mainly from the resources of the British Museum and British Library"--Preface.
Author: Patricia J. Graham
Publisher: University of Hawaii Press
ISBN: 0824862465
Category : Art
Languages : en
Pages : 401
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Book Description
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Author: Thomas R. Martland
Publisher: State University of New York Press
ISBN: 1438412134
Category : Religion
Languages : en
Pages : 238
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Book Description
Religion in its most authentic part is an art form. Religion does what art does. This idea is richly illustrated and supported by materials of diverse origin. The vast range of the author's experience in the arts and in religious texts and works of aesthetics allows him to lay hold of a great mass of disparate material and to bring out new dimensions in all of it. He always has just the example he needs at his fingertips, a Tibetan Buddhist text next to a French impressionist painting and a remark about early Banogu counterpoint, and each example is seen in a new and interesting way. Through this gentle yoking together of heterogeneous materials, common roots are discovered. Most studies of art and religion describe and explain them as data. Thomas Martland identifies them as expressions of ideals and asks what they are when they are authentic rather than merely what they are when they are self-identified as art and religion. This is an identification through assessment, not an Aristotelian classification, and the means of assessment are provided.
Author: Masaharu Anesaki
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Faith Stone
Publisher:
ISBN: 9781888386295
Category :
Languages : en
Pages : 142
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Book Description
Karma & Faith. Our names express the idea of this show. It's an exploration of Tibetan Buddhist art influenced by the West and of American art influenced by Tibetan Buddhism. We come together in a blending of cultures with creating Buddhist art at the core. We are both interested in making the Buddhas in a contemporary way and by doing so, making them more accessible to our world and times.
Author: Dr. Janet Baker
Publisher: Marg Publications
ISBN: 8185026424
Category : Art
Languages : en
Pages : 1
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Book Description
This book presents new research on topics which center around the question of how Chinese Buddhist art evolved and what characterizes it as distinct ly Chinese. Touching upon the Indian roots of Buddhism, the authors focus on the transformations that took place once the belief system entered the Chinese political, social, and philosophical
Author: Karl Debreczeny
Publisher:
ISBN: 9780692194607
Category : Buddhism and art
Languages : en
Pages : 0
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Book Description
"This catalog is published in conjunction with the exhibition Faith and Empire: Art and Politics in Tibetan Buddhism, organized and presented by the Rubin Museum of Art, New York, February 1-July 15, 2019, and curated by Karl Debreczeny, Senior Curator, Collections and Research, with the assistance of Lizzie Doorly"--Colophon.
Author: J. P. Park
Publisher: John Wiley & Sons
ISBN: 1118927001
Category : Art
Languages : en
Pages : 568
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Book Description
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
Author: Kanoko Tanaka
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
Dr. Tanaka, For The First Time Ever, Explores The Absence Of The Buddha-Image In Early Buddhist Art. Applying The Motif Of The Empty Throne , She Undertakes A Comparative Study Of Buddhism And Other Religions.
Author: K.R. van Kooij
Publisher: BRILL
ISBN: 9004658645
Category : History
Languages : en
Pages : 224
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Book Description
What was the function of Buddhist art at the time Buddhism was a major religion in large areas of South, East, and South-East Asia? Can we establish what these sculptures and paintings meant to Buddhist believers living at a time when this art fulfilled important religious needs? These questions are discussed, not answered, in a volume about ‘Function and Meaning of Buddhist Art’ which contains the papers of a workshop on this theme held at Leiden University in 1991. While dealing with a variety of themes and subject-matter, sometimes in great detail, sixteen specialists focus on ritual and semantic aspects of Buddhist works of art from countries such as India, China, Japan, Tibet, Thailand, and Indonesia. Recent non-western art-historical publications show an increasing tendency to work with methodological frameworks developed by specialists on western art. Moreover, there are more similarities between Buddhist and other religious art ‘than, literally, meet the eye’. For this reason, two comparative studies are included in which parallels and universals are brought forward. Two main lines emerge in the results offered in this book, the one indicating a tendency to focus on intended meanings; the other concentrating on more than one level of reception of Buddhist art in a liturgical context.
