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Author: Gordon Pocock
Publisher: Cambridge University Press
ISBN: 0521227720
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Boileau has traditionally been regarded as the spokesman of French neo-classicism, but some elements of scholarship have discounted the importance of neo-classical doctrine in general and of Boileau's particular contribution to it. Many critical approaches have stressed instead the liveliness and wit of Boileau's poems, his love of language and his passionate temperament. Mr Pocock uses these critical approaches to demonstrate in detail how Boileau's verve, love of contrasts, and essentially dramatic imagination animate the major poems. But he also argues that such approaches do not in themselves suffice to explain Boileau's special qualities. Neo-classicism was an important element in the intellectual life of Europe in the most critical period of the decline of Christianity and the rise of rationalism and science. Mr Pocock proposes a reformulation of those views which take account not only of modern criticism but also of Boileau's commitment to neo-classicism and his embodiment of it in his work.
Author: Gordon Pocock
Publisher: Cambridge University Press
ISBN: 0521227720
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Boileau has traditionally been regarded as the spokesman of French neo-classicism, but some elements of scholarship have discounted the importance of neo-classical doctrine in general and of Boileau's particular contribution to it. Many critical approaches have stressed instead the liveliness and wit of Boileau's poems, his love of language and his passionate temperament. Mr Pocock uses these critical approaches to demonstrate in detail how Boileau's verve, love of contrasts, and essentially dramatic imagination animate the major poems. But he also argues that such approaches do not in themselves suffice to explain Boileau's special qualities. Neo-classicism was an important element in the intellectual life of Europe in the most critical period of the decline of Christianity and the rise of rationalism and science. Mr Pocock proposes a reformulation of those views which take account not only of modern criticism but also of Boileau's commitment to neo-classicism and his embodiment of it in his work.
Author: Gordon Pocock
Publisher:
ISBN:
Category : Neoclassicism (Literature)
Languages : en
Pages : 224
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Book Description
Author: J. Colin McQuillan
Publisher: Rowman & Littlefield
ISBN: 1783482133
Category : Philosophy
Languages : en
Pages : 204
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Book Description
Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.
Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1107499151
Category : Art
Languages : en
Pages : 329
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Book Description
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author: Carla Mazzio
Publisher: Routledge
ISBN: 1135261083
Category : Art
Languages : en
Pages : 429
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Book Description
First published in 2000. Did people in early modern Europe have a concept of an inner self? Carla Mazzio and Douglas Trevor have brought together an outstanding group of literary, cultural, and history scholars to answer this intriguing question. Through a synthesis of historicism and psychoanalytic criticism, the contributors explore the complicated, nuanced, and often surprising union of history and subjectivity in Europe centuries before psychoanalytic theory. Addressing such topics as "fetishes and Renaissances," "the cartographic unconscious," and "the topographic imaginary," these essays move beyond the strict boundaries of historicism and psychoanalysis to carve out new histories of interiority in early modern Europe.
Author: Robert L. Montgomery
Publisher: Penn State Press
ISBN: 0271039574
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Author: Cecilia Rosengren
Publisher: Manchester University Press
ISBN: 152614610X
Category : Literary Criticism
Languages : en
Pages : 532
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Book Description
This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.
Author: Karen Newman
Publisher: Princeton University Press
ISBN: 1400832705
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Social theories of modernity focus on the nineteenth century as the period when Western Europe was transformed by urbanization. Cities became thriving metropolitan centers as a result of economic, political, and social changes wrought by the industrial revolution. In Cultural Capitals, Karen Newman demonstrates that speculation and capital, the commodity, the crowd, traffic, and the street, often thought to be historically specific to nineteenth-century urban culture, were in fact already at work in early modern London and Paris. Newman challenges the notion of a rupture between premodern and modern societies and shows how London and Paris became cultural capitals. Drawing upon poetry, plays, and prose by writers such as Shakespeare, Scudéry, Boileau, and Donne, as well as popular materials including pamphlets, ballads, and broadsides, she examines the impact of rapid urbanization on cultural production. Newman shows how changing demographics and technological development altered these two emerging urban centers in which new forms of cultural capital were produced and new modes of sociability and representation were articulated. Cultural Capitals is a fascinating work of literary and cultural history that redefines our conception of when the modern city came to be and brings early modern London and Paris alive in all their splendor, squalor, and richness.
Author: Mark E. Blum
Publisher: Lehigh University Press
ISBN: 1611460093
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Franz Kafka is among the most significant 20th century voices to examine the absurdity and terror posed for the individual by what his contemporary Max Weber termed 'the iron cage' of society. Ferdinand Tsnnies had defined the problem of finding community within society for Kafka and his peers in his 1887 book Gemeinschaft und Gesellschaft. Kafka took up this issue by focusing upon the 'social discourse' of human relationships. In this book, Mark E. Blum examines Kafka's three novels, Amerika, The Trial, and The Castle in their exploration of how community is formed or eroded in the interpersonal relations of its protagonists. Critical literature has recognized Kafka's ability to narrate the gestural moment of alienation or communion. This 'social discourse' was augmented, however, by a dimension virtually no commentator has recognized-Kafka's conversation with past and present authors. Kafka encoded authors and their texts representing every century of the evolution of modernism and its societal problems, from Bunyan and DeFoe, through Pope and Lessing, to Fontane and Thomas Mann. The inter-textual conversation Kafka conducted can enable us to appreciate the profound human problem of realizing community within society. Cultural historians as well as literary critics will be enriched by the evidence of these encoded cultural conversations. Kafka's 'Imperial Messenger' may finally be heard in the full history of his emanations. Kafka encoded not only past authors, but painters as well. Kafka had been known as a graphic artist in his youth, and was informed by expressionism and cubism as he matured. Kafka's encodings of literature as well as fine art are not solely of the work to which he refers, but the community of authors or painters and their success or failure of community. Kafka's encodings were meant as an extra-textual readings for astute readers, but also as a lesson to his fellow authors whom he held accountable in his correspondence as cultural messengers. Encoding had been a Germanic literary norm since the sixteenth century. Many of Kafka's encodings are of Austrian satirists since the eighteenth century, among them Franz Christoph von Scheyb and Gottlieb Wilhelm Rabener, Josef Schreyvogel, as well as the genial irony of Franz Grillparzer. Austrian literature is prominent, but Kafka's encodings are drawn from all Western literature from Plato through his own present. In The Castle the figure of Momus becomes a major index in the history of Western literature, extended from Plato through Lucian, to Nicolaus Gerbel through Goethe. Momus, the arch-critic of manners, morals, and judge of human character, enables a Kafka reader to use this thread to comprehend the errors of commission and omission in the social discourse of his protagonists throughout his opus.
Author: Howard D. Weinbrot
Publisher: JHU Press
ISBN: 9780801882104
Category : History
Languages : en
Pages : 412
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Book Description
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