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Author: E.H. Wright
Publisher: Cambridge Scholars Publishing
ISBN: 1443862290
Category : Art
Languages : en
Pages : 276
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Book Description
“No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists.” —T. S. Eliot, “Tradition and the Individual Talent”, 1921 Bloomsbury Influences is an interdisciplinary essay collection developed from papers given at Bath Spa University’s Bloomsbury Adaptations Conference. The volume explores the ways that 20th and 21st century art, drama, fiction and philosophy have been influenced and inspired by the work of the Bloomsbury Group and their London milieu. By comparing and contrasting the artistic, philosophical and literary works of the Bloomsbury Group with later artists, writers and thinkers, such as the Singh Twins, Harold Bloom, C. K. Stead, Jeanette Winterson and Ali Smith, amongst many others, each essay examines how, in T. S. Eliot’s words, the past has been “altered by the present as much as the present is directed by the past”.
Author: E.H. Wright
Publisher: Cambridge Scholars Publishing
ISBN: 1443862290
Category : Art
Languages : en
Pages : 276
Get Book Here
Book Description
“No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists.” —T. S. Eliot, “Tradition and the Individual Talent”, 1921 Bloomsbury Influences is an interdisciplinary essay collection developed from papers given at Bath Spa University’s Bloomsbury Adaptations Conference. The volume explores the ways that 20th and 21st century art, drama, fiction and philosophy have been influenced and inspired by the work of the Bloomsbury Group and their London milieu. By comparing and contrasting the artistic, philosophical and literary works of the Bloomsbury Group with later artists, writers and thinkers, such as the Singh Twins, Harold Bloom, C. K. Stead, Jeanette Winterson and Ali Smith, amongst many others, each essay examines how, in T. S. Eliot’s words, the past has been “altered by the present as much as the present is directed by the past”.
Author: Philip Lambert
Publisher: Bloomsbury Publishing USA
ISBN: 1441107487
Category : Music
Languages : en
Pages : 417
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Book Description
Inside the Music of Brian Wilson is, as author Phillip Lambert writes in the prologue "completely, and intensely, focused on the music of Brian Wilson, on the musical essence of his songs and the aesthetic value of his artistic achievements. It acknowledges the familiar biographical contexts of his songs, but it tells completely new stories about the birth and evolution of his musical ideas, identifying important musical trends in his work, heretofore undisclosed inter-song connections within his music, or between his music and that of others, and the nature and extent of his artistry. It aims not just to identify great songs, but to explain exactly what makes them so." Lambert, a renowned musicologist, brings to this work to life with both his professional expertise and an infectious personal appreciation of the power of pop music. His clear, engaging tone and accessible writing style allows even a musically inexperienced reader to follow him as he traces Wilson's musical evolution, with a particular focus on the years leading up to the writing and recording of Pet Sounds and SMiLE, albums which many consider to be the masterpieces of his oeuvre. Inside the Music of Brian Wilson is the definitive book on Wilson's music and is essential reading for fans of Brian Wilson, the Beach Boys, and great pop music. Includes THREE amazing Appendixes: Appendix 1: Brian Wilson Song Chronology* Appendix 2: Four Freshmen Albums, 1955-1961 Appendix 3: Favorite Songs and Influences Through 1961 *The most complete song chronology ever published.
Author: Susan Cheever
Publisher: Simon and Schuster
ISBN: 0743264622
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
A portrait of five Concord, Massachusetts, writers whose works were at the center of mid-nineteenth-century American thought and literature evaluates their interconnected relationships, influence on each other's works, and complex beliefs.
Author: Paul Ardoin
Publisher: Bloomsbury Publishing USA
ISBN: 1441188371
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the 21st century, so much so that, perhaps, our Bergson is Deleuze's Bergson. Despite renewed interest in Bergson, his influence remains understudied and consequently undervalued. While books examining the impact of Freud and James on Modernism abound, Bergson's impact, though widely acknowledged, has been closely examined much more rarely. Understanding Bergson, Understanding Modernism remedies this deficiency in three ways. First, it offers close readings and critiques of six pivotal texts. Second, it reassesses Bergson's impact on Modernism while also tracing his continuing importance to literature, media, and philosophy throughout the twentieth and into the 21st century. In its final section it provides an extended glossary of Bergsonian terms, complete with extensive examples and citations of their use across his texts. The glossary also maps the influence of Bergson's work by including entries on related writers, all of whom Bergson either corresponded with or critiqued.
Author: Tom Regan
Publisher: Wipf and Stock Publishers
ISBN: 1620324601
Category : Philosophy
Languages : en
Pages : 329
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Book Description
Canonized as the "plain man's philosopher" and the "defender of common sense," G. E. Moore is one of the most influential philosophers of the twentieth century. But Moore's role as Bloombury's prophet has remained a mystery. How could the "plain man's philosopher" influence those legendary members of the Bloomsbury group--Lytton Strachey and John Maynard Keynes, for example--who could never be characterized as plain men?With this book, well-known contemporary philosopher Tom Regan solves the mystery. Relying on Moore's published and unpublished work, Regan traces the development of Moore's moral philsophy up to and through his seminal work, Principa Ethica (1903). Regan offers a radical reinterpretation of Principa. Contrary to the standard interpretation, that work's central theme is the liberation of the individual, not dreary conformity to the rules of conventional morality. The Bloomsberries lived Moore's philosophy--the same philosophy subsequent generations have misunderstood.At once literary and scholarly, Bloomsbury's Prophet challenges received opinions not only about Principa and Moore but about Bloomsbury itself.
Author: Alistair Heys
Publisher: Bloomsbury Publishing USA
ISBN: 1441177639
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Here at last is a comprehensive introduction to the career of America's leading intellectual. The Anatomy of Bloom surveys Harold Bloom's life as a literary critic, exploring all of his books in chronological order, to reveal that his work, and especially his classic The Anxiety of Influence, is best understood as an expression of reprobate American Protestantism and yet haunted by a Jewish fascination with the Holocaust. Heys traces Bloom's intellectual development from his formative years spent as a poor second-generation immigrant in the Bronx to his later eminence as an international literary phenomenon. He argues that, as the quintessential living embodiment of the American dream, Bloom's career-path deconstructs the very foundations of American Protestantism.
Author: Nino Strachey
Publisher: Simon and Schuster
ISBN: 1982164786
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
An “illuminating” (Daily Mail, London) exploration of the second generation of the iconic Bloomsbury Group who inspired their elders to new heights of creativity and passion while also pushing the boundaries of sexual freedom and gender norms in 1920s England. In the years before the First World War, a collection of writers and artists—Virginia Woolf, E.M. Forster, and Lytton Strachey among them—began to make a name for themselves in England and America for their irreverent spirit and provocative works of literature, art, and criticism. They called themselves the Bloomsbury Group and by the 1920s, they were at the height of their influence. Then a new generation stepped forward—creative young people who tantalized their elders with their captivating looks, bold ideas, and subversive energy. Young Bloomsbury introduces us to this colorful cast of characters, including novelist Eddy Sackville-West, who wore elaborate make-up and dressed in satin and black velvet; artist Stephen Tomlin, who sculpted the heads of his male and female lovers; and author Julia Strachey, who wrote a searing tale of blighted love. Talented and productive, these larger-than-life figures had high-achieving professional lives and extremely complicated emotional lives. The group had always celebrated sexual equality and freedom in private, feeling that every person had the right to live and love in the way they chose. But as transgressive self-expression became more public, this younger generation gave Old Bloomsbury a new voice. Revealing an aspect of history not yet explored and with “effervescent detail” (Juliet Nicolson, author of Frostquake), Young Bloomsbury celebrates an open way of living and loving that would not be embraced for another hundred years.
Author: Mary Ann Caws
Publisher: Oxford University Press
ISBN: 0199923639
Category : Biography & Autobiography
Languages : en
Pages : 703
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Book Description
"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
Author: Roger Fry
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Wendy Hitchmough
Publisher: Yale University Press
ISBN: 0300244118
Category : Design
Languages : en
Pages : 186
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Book Description
An in-depth study of how the famed Bloomsbury Group expressed their liberal philosophies and collective identity in visual form "[Fascinating and wide-ranging. . . . Will be enjoyed by both Bloomsbury aficionados and newcomers alike."--Lucinda Willan, V&A Magazine The Bloomsbury Group was a loose collective of forward-thinking writers, artists, and intellectuals in London, with Virginia Woolf, John Maynard Keynes, and E. M. Forster among its esteemed members. The group's works and radical beliefs, spanning literature, economics, politics, and non-normative relationships, changed the course of 20th-century culture and society. Although its members resisted definition, their art and dress imparted a coherent, distinctive group identity. Drawing on unpublished photographs and extensive new research, The Bloomsbury Look is the first in-depth analysis of how the Bloomsbury Group generated and broadcast its self-fashioned aesthetic. One chapter is dedicated to photography, which was essential to the group's visual narrative--from casual snapshots, to amateur studio portraits, to family albums. Others examine the Omega Workshops as a design center, and the evidence for its dress collections, spreading the Bloomsbury aesthetic to the general public. Finally, the book considers the group's extensive participation in 20th-century modernism as artists, models, curators, critics, and collectors.
