Author: Timothy J. Brittain-Catlin
Publisher: MIT Press
ISBN: 0262528851
Category : Architecture
Languages : en
Pages : 193
Book Description
Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Bleak Houses
Author: Timothy J. Brittain-Catlin
Publisher: MIT Press
ISBN: 0262528851
Category : Architecture
Languages : en
Pages : 193
Book Description
Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Publisher: MIT Press
ISBN: 0262528851
Category : Architecture
Languages : en
Pages : 193
Book Description
Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Bleak Houses
Author: Lisa Anne Surridge
Publisher: Ohio University Press
ISBN: 0821416421
Category : Abused women in literature
Languages : en
Pages : 289
Book Description
Publisher Description
Publisher: Ohio University Press
ISBN: 0821416421
Category : Abused women in literature
Languages : en
Pages : 289
Book Description
Publisher Description
Bleak Houses
Author: Timothy J. Brittain-Catlin
Publisher: MIT Press
ISBN: 0262026694
Category : Architecture
Languages : en
Pages : 193
Book Description
Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Publisher: MIT Press
ISBN: 0262026694
Category : Architecture
Languages : en
Pages : 193
Book Description
Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of “real” versus “fake,” Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Bleak House
Author: Charles Dickens
Publisher: W W Norton & Company Incorporated
ISBN: 9780393093322
Category : Literary Criticism
Languages : en
Pages : 986
Book Description
Textual notes and critical essays accompany Dickens's satire of Victorian society built around an interminable suit at the court of Chancery
Publisher: W W Norton & Company Incorporated
ISBN: 9780393093322
Category : Literary Criticism
Languages : en
Pages : 986
Book Description
Textual notes and critical essays accompany Dickens's satire of Victorian society built around an interminable suit at the court of Chancery
The Lost Causes of Bleak Creek
Author: Rhett McLaughlin
Publisher: Crown
ISBN: 1984822136
Category : Fiction
Languages : en
Pages : 337
Book Description
NEW YORK TIMES BESTSELLER • “Stranger Things meets the South. Chilling, hilarious, and suspenseful—I loved it!”—Felicia Day From the authors of Rhett & Link's Book of Mythicality and creators of Good Mythical Morning . . . It’s 1992 in Bleak Creek, North Carolina—a sleepy little place with all the trappings of an ordinary Southern town: two Baptist churches, friendly smiles coupled with silent judgments, and an unquenchable appetite for pork products. Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade. At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents. Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core. Praise for The Lost Causes of Bleak Creek “The Lost Causes of Bleak Creek is like your best friend from high school—kind of weird and a little twisted, but no matter how much trouble they caused, they always made you laugh. You don’t have to be a GMM fan to realize . . . The Lost Causes of Bleak Creek, Will It Awesome Book? F@*# yeah!”—Kurt Sutter, creator of Sons of Anarchy “Most people don’t read books, let alone write them. That puts Rhett and Link in the top 1% of smart people in the world. Read this book.”—Rachel Bloom, co-creator of Crazy Ex-Girlfriend “It’s scary, it’s fun, and it’s one hell of a carnival ride.”—Kirkus Reviews
Publisher: Crown
ISBN: 1984822136
Category : Fiction
Languages : en
Pages : 337
Book Description
NEW YORK TIMES BESTSELLER • “Stranger Things meets the South. Chilling, hilarious, and suspenseful—I loved it!”—Felicia Day From the authors of Rhett & Link's Book of Mythicality and creators of Good Mythical Morning . . . It’s 1992 in Bleak Creek, North Carolina—a sleepy little place with all the trappings of an ordinary Southern town: two Baptist churches, friendly smiles coupled with silent judgments, and an unquenchable appetite for pork products. Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade. At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents. Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core. Praise for The Lost Causes of Bleak Creek “The Lost Causes of Bleak Creek is like your best friend from high school—kind of weird and a little twisted, but no matter how much trouble they caused, they always made you laugh. You don’t have to be a GMM fan to realize . . . The Lost Causes of Bleak Creek, Will It Awesome Book? F@*# yeah!”—Kurt Sutter, creator of Sons of Anarchy “Most people don’t read books, let alone write them. That puts Rhett and Link in the top 1% of smart people in the world. Read this book.”—Rachel Bloom, co-creator of Crazy Ex-Girlfriend “It’s scary, it’s fun, and it’s one hell of a carnival ride.”—Kirkus Reviews
The Cambridge Introduction to the Novel
Author: Marina MacKay
Publisher: Cambridge University Press
ISBN: 1139493574
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Beginning its life as the sensational entertainment of the eighteenth century, the novel has become the major literary genre of modern times. Drawing on hundreds of examples of famous novels from all over the world, Marina MacKay explores the essential aspects of the novel and its history: where novels came from and why we read them; how we think about their styles and techniques, their people, plots, places, and politics. Between the main chapters are longer readings of individual works, from Don Quixote to Midnight's Children. A glossary of key terms and a guide to further reading are included, making this an ideal accompaniment to introductory courses on the novel.
Publisher: Cambridge University Press
ISBN: 1139493574
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Beginning its life as the sensational entertainment of the eighteenth century, the novel has become the major literary genre of modern times. Drawing on hundreds of examples of famous novels from all over the world, Marina MacKay explores the essential aspects of the novel and its history: where novels came from and why we read them; how we think about their styles and techniques, their people, plots, places, and politics. Between the main chapters are longer readings of individual works, from Don Quixote to Midnight's Children. A glossary of key terms and a guide to further reading are included, making this an ideal accompaniment to introductory courses on the novel.
Novel Houses
Author: Christina Hardyment
Publisher:
ISBN: 9781851244805
Category : American fiction
Languages : en
Pages : 0
Book Description
Novel Houses' visits unforgettable dwellings in twenty legendary works of English and American fiction. Each chapter stars a famous novel in which a dwelling is pivotal to the plot, and reveals how personally significant that place was to the writer who created it.0We discover Uncle Tom's Cabin's powerful influence on the American Civil War, how essential 221B Baker Street was to Sherlock Holmes and the importance of Bag End to the adventuring hobbits who called it home. It looks at why Bleak House is used as the name of a happy home and what was on Jane Austen's mind when she worked out the plot of Mansfield Park. Little-known background on the dwellings at the heart of Emily Brontë's Wuthering Heights, Mervyn Peake's Gormenghast and Stella Gibbon's Cold Comfort Farm emerges, and the real life settings of Daphne du Maurier's Rebecca and E.M. Forster's Howards End, so fundamental to their stories, are shown to relate closely to their authors' passions and preoccupations. 0A winning combination of literary criticism, geography and biography, this is an entertaining and insightful celebration of beloved novels and the extraordinary role that houses grand and small, imagined and real, or unique and ordinary, play in their continuing popularity.
Publisher:
ISBN: 9781851244805
Category : American fiction
Languages : en
Pages : 0
Book Description
Novel Houses' visits unforgettable dwellings in twenty legendary works of English and American fiction. Each chapter stars a famous novel in which a dwelling is pivotal to the plot, and reveals how personally significant that place was to the writer who created it.0We discover Uncle Tom's Cabin's powerful influence on the American Civil War, how essential 221B Baker Street was to Sherlock Holmes and the importance of Bag End to the adventuring hobbits who called it home. It looks at why Bleak House is used as the name of a happy home and what was on Jane Austen's mind when she worked out the plot of Mansfield Park. Little-known background on the dwellings at the heart of Emily Brontë's Wuthering Heights, Mervyn Peake's Gormenghast and Stella Gibbon's Cold Comfort Farm emerges, and the real life settings of Daphne du Maurier's Rebecca and E.M. Forster's Howards End, so fundamental to their stories, are shown to relate closely to their authors' passions and preoccupations. 0A winning combination of literary criticism, geography and biography, this is an entertaining and insightful celebration of beloved novels and the extraordinary role that houses grand and small, imagined and real, or unique and ordinary, play in their continuing popularity.
A Geography of Victorian Gothic Fiction
Author: Robert Mighall
Publisher: Oxford University Press, USA
ISBN: 9780199262182
Category : English fiction
Languages : en
Pages : 344
Book Description
This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing--from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Critics have thus far tended to concentrate on specific angles of Gothic writing (gender or race), or the belief that the Gothic 'returned' at the so-called fin de siècle. Robert Mighall, by contrast, demonstrates how the Gothic mode was active throughout the Victorian period, and provides historical explanations for its development from late eighteenth century, through the 'Urban Gothic' fictions of the mid-Victorian period, the 'Suburban Gothic' of the Sensation vogue, through to the somatic horrors of Stevenson, Machen, Stoker, and Doyle at the century's close. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period.
Publisher: Oxford University Press, USA
ISBN: 9780199262182
Category : English fiction
Languages : en
Pages : 344
Book Description
This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing--from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Critics have thus far tended to concentrate on specific angles of Gothic writing (gender or race), or the belief that the Gothic 'returned' at the so-called fin de siècle. Robert Mighall, by contrast, demonstrates how the Gothic mode was active throughout the Victorian period, and provides historical explanations for its development from late eighteenth century, through the 'Urban Gothic' fictions of the mid-Victorian period, the 'Suburban Gothic' of the Sensation vogue, through to the somatic horrors of Stevenson, Machen, Stoker, and Doyle at the century's close. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period.
Soul Patch
Author: Reed Farrel Coleman
Publisher: Big Earth Publishing
ISBN: 9781932557350
Category : Fiction
Languages : en
Pages : 266
Book Description
Fourth book in the acclaimed Moe Prager Mystery series taking place in New York City
Publisher: Big Earth Publishing
ISBN: 9781932557350
Category : Fiction
Languages : en
Pages : 266
Book Description
Fourth book in the acclaimed Moe Prager Mystery series taking place in New York City
To Kill a Text
Author: Ilinca Zarifopol-Johnston
Publisher: University of Delaware Press
ISBN: 9780874135398
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
Ilinca Zarifopol-Johnston's book traces the covert manifestations of Hugo's romantic notion of the novel through later French and English realism, arguing that the anachronistic traces of past literary periods are always at work defining the aims of the present, no matter how radical a new departure it seems or tries to be.
Publisher: University of Delaware Press
ISBN: 9780874135398
Category : Language Arts & Disciplines
Languages : en
Pages : 276
Book Description
Ilinca Zarifopol-Johnston's book traces the covert manifestations of Hugo's romantic notion of the novel through later French and English realism, arguing that the anachronistic traces of past literary periods are always at work defining the aims of the present, no matter how radical a new departure it seems or tries to be.