Author: Henry F. Withey
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 694
Book Description
Biographical Dictionary of American Architects (deceased)
Author: Henry F. Withey
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 694
Book Description
African American Architects
Author: Dreck Spurlock Wilson
Publisher: Routledge
ISBN: 1135956294
Category : Architecture
Languages : en
Pages : 855
Book Description
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
Publisher: Routledge
ISBN: 1135956294
Category : Architecture
Languages : en
Pages : 855
Book Description
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
Biographical Dictionary of American Architects
Author: Henry F. Withey
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
Book Description
The Twentieth Century Biographical Dictionary of Notable Americans ...
Author: Rossiter Johnson
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 542
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 542
Book Description
Sullivanesque
Author: Ronald E. Schmitt
Publisher: University of Illinois Press
ISBN: 0252056280
Category : Architecture
Languages : en
Pages : 466
Book Description
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
Publisher: University of Illinois Press
ISBN: 0252056280
Category : Architecture
Languages : en
Pages : 466
Book Description
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
Artists from Latin American Cultures
Author: Kristin G. Congdon
Publisher: Bloomsbury Publishing USA
ISBN: 0313091196
Category : Art
Languages : en
Pages : 344
Book Description
Latin Americans have long been relegated to the cultural background, obscured by the dominant European culture. This biographical dictionary profiles 75 artists from the United States and 13 nations of Central and South America and the Caribbean, including painters, sculptors, photographers, muralists, printmakers, installation artists, and performance artists. Some of their works recall pre-Columbian times; others confront the cultural imperialism of the U.S. over Latin America; and many explore how the dominant elements of culture can affect identities of class, gender, and sexuality. Profiled artists range from the renowned to the little-known: Frida Kahlo; Tina Modotti; Diego Rivera; Myrna Baez; Raquel Forner; Patrocino Barela; and many more. Color photographs are provided for many of the works. Each entry includes information about the artist's childhood, schooling, creative growth, and artistic styles and themes. Exemplary artworks and influences are described, along with a look at popular and critical responses. Supplemental features include artist cross references, a glossary of essential terms from the art world, and a number of vivid photos portraying the artists in their creative environments.
Publisher: Bloomsbury Publishing USA
ISBN: 0313091196
Category : Art
Languages : en
Pages : 344
Book Description
Latin Americans have long been relegated to the cultural background, obscured by the dominant European culture. This biographical dictionary profiles 75 artists from the United States and 13 nations of Central and South America and the Caribbean, including painters, sculptors, photographers, muralists, printmakers, installation artists, and performance artists. Some of their works recall pre-Columbian times; others confront the cultural imperialism of the U.S. over Latin America; and many explore how the dominant elements of culture can affect identities of class, gender, and sexuality. Profiled artists range from the renowned to the little-known: Frida Kahlo; Tina Modotti; Diego Rivera; Myrna Baez; Raquel Forner; Patrocino Barela; and many more. Color photographs are provided for many of the works. Each entry includes information about the artist's childhood, schooling, creative growth, and artistic styles and themes. Exemplary artworks and influences are described, along with a look at popular and critical responses. Supplemental features include artist cross references, a glossary of essential terms from the art world, and a number of vivid photos portraying the artists in their creative environments.
Biography Almanac
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1082
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1082
Book Description
American Architects and Texts
Author: Juan Pablo Bonta
Publisher: MIT Press
ISBN: 9780262024006
Category : Architecture
Languages : en
Pages : 452
Book Description
In this volume the author analyzes 400 architectural books and articles published over the past 150 years to reveal changing societal preferences in architecture and to measure the reputations of individual architects - the text includes a ranked list of the 100 most famous architects.
Publisher: MIT Press
ISBN: 9780262024006
Category : Architecture
Languages : en
Pages : 452
Book Description
In this volume the author analyzes 400 architectural books and articles published over the past 150 years to reveal changing societal preferences in architecture and to measure the reputations of individual architects - the text includes a ranked list of the 100 most famous architects.
Understanding Architecture
Author: Hazel Conway
Publisher: Routledge
ISBN: 1134847599
Category : Architecture
Languages : en
Pages : 287
Book Description
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1134847599
Category : Architecture
Languages : en
Pages : 287
Book Description
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
The American Architect from the Colonial Era to the Present
Author: Cecil D. Elliott
Publisher: McFarland
ISBN: 9780786413911
Category : Art
Languages : en
Pages : 210
Book Description
The later Colonial era saw a need to replace the buildings hurriedly assembled by earlier colonists, but competent builders were difficult to find. Capable housewrights were usually well paid and many became respected and prosperous members of their communities, but craft apprenticeships and a gentlemanly taste were two of the primary requirements for becoming an architect. As the profession developed, architects in the Northeast initiated efforts to distinguish between their work and that of housewrights and builders. This work is a history of the development of architecture as a profession in the United States. It is divided into four chronological sections. Section One covers the beginnings in Colonial times before 1800 when there were no identifiable professionals. Section Two examines architecture from 1800 to the Civil War, a period during which the first architects appeared. Section Three considers the profession from the time of the Civil War to World War I and the strengthening of the profession's status. Section Four covers architecture since World War I up to the present. Each section discusses the training of architects, standards of practice, general management methods, information sources, minority participation, and other aspects of professional operation, with special attention given to the relationship between the profession's development and the social history of the periods.
Publisher: McFarland
ISBN: 9780786413911
Category : Art
Languages : en
Pages : 210
Book Description
The later Colonial era saw a need to replace the buildings hurriedly assembled by earlier colonists, but competent builders were difficult to find. Capable housewrights were usually well paid and many became respected and prosperous members of their communities, but craft apprenticeships and a gentlemanly taste were two of the primary requirements for becoming an architect. As the profession developed, architects in the Northeast initiated efforts to distinguish between their work and that of housewrights and builders. This work is a history of the development of architecture as a profession in the United States. It is divided into four chronological sections. Section One covers the beginnings in Colonial times before 1800 when there were no identifiable professionals. Section Two examines architecture from 1800 to the Civil War, a period during which the first architects appeared. Section Three considers the profession from the time of the Civil War to World War I and the strengthening of the profession's status. Section Four covers architecture since World War I up to the present. Each section discusses the training of architects, standards of practice, general management methods, information sources, minority participation, and other aspects of professional operation, with special attention given to the relationship between the profession's development and the social history of the periods.