Author: Linda K. Christian-Smith
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 236
Book Description
Using approaches from feminism and cultural studies, this work explores the contradictory role that popular culture plays in the construction of gender, class, race, age, and sexual meanings. Christian-Smith dissects the conservative political themes underlying thirty-four teen romance novels, demonstrating how their flowery versions of romance and femininity actually inscribe white middle class gender ideology and class tensions.
Becoming a Woman Through Romance
Author: Linda K. Christian-Smith
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 236
Book Description
Using approaches from feminism and cultural studies, this work explores the contradictory role that popular culture plays in the construction of gender, class, race, age, and sexual meanings. Christian-Smith dissects the conservative political themes underlying thirty-four teen romance novels, demonstrating how their flowery versions of romance and femininity actually inscribe white middle class gender ideology and class tensions.
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 236
Book Description
Using approaches from feminism and cultural studies, this work explores the contradictory role that popular culture plays in the construction of gender, class, race, age, and sexual meanings. Christian-Smith dissects the conservative political themes underlying thirty-four teen romance novels, demonstrating how their flowery versions of romance and femininity actually inscribe white middle class gender ideology and class tensions.
A Kiss for Midwinter
Author: Courtney Milan
Publisher: Courtney Milan
ISBN: 1937248100
Category : Fiction
Languages : en
Pages : 155
Book Description
Miss Lydia Charingford is always cheerful, and never more so than at Christmas time. But no matter how hard she smiles, she can't forget the youthful mistake that could have ruined her reputation. Even though the worst of her indiscretion was kept secret, one other person knows the truth of those dark days: the sarcastic Doctor Jonas Grantham. She wants nothing to do with him...or the butterflies that take flight in her stomach every time he looks her way. Jonas Grantham has a secret, too: He's been in love with Lydia for more than a year. This winter, he's determined to conquer her dislike and win her for his own. And he has a plan to do it. If only his plans didn't so often go awry... The books in the Brothers Sinister series: ½. The Governess Affair (free prequel novella) 1. The Duchess War 1½. A Kiss for Midwinter (a companion novella to The Duchess War) 2. The Heiress Effect 3. The Countess Conspiracy 4. The Suffragette Scandal 4½. Talk Sweetly to Me
Publisher: Courtney Milan
ISBN: 1937248100
Category : Fiction
Languages : en
Pages : 155
Book Description
Miss Lydia Charingford is always cheerful, and never more so than at Christmas time. But no matter how hard she smiles, she can't forget the youthful mistake that could have ruined her reputation. Even though the worst of her indiscretion was kept secret, one other person knows the truth of those dark days: the sarcastic Doctor Jonas Grantham. She wants nothing to do with him...or the butterflies that take flight in her stomach every time he looks her way. Jonas Grantham has a secret, too: He's been in love with Lydia for more than a year. This winter, he's determined to conquer her dislike and win her for his own. And he has a plan to do it. If only his plans didn't so often go awry... The books in the Brothers Sinister series: ½. The Governess Affair (free prequel novella) 1. The Duchess War 1½. A Kiss for Midwinter (a companion novella to The Duchess War) 2. The Heiress Effect 3. The Countess Conspiracy 4. The Suffragette Scandal 4½. Talk Sweetly to Me
Reading the Romance
Author: Janice A. Radway
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Publisher: Univ of North Carolina Press
ISBN: 0807898856
Category : Social Science
Languages : en
Pages : 289
Book Description
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Women and Romance
Author: Laurie Langbauer
Publisher: Cornell University Press
ISBN: 1501723065
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
No detailed description available for "Women and Romance".
Publisher: Cornell University Press
ISBN: 1501723065
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
No detailed description available for "Women and Romance".
Dangerous Books for Girls
Author: Maya Rodale
Publisher:
ISBN: 9780990635666
Category :
Languages : en
Pages : 0
Book Description
Long before clinch covers and bodice rippers, romance novels had a bad reputation as the lowbrow lit of desperate housewives and hopeless spinsters. But why were these books-the escape and entertainment of choice for millions of women-singled out for scorn and shame? Dangerous Books for Girls examines the secret history of the genre's bad reputation-from the "damned mob of scribbling women" in the nineteenth century to the sexy mass-market paperbacks of the twentieth century-and shows how romance novels have inspired and empowered generations of women to dream big, refuse to settle, and believe they're worth it. For every woman who has ever hidden the cover of a romance-and every woman who has been curious about those "Fabio books"-Dangerous Books For Girls shows why there's no room for guilt when reading for pleasure.
Publisher:
ISBN: 9780990635666
Category :
Languages : en
Pages : 0
Book Description
Long before clinch covers and bodice rippers, romance novels had a bad reputation as the lowbrow lit of desperate housewives and hopeless spinsters. But why were these books-the escape and entertainment of choice for millions of women-singled out for scorn and shame? Dangerous Books for Girls examines the secret history of the genre's bad reputation-from the "damned mob of scribbling women" in the nineteenth century to the sexy mass-market paperbacks of the twentieth century-and shows how romance novels have inspired and empowered generations of women to dream big, refuse to settle, and believe they're worth it. For every woman who has ever hidden the cover of a romance-and every woman who has been curious about those "Fabio books"-Dangerous Books For Girls shows why there's no room for guilt when reading for pleasure.
Captivating
Author: John Eldredge
Publisher: Thomas Nelson Inc
ISBN: 1400200385
Category : Religion
Languages : en
Pages : 256
Book Description
What Wild at Heart did for men, Captivating is doing for women. Setting their hearts free. This groundbreaking book shows readers the glorious design of women before the fall, describes how the feminine heart can be restored, and casts a vision for the power, freedom, and beauty of a woman released to be all she was meant to be.
Publisher: Thomas Nelson Inc
ISBN: 1400200385
Category : Religion
Languages : en
Pages : 256
Book Description
What Wild at Heart did for men, Captivating is doing for women. Setting their hearts free. This groundbreaking book shows readers the glorious design of women before the fall, describes how the feminine heart can be restored, and casts a vision for the power, freedom, and beauty of a woman released to be all she was meant to be.
Oriental Girls Desire Romance
Author: Catherine Liu
Publisher: Kaya/Muae
ISBN:
Category : Fiction
Languages : en
Pages : 364
Book Description
By Catherine Liu.
Publisher: Kaya/Muae
ISBN:
Category : Fiction
Languages : en
Pages : 364
Book Description
By Catherine Liu.
Pulling Back the Shades
Author: Dr. Juli Slattery
Publisher: Moody Publishers
ISBN: 0802489788
Category : Religion
Languages : en
Pages : 195
Book Description
Christian women don’t have to choose between being sexual and spiritual. They have legitimate longings that the church has been afraid to talk about, and books like Fifty Shades of Grey exploit and distort them. We need the truth on the matter. Whether you are single or married, sexually dead or just looking to revive your sex life, Pulling Back the Shades will address your desire to be both sexual and spiritual. With solid biblical teaching and transparent stories, trusted authors Dannah Gresh and Dr. Juli Slattery offer an unflinching look at the most personal questions women ask. The book offers practical advice for women to address five core longings: to be cherished by a man to be protected by a strong man to rescue a man to be sexually alive to escape reality God designed women with these longings and has a plan to satisfy them. It’s time for women to identify their intimate longings and God-honoring ways to fulfill them.
Publisher: Moody Publishers
ISBN: 0802489788
Category : Religion
Languages : en
Pages : 195
Book Description
Christian women don’t have to choose between being sexual and spiritual. They have legitimate longings that the church has been afraid to talk about, and books like Fifty Shades of Grey exploit and distort them. We need the truth on the matter. Whether you are single or married, sexually dead or just looking to revive your sex life, Pulling Back the Shades will address your desire to be both sexual and spiritual. With solid biblical teaching and transparent stories, trusted authors Dannah Gresh and Dr. Juli Slattery offer an unflinching look at the most personal questions women ask. The book offers practical advice for women to address five core longings: to be cherished by a man to be protected by a strong man to rescue a man to be sexually alive to escape reality God designed women with these longings and has a plan to satisfy them. It’s time for women to identify their intimate longings and God-honoring ways to fulfill them.
Tomorrow I Become a Woman
Author: Aiwanose Odafen
Publisher:
ISBN: 9781398506145
Category :
Languages : en
Pages : 0
Book Description
'This story of love, loss and resilient female friendship is a definite must read.' Tola Rotimi Abraham, author of Black Sunday 'Aiwanose Odafen's novel has entered popular feminist discourse.' Afrocritik On a Sunday in 1978, Obianuju meets Chigozie at church - the perfect place for an upstanding girl to find a husband. Uju is in her last months studying economics at the University of Lagos; Gozie is a journalist ten years her senior. Crucially, he is Igbo and meets her mother's approval. Months later, they are married, and Uju's life is set on a new course. Over the next two decades, Uju and her friends Adaugo and Chinelo must navigate traumas both personal and political as they learn how to live on their own terms in a traditional society beset by turmoil. Tomorrow I Become a Woman is a nuanced and powerful story of friendship and resilience, set against the backdrop of a fast-changing Nigeria. 'Searing and beautifully rendered.' Koa Beck, author of White Feminism 'Unflinching and cuts to the core.' Chika Unigwe, author of On Black Sisters Street 'An accomplished and emotional triumph.' Louise Beech, author of How To Be Brave
Publisher:
ISBN: 9781398506145
Category :
Languages : en
Pages : 0
Book Description
'This story of love, loss and resilient female friendship is a definite must read.' Tola Rotimi Abraham, author of Black Sunday 'Aiwanose Odafen's novel has entered popular feminist discourse.' Afrocritik On a Sunday in 1978, Obianuju meets Chigozie at church - the perfect place for an upstanding girl to find a husband. Uju is in her last months studying economics at the University of Lagos; Gozie is a journalist ten years her senior. Crucially, he is Igbo and meets her mother's approval. Months later, they are married, and Uju's life is set on a new course. Over the next two decades, Uju and her friends Adaugo and Chinelo must navigate traumas both personal and political as they learn how to live on their own terms in a traditional society beset by turmoil. Tomorrow I Become a Woman is a nuanced and powerful story of friendship and resilience, set against the backdrop of a fast-changing Nigeria. 'Searing and beautifully rendered.' Koa Beck, author of White Feminism 'Unflinching and cuts to the core.' Chika Unigwe, author of On Black Sisters Street 'An accomplished and emotional triumph.' Louise Beech, author of How To Be Brave
Women and Romance
Author: Laurie Langbauer
Publisher: Cornell University Press
ISBN: 1501723073
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
According to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.
Publisher: Cornell University Press
ISBN: 1501723073
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
According to Laurie Langbauer, the notion of romance is vague precisely because it represents the chaotic negative space outside the novel that determines its form. Addressing questions of form, Langbauer reads novels that explore the interplay between the novel and romance: works by Charlotte Lennox, Mary Wollstonecraft, Charles Dickens, George Eliot, and George Meredith. She considers key issues in feminist debate, in particular the relations of feminist to the poststructuralist theories of Lacan, Derrida, and Foucault. In highlighting questions of gender in this way, Women and Romance contributes to a major debate between skeptical and materialist points of view among poststructuralist critics.