Authenticity in Performance: Eighteenth-Century Case Studies PDF Download
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Author: Peter Le Huray
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
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Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Author: Peter Le Huray
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
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Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887756
Category : Music
Languages : en
Pages : 431
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Kenneth Kreitner
Publisher: Routledge
ISBN: 1351551477
Category : History
Languages : en
Pages : 469
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Book Description
We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 9780521627382
Category : Music
Languages : en
Pages : 240
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Book Description
A 1999 overview of historical performance, surveying issues and suggesting future developments.
Author: Peter Walls
Publisher: Routledge
ISBN: 1351574728
Category : History
Languages : en
Pages : 588
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Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Author: David Milsom
Publisher: Routledge
ISBN: 1351571753
Category : History
Languages : en
Pages : 528
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Book Description
This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
Author: Christopher Pinney
Publisher: Routledge
ISBN: 1000180948
Category : Social Science
Languages : en
Pages : 255
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Book Description
The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society. Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gells important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.
Author: Alex Neill
Publisher: Psychology Press
ISBN: 9780415237390
Category : Aesthetics, Modern
Languages : en
Pages : 498
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Book Description
Within this edition, five new sections have been added: on interpretation, objectivity, gardening, horror and morality and many of the introductions have been updated. The book should appeal to students of art history, literature, and cultural studies as well as philosophy.
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
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Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Author: Stephen Davies
Publisher: Oxford University Press on Demand
ISBN: 0199274118
Category : Music
Languages : en
Pages : 383
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Book Description
Stephen Davies addresses such questions as: What are musical works?; are they discovered or created?; of what elements are they comprised?; how are they specified?; what's a performance?; and, is it possible to perform old music authentically?
