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Author: Steve Edwards
Publisher: Yale University Press
ISBN: 9780300077445
Category : Art
Languages : en
Pages : 364
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Book Description
Published with six accompanying books in the series 'Art and its Histories'.
Author: Steve Edwards
Publisher: Yale University Press
ISBN: 9780300077445
Category : Art
Languages : en
Pages : 364
Get Book Here
Book Description
Published with six accompanying books in the series 'Art and its Histories'.
Author: Colin Cunningham
Publisher: Yale University Press
ISBN: 9780300077605
Category : Art
Languages : en
Pages : 280
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Book Description
Encompassing European art, architecture and design from the sixteenth century to the present day, it explores both the work of women artists and the ways that visual representation by male and female artists may be gendered."--BOOK JACKET.
Author: Gillian Perry
Publisher: Yale University Press
ISBN: 9780300077438
Category : Art
Languages : en
Pages : 278
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Book Description
"This is the first of six books in the series Art and its Histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Author: Paul Crowther
Publisher: Cambridge University Press
ISBN: 9780521811149
Category : Art
Languages : en
Pages : 232
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Book Description
In this 2002 book, Paul Crowther explores the philosophy of visual art and its history.
Author: Richard Shone
Publisher: Thames & Hudson
ISBN: 0500771499
Category : Art
Languages : en
Pages : 432
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Book Description
An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
Author: David Cottington
Publisher: Manchester University Press
ISBN: 9780719050046
Category : Art
Languages : en
Pages : 350
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Book Description
Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.
Author: Masha Zakheim
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 148
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Book Description
Author: Helen Gardner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 714
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Book Description
Author: W. McAllister Johnson
Publisher: University of Toronto Press
ISBN: 9780802068415
Category : Art
Languages : en
Pages : 396
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Book Description
These essays discuss major questions that should arise in courses in bibliography, methodology, and historiography, once the survey courses are left behind.
Author: Philip Hook
Publisher: The Experiment
ISBN: 1615194282
Category : Art
Languages : en
Pages : 384
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Book Description
This “expert and elegantly written” book reveals how dealers have been a major force in art history from the Renaissance to the avant garde (The Guardian, UK). Philip Hook’s riveting narrative takes us from the early days of art dealing in Antwerp, where paintings were sold by weight, to the unassailable hauteur of contemporary galleries in New York, London, Paris, and beyond. Along the way, we meet a surprisingly wide-ranging cast of characters—from tailors, spies, and the occasional anarchist to scholars, aristocrats, and connoisseurs, some compelled by greed, some by their own vision of art—and some by the art of the deal. Among them are Joseph Duveen, who almost single-handedly brought the Old Masters to America; Paul Durand-Ruel, the Impressionists’ champion; Daniel-Henry Kahnweiler, high priest of Cubism; Leo Castelli, dealer-midwife to Abstract Expressionism and Pop Art; and Peter Wilson, the charismatic Sotheby’s chairman who made a theater of the auction room. Full of unforgettable anecdotes and astute insight, Rogue’s Gallery offers “a front-row seat and a backstage pass to this arcane and obsessively secretive profession” (Hannah Rothschild, Mail on Sunday, UK).
