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Author: Irmagard Anchang Langmia
Publisher: iUniverse
ISBN: 1462036414
Category : Poetry
Languages : en
Pages : 208
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Book Description
Visions in My Minds Eye presents a collection of poems in which poet Irmagard Anchang Langmia conjures the lives of othersacademic, religious, secular, or otherwisefrom her imaginative mind. This collection represents a multitude of cultural experiences rooted in everyday, routine life at home in her native Cameroon and abroad. The poems in the first part of Visions in My Minds Eye are all academic in nature, each dedicated to students she has taught at Bowie State University. These poems illuminate varying themes and subjects ranging from the notion of knowledge to responsibility. In the second part of the collection, the poems are religious. While a number of them are written in memory of Irmagards late father Dr. Ngongwikuo, she also explores visual images of her life in Cameroon in a startling, meditative, and dreamlike state of mind. In the third part of the collection, she has written love poems drawn mostly from her imaginary world of romantic bliss. The fourth section of the collection includes secular poems covering a variety of themes based on the daily rhythm of our lives. The fifth and final part of Visions in My Minds Eye takes a critical look at basic human nature, morality, and the human condition during times of political upheaval. Visions in My Minds Eye portrays vivid images that capture the imagination and unravel an intriguing world that leaves the mind soul-searching for answers.
Author: Irmagard Anchang Langmia
Publisher: iUniverse
ISBN: 1462036414
Category : Poetry
Languages : en
Pages : 208
Get Book Here
Book Description
Visions in My Minds Eye presents a collection of poems in which poet Irmagard Anchang Langmia conjures the lives of othersacademic, religious, secular, or otherwisefrom her imaginative mind. This collection represents a multitude of cultural experiences rooted in everyday, routine life at home in her native Cameroon and abroad. The poems in the first part of Visions in My Minds Eye are all academic in nature, each dedicated to students she has taught at Bowie State University. These poems illuminate varying themes and subjects ranging from the notion of knowledge to responsibility. In the second part of the collection, the poems are religious. While a number of them are written in memory of Irmagards late father Dr. Ngongwikuo, she also explores visual images of her life in Cameroon in a startling, meditative, and dreamlike state of mind. In the third part of the collection, she has written love poems drawn mostly from her imaginary world of romantic bliss. The fourth section of the collection includes secular poems covering a variety of themes based on the daily rhythm of our lives. The fifth and final part of Visions in My Minds Eye takes a critical look at basic human nature, morality, and the human condition during times of political upheaval. Visions in My Minds Eye portrays vivid images that capture the imagination and unravel an intriguing world that leaves the mind soul-searching for answers.
Author: Sasha Handley
Publisher: Routledge
ISBN: 1317315251
Category : History
Languages : en
Pages : 298
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Book Description
A study of the production, circulation and consumption of English ghost stories during the Age of Reason. This work examines a variety of mediums: ballads and chapbooks, newspapers, sermons, medical treatises and scientific journals, novels and plays. It relates the telling of ghost stories to changes associated with the Enlightenment.
Author: Inge van Rij
Publisher: Cambridge University Press
ISBN: 1316239632
Category : Music
Languages : en
Pages : 371
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Book Description
Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control – the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.
Author: Jeffrey F. Hamburger
Publisher: Princeton University Press
ISBN: 0691124760
Category : Art
Languages : en
Pages : 464
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Book Description
The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.
Author: Adrian Hastings
Publisher: Oxford University Press
ISBN: 0198600240
Category : Religion
Languages : en
Pages : 809
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Book Description
Embracing the viewpoints of Catholic, Protestant, or Orthodox thinkers, of conservatives, liberals, radicals, and agnostics, Christianity today is anything but monolithic or univocal. In The Oxford Companion to Christian Thought, general editor Adrian Hastings has tried to capture a sense of the great diversity of opinion that swirls about under the heading of Christian thought. Indeed, the 260 contributors, who hail from twenty countries, represent as wide a range of perspectives as possible.Here is a comprehensive and authoritative (though not dogmatic) overview of the full spectrum of Christian thinking. Within its 600 alphabetically arranged entries, readers will find lengthy survey articles on the history of Christian thought, on national and regional traditions, and on various denominations, from Anglican to Unitarian. There is ample coverage of Eastern thought as well, examining the Christian tradition in China, Japan, India, and Africa. The contributors examine major theological topics such as resurrection, the Eucharist, and grace as well as controversial issues such as homosexuality and abortion. In addition, short entries illuminate symbols such as water and wine, and there are many profiles of leading theologians, of non-Christians who have deeply influenced Christian thinking, including Aristotle and Plato, and of literary figures such as Dante, Milton, and Tolstoy. Most articles end with a list of suggested readings and the book features a large number of cross-references.The Oxford Companion to Christian Thought is an indispensable guide to one of the central strands of Western culture. An essential volume for all Christians, it is a thoughtful gift for the holidays.
Author: Ann Marie Plane
Publisher: University of Pennsylvania Press
ISBN: 0812208048
Category : History
Languages : en
Pages : 332
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Book Description
In Europe and North and South America during the early modern period, people believed that their dreams might be, variously, messages from God, the machinations of demons, visits from the dead, or visions of the future. Interpreting their dreams in much the same ways as their ancient and medieval forebears had done—and often using the dream-guides their predecessors had written—dreamers rejoiced in heralds of good fortune and consulted physicians, clerics, or practitioners of magic when their visions waxed ominous. Dreams, Dreamers, and Visions traces the role of dreams and related visionary experiences in the cultures within the Atlantic world from the late thirteenth to early seventeenth centuries, examining an era of cultural encounters and transitions through this unique lens. In the wake of Reformation-era battles over religious authority and colonial expansion into Asia, Africa, and the Americas, questions about truth and knowledge became particularly urgent and debate over the meaning and reliability of dreams became all the more relevant. Exploring both indigenous and European methods of understanding dream phenomena, this volume argues that visions were central to struggles over spiritual and political authority. Featuring eleven original essays, Dreams, Dreamers, and Visions explores the ways in which reports and interpretations of dreams played a significant role in reflecting cultural shifts and structuring historic change. Contributors: Emma Anderson, Mary Baine Campbell, Luis Corteguera, Matthew Dennis, Carla Gerona, María V Jordán, Luís Filipe Silvério Lima, Phyllis Mack, Ann Marie Plane, Andrew Redden, Janine Rivière, Leslie Tuttle, Anthony F. C. Wallace.
Author: Nathan Timpano
Publisher: Taylor & Francis
ISBN: 131541368X
Category : Art
Languages : en
Pages : 222
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Book Description
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Author: Ronald A. Kuipers
Publisher: A&C Black
ISBN: 1441182381
Category : Philosophy
Languages : en
Pages : 241
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Book Description
An introduction to and overview of Rorty's ideas, his writings and his contributions to the various fields of philosophy
Author: Marina Warner
Publisher: Oxford University Press, USA
ISBN: 0199299943
Category : Fiction
Languages : en
Pages : 500
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Book Description
With over thirty illustrations in color and black and white, Phantasmagoria takes readers on an intellectually exhilarating tour of ideas of spirit and soul in the modern world, illuminating key questions of imagination and cognition. Warner tells the unexpected and often disturbing story about shifts in thought about consciousness and the individual person, from the first public waxworks portraits at the end of the eighteenth century to stories of hauntings, possession, and loss of self in modern times. She probes the perceived distinctions between fantasy and deception, and uncovers a host of spirit forms--angels, ghosts, fairies, revenants, and zombies--that are still actively present in contemporary culture.
Author: Janet Gyatso
Publisher: Princeton University Press
ISBN: 0691221421
Category : Religion
Languages : en
Pages : 384
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Book Description
Apparitions of the Self is a groundbreaking investigation into what is known in Tibet as "secret autobiography," an exceptional, rarely studied literary genre that presents a personal exploration of intimate religious experiences. In this volume, Janet Gyatso translates and studies the outstanding pair of secret autobiographies by the famed Tibetan Buddhist visionary, Jigme Lingpa (1730-1798), whose poetic and self-conscious writings are as much about the nature of his own identity, memory, and the undecidabilities of autobiographical truth as they are narrations of the actual content of his experiences. Their translation in this book marks the first time that works of this sort have been translated in a Western language. Gyatso is among the first to consider Tibetan literature from a comparative perspective, examining the surprising fit--as well as the misfit--of Western literary theory with Tibetan autobiography. She examines the intriguing questions of why Tibetan Buddhists produced so many autobiographies (far more than other Asian Buddhists) and how autobiographical self-assertion is possible even while Buddhists believe that the self is ultimately an illusion. Also explored are Jigme Lingpa's historical milieu, his revelatory visions of the ancient Tibetan dynasty, and his meditative practices of personal cultivation. The book concludes with a study of the subversive female figure of the "Dakini" in Jigme Lingpa's writings, and the implications of her gender, her sexuality, and her unsettling discourse for the autobiographical subject in Tibet.
