Alfred Stevens, retrospective

Alfred Stevens, retrospective PDF Author: Palais des beaux-arts (Charleroi, Belgium)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 76

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Alfred Stevens, retrospective

Alfred Stevens, retrospective PDF Author: Palais des beaux-arts (Charleroi, Belgium)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 76

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The Studio

The Studio PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 434

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The International Studio

The International Studio PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 614

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Art Index Retrospective

Art Index Retrospective PDF Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 970

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The Hammock: A Novel Based on the True Story of French Painter James Tissot

The Hammock: A Novel Based on the True Story of French Painter James Tissot PDF Author: Lucy Paquette
Publisher:
ISBN: 9780578735221
Category : Art
Languages : en
Pages : 356

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THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

The Studio

The Studio PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446

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The Magazine of Fine Arts

The Magazine of Fine Arts PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352

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Masters in art

Masters in art PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 58

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de Kooning

de Kooning PDF Author: Mark Stevens
Publisher: Knopf
ISBN: 0375711163
Category : Biography & Autobiography
Languages : en
Pages : 770

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Winner of the Pulitizer Prize and National Book Critics Award Circle Award. An authoritative and brilliant exploration of the art, life, and world of an American master. Willem de Kooning is one of the most important artists of the twentieth century, a true “painter’s painter” whose protean work continues to inspire many artists. In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s. The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.

Alfred Stevens, retrospective

Alfred Stevens, retrospective PDF Author: Annie Grenez
Publisher:
ISBN:
Category :
Languages : en
Pages :

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