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Author: Edward Gibbon Wakefield
Publisher: Cambridge University Press
ISBN: 1108023487
Category : History
Languages : en
Pages : 544
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Book Description
A detailed discussion and explanation of Edward Gibbon Wakefield's (1796-1862) influential philosophy of colonization, first published in 1849.
Author: Edward Gibbon Wakefield
Publisher: Cambridge University Press
ISBN: 1108023487
Category : History
Languages : en
Pages : 544
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Book Description
A detailed discussion and explanation of Edward Gibbon Wakefield's (1796-1862) influential philosophy of colonization, first published in 1849.
Author: Edward Gibbon Wakefield
Publisher: London : J.W. Parker
ISBN:
Category : Colonization
Languages : en
Pages : 554
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Book Description
"The colonist ([is] Wakefield himself) ... dictated to A. Allom in 100 days ... when plans for the Canterbury settlement were gathering momentum ... today it is chiefly of interest as much for the autobiographical passages as for the oft-repeated theoretical concepts. Includes in appendix Charles Buller's April 1843 speech in the House of Commons on systemic colonisation and a letter to Sir Benjamin Hawes, Under-Secretary of State for the Colonies, by four leading colonists protesting at Grey's interpretation of the New Zealand Government Act of 1846"--Bagnall.
![A View of the Art of Colonization, with present reference to the British Empire; in letters between a statesman and a colonist. Edited [or rather written] by E. G. W. PDF](https://books.google.com/books/content/images/frontcover/DUVcAAAAcAAJ?fife=w80-h100)
Author: Edward Gibbon WAKEFIELD
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
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Book Description
Author: Edward Gibbon Wakefield
Publisher:
ISBN:
Category : Colonization
Languages : en
Pages : 570
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Book Description
Author: Alice Procter
Publisher: Cassell
ISBN: 1788402219
Category : Political Science
Languages : en
Pages : 288
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Book Description
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
Author: Edward Gibbon Wakefield
Publisher:
ISBN:
Category : Colonization
Languages : en
Pages :
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Book Description
Author: Kris Manjapra
Publisher: Cambridge University Press
ISBN: 1108425267
Category : History
Languages : en
Pages : 291
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Book Description
A provocative, breath-taking, and concise relational history of colonialism over the past 500 years, from the dawn of the New World to the twenty-first century.
Author: Richard Read
Publisher: Terra Foundation for the Arts
ISBN: 9780932171696
Category : Landscape painting, American
Languages : en
Pages : 0
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Book Description
"This publication arose from an inspired partnership between the Terra Foundation, The University of Western Australia, the Art Gallery of Western Australia, and the University of Melbourne's Ian Potter Museum of Art. Together, the partners co-organized and presented the Terra Collection Initiative exhibition Continental shift: Nineteenth Century American and Australian Landscape Painting (shown in Melbourne as Not as the Songs of Other Land s: 19th Century American and Australian Landscape Painting)."--Page 7.
Author: Michael Gaudio
Publisher: U of Minnesota Press
ISBN: 1452960909
Category : Art
Languages : en
Pages : 248
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Book Description
A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly “silent” images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination—but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently “mute” media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison’s early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.
Author: William Swainson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 94
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Book Description
