Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788

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Book Description

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788

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Book Description


British Music, Musicians and Institutions, C. 1630-1800

British Music, Musicians and Institutions, C. 1630-1800 PDF Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317

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Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.

Renaissance and Baroque Musical Sources in the Americas

Renaissance and Baroque Musical Sources in the Americas PDF Author: Robert Stevenson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440

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The Catalogue of Printed Music in the British Library to 1980

The Catalogue of Printed Music in the British Library to 1980 PDF Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 408

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Catalogue of the King's Music Library, by William Barclay Squire ...

Catalogue of the King's Music Library, by William Barclay Squire ... PDF Author: British Museum. Department of Printed Books. King's Music Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 400

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Book Description


The Music Trade in Georgian England

The Music Trade in Georgian England PDF Author: Michael Kassler
Publisher: Routledge
ISBN: 1351542168
Category : Business & Economics
Languages : en
Pages : 309

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Book Description
In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.

The Breitkopf Thematic Catalogue

The Breitkopf Thematic Catalogue PDF Author: Breitkopf & H?rtel
Publisher: New York, Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 528

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Book Description


Concert Life in London from Mozart to Haydn

Concert Life in London from Mozart to Haydn PDF Author: Simon McVeigh
Publisher: Cambridge University Press
ISBN: 0521028906
Category : History
Languages : en
Pages : 332

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Book Description
This book is a detailed investigation of a lively and innovative period in London's cultural life.

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum PDF Author: William Barclay Squire
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Charles Edward Horn's Memoirs of His Father and Himself

Charles Edward Horn's Memoirs of His Father and Himself PDF Author: Charles Edward Horn
Publisher: Ashgate Publishing, Ltd.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 160

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Book Description
Charles Edward Horn's memoir of himself covers his activities in England and Ireland to 1818, with an epilogue describing the events of 1827 when he made his first visit to America, with an epilogue describing his transition from a 'serious' musician (he was deputy organist to Dr. Charles Burney and sang in the first London performance of Mozart's Don Giovanni) to the stage where, as a member of the English Opera House, Drury Lane and other theatre companies, he became famous as a singer and composer of popular music.