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Author: Gerald A. Powell (Jr.)
Publisher: University Press of America
ISBN: 9780761828679
Category : Performing Arts
Languages : en
Pages : 118
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Book Description
This study explores African-American identity through film, drawing from Spike Lee's cinematic production of X (1992) and Bamboozled (2000). The study brings attention to how African-American identity is negotiated in communicative interactions. In doing so, the study proposes an alternative rhetorical and cultural approach to the nuances of African-American identity. Using contemporary theories from Ronald Jackson, Mark McPhail, Cornel West, W.E.B. Du Bois, and Eric Watts, the researcher explores the dynamics of human interaction: the manifestations of power, perception, essentialist thinking, and how these in turn penetrate through language in our understanding of others. This study makes critical arguments concerning the strategic positioning of language for purposes of understanding culture and difference. More importantly, it rearticulates black identity, making an argument for its complexities, which are other than historical and factual. It argues that black identity needs to be examined in terms of a more critical and culturally appropriate rhetoric.
Author: Gerald A. Powell (Jr.)
Publisher: University Press of America
ISBN: 9780761828679
Category : Performing Arts
Languages : en
Pages : 118
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Book Description
This study explores African-American identity through film, drawing from Spike Lee's cinematic production of X (1992) and Bamboozled (2000). The study brings attention to how African-American identity is negotiated in communicative interactions. In doing so, the study proposes an alternative rhetorical and cultural approach to the nuances of African-American identity. Using contemporary theories from Ronald Jackson, Mark McPhail, Cornel West, W.E.B. Du Bois, and Eric Watts, the researcher explores the dynamics of human interaction: the manifestations of power, perception, essentialist thinking, and how these in turn penetrate through language in our understanding of others. This study makes critical arguments concerning the strategic positioning of language for purposes of understanding culture and difference. More importantly, it rearticulates black identity, making an argument for its complexities, which are other than historical and factual. It argues that black identity needs to be examined in terms of a more critical and culturally appropriate rhetoric.
Author: Hannah Susan Gourgey
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 316
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Book Description
Author: Dana Anderson
Publisher: Univ of South Carolina Press
ISBN: 9781570037061
Category : Language Arts & Disciplines
Languages : en
Pages : 236
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Book Description
This work is an investigation into the persuasive techniques inherent in presentations of identity. strategies involved in the expression of personal identity. Drawing on Kenneth Burke's Dialectic of Constitutions, Anderson analyzes conversion narratives to illustrate how the authors of these autobiographical texts describe dramatic changes in their identities as a means of influencing the beliefs and action of their readers. capacity for self-understanding and self-definition. Communicating this self-interpretation is inherently rhetorical. Expanding on Burkean concepts of human symbol use, Anderson works to parse and critique such inevitable persuasive ends of identity constitution. Anderson examines the strategic presentation of identity in four narratives of religious, sexual, political, and mystical conversions: Catholic social activist Dorothy Day's The Long Loneliness, political commentator David Brock's Blinded by the Right, Deirdre McCloskey's memoir of transgender transformation, Crossing, and the well-known Native American text Black Elk Speaks. Mapping the strategies in each, Anderson points toward a broader understanding of how identity is made - and how it is made persuasive.
Author: John D. Ramage
Publisher: Addison-Wesley Longman
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 244
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Book Description
This book for advanced composition courses focuses on the theories of Kenneth Burke (rhetoric as "equipment for living") in order to help students move beyond a mere accumulation of knowledge about the field of rhetoric and move toward a genuine ability to think rhetorically. Presenting rhetorical theory as an invaluable tool for construing and constructing everything from personal identity to political speeches to cell phone usage, John Ramage's new guide stresses the real world applications of rhetoric and offers a focused, coherent treatment of the subject.
Author: Kenneth Burke
Publisher: University of Chicago Press
ISBN: 9780226080789
Category : Family & Relationships
Languages : en
Pages : 348
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Book Description
Kenneth Burke's innovative use of dramatism and dialectical method have made him a powerful critical force in an extraordinary variety of disciplines—education, philosophy, history, psychology, religion, and others. While most widely acclaimed as a literary critic, Burke has elaborated a perspective toward the study of behavior and society that holds immense significance and rich insights for sociologists. This original anthology brings together for the first time Burke's key writings on symbols and social relations to offer social scientists access to Burke's thought. In his superb introductory essay, Joseph R. Gusfield traces the development of Burke's approach to human action and its relationship to other similar sources of theory and ideas in sociology; he discusses both Burke's influence on sociologists and the limits of his perspective. Burke regards literature as a form of human behavior—and human behavior as embedded in language. His lifework represents a profound attempt to understand the implications for human behavior based on the fact that humans are "symbol-using animals." As this volume demonstrates, the work that Burke produced from the 1930s through the 1960s stands as both precursor and contemporary key to recent intellectual movements such as structuralism, symbolic anthropology, phenomenological and interpretive sociology, critical theory, and the renaissance of symbolic interaction.
Author: Robert C. Rowland
Publisher: MSU Press
ISBN: 0870139495
Category : Language Arts & Disciplines
Languages : en
Pages : 464
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Book Description
Shared Land/Conflicting Identity: Trajectories of Israeli and Palestinian Symbol Use argues that rhetoric, ideology, and myth have played key roles in influencing the development of the 100-year conflict between first the Zionist settlers and the current Israeli people and the Palestinian residents in what is now Israel. The Israeli-Palestinian conflict is usually treated as an issue of land and water. While these elements are the core of the conflict, they are heavily influenced by the symbols used by both peoples to describe, understand, and persuade each other. The authors argue that symbolic practices deeply influenced the Oslo Accords, and that the breakthrough in the peace process that led to Oslo could not have occurred without a breakthrough in communication styles. Rowland and Frank develop four crucial ideas on social development: the roles of rhetoric, ideology, and myth; the influence of symbolic factors; specific symbolic factors that played a key role in peace negotiations; and the identification and value of criteria for evaluating symbolic practices in any society.
Author: Ersula J. Ore
Publisher: Univ. Press of Mississippi
ISBN: 1496821602
Category : Social Science
Languages : en
Pages : 153
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Book Description
Winner of the 2020 Rhetoric Society of America Book Award While victims of antebellum lynchings were typically white men, postbellum lynchings became more frequent and more intense, with the victims more often black. After Reconstruction, lynchings exhibited and embodied links between violent collective action, American civic identity, and the making of the nation. Ersula J. Ore investigates lynching as a racialized practice of civic engagement, in effect an argument against black inclusion within the changing nation. Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today. From the 1880s onward, lynchings, she finds, manifested a violent form of symbolic action that called a national public into existence, denoted citizenship, and upheld political community. Grounded in Ida B. Wells’s summation of lynching as a social contract among whites to maintain a racial order, at its core, Ore’s book speaks to racialized violence as a mode of civic engagement. Since violence enacts an argument about citizenship, Ore construes lynching and its expressions as part and parcel of America’s rhetorical tradition and political legacy. Drawing upon newspapers, official records, and memoirs, as well as critical race theory, Ore outlines the connections between what was said and written, the material practices of lynching in the past, and the forms these rhetorics and practices assume now. In doing so, she demonstrates how lynching functioned as a strategy interwoven with the formation of America’s national identity and with the nation’s need to continually restrict and redefine that identity. In addition, Ore ties black resistance to lynching, the acclaimed exhibit Without Sanctuary, recent police brutality, effigies of Barack Obama, and the killing of Trayvon Martin.
Author: Molefi Kete Asante
Publisher: Humanities Press International
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
In this new collection of insightful essays, the most prolific contemporary African American intellectual and the leader of the Afrocentric school of thought turns his critical attention to the many ways in which modes of communication in American culture have created a dehumanizing African American identity. Asante examines a wide range of cultural phenomena that continue to reflect underlying racial problems, including media distortions, the identity crisis among African Americans, the rhetoric of education, the exploitations of bureaucracies, "the tyranny of reason without passion," African voices expressed through European literary forms, and arguments about justice and reparations. Asante's approach is based on the Afrocentric idea, which treats African people, either on the continent or in the Diaspora, as primarily subjects of African cultural experiences rather than as marginal people confined to the fringes of European or American culture. The advantage of this fresh perspective is that it not only puts people of African heritage on an equal footing with people from other cultures, but it also allows one to evaluate American and European ideas from an African perspective. This reorientation of the facts opens up new insights and new possibilities for creating a truly egalitarian American society. Anyone who wants to understand the complex problem of racism in America will welcome Asante's creative, original, and constructive approach.
Author: Elisia Lila Cohen
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
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Book Description
Author: Christa J. Olson
Publisher: Penn State Press
ISBN: 0271063637
Category : Language Arts & Disciplines
Languages : en
Pages : 305
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Book Description
In Constitutive Visions, Christa Olson presents the rhetorical history of republican Ecuador as punctuated by repeated arguments over national identity. Those arguments—as they advanced theories of citizenship, popular sovereignty, and republican modernity—struggled to reconcile the presence of Ecuador’s large indigenous population with the dominance of a white-mestizo minority. Even as indigenous people were excluded from civic life, images of them proliferated in speeches, periodicals, and artworks during Ecuador’s long process of nation formation. Tracing how that contradiction illuminates the textures of national-identity formation, Constitutive Visions places petitions from indigenous laborers alongside oil paintings, overlays woodblock illustrations with legislative debates, and analyzes Ecuador’s nineteen constitutions in light of landscape painting. Taken together, these juxtapositions make sense of the contradictions that sustained and unsettled the postcolonial nation-state.
