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Author: Henry Brougham Baron Brougham and Vaux
Publisher:
ISBN: 9780598536266
Category : History
Languages : en
Pages : 0
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Author: Henry Brougham Baron Brougham and Vaux
Publisher:
ISBN: 9780598536266
Category : History
Languages : en
Pages : 0
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Book Description
Author: Henry Brougham Baron Brougham and Vaux
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 476
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Author: Baron Henry Brougham Brougham and Vaux
Publisher: Palala Press
ISBN: 9781354776766
Category :
Languages : en
Pages : 474
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Henry Brougham Baron Brougham and Vaux
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
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Author: Henry Brougham Baron Brougham and Vaux
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
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Author: Inns of Court (London). - Lincoln's Inn
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 988
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Author: Paul O'Keeffe
Publisher: Random House
ISBN: 1446426580
Category : Art
Languages : en
Pages : 584
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Book Description
* Haydon's first attempt at suicide ended when the low calibre bullet fired from his pistol fractured his skull but failed to penetrate his brain. * His second attempt also failed: a deep slash across his throat left a large pool of blood at the entrance to his studio, but he was still able to reach his easel on the opposite side of the room. *Only his third attempt, another cut to the throat which sprayed blood across his unfinished canvas, was successful. He died face-down before the bespattered 'Alfred and the First British Jury', his final bid 'to improve the taste of the English people' through the High Art of historical painting. * Such intensity, struggle and near-comic inability to succeed encapsulate Haydon's career. Thirty years before his death his huge, iconic paintings had made him the toast of early 19th-century London, drawing paying crowds to the Egyptian Hall in Piccadilly for months and leading to nationwide tours. * However, his attempt to repeat such success three months before his death was to destroy him: barely a soul turned up, leaving the desperate painter alone, humiliated, and facing financial ruin. * In A Genius for Failure Paul O'Keeffe makes clear that the real tragedy of Haydon lay in the extent to which his failures were unwittingly engineered by his own actions - his refusal to resort to the painting of fashionable portraits, for example, and his self-destructively acrimonious relationship with the RA. * The company he kept - Keats, Shelley, Wordsworth, Sir Robert Peel and the Duke of Wellington, among many others - and the momentous events he lived through - The Battle of Waterloo, the Coronation of George IV, and the passing of the first Parliamentary Reform Bill - make A Genius for Failure not only the definitive biography of this fascinating and tragic painter, but a stirring portrayal of an age.
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1192
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Author: Piet Slootweg
Publisher: Summum Academic
ISBN: 9492701421
Category : Religion
Languages : en
Pages : 497
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Book Description
Is a life cycle that depends on eating or being eaten compatible with a creation in which 'the heavens are telling the glory of God; and the firmament proclaims His handiwork'? Are animal death and extinction manifestations of a good God's majesty and power? When creating the world, did God use animal death and extinction as a means to realize his intentions? This study challenges the view that the emergence and acceptance of the theory of evolution brought a break in thinking about animal suffering in a good creation. Even before Darwin, people thought about animal suffering, about how God's goodness and good creation related to this, and about whether animals were already subject to death in paradise. Historically, Charles Darwin's theory of evolution did not form a watershed in the debate about animal suffering, nor did concerns about animal suffering only emerge with the Darwinian theory of evolution.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1148
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