Wordsworth and the Art of Philosophical Travel PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wordsworth and the Art of Philosophical Travel PDF full book. Access full book title Wordsworth and the Art of Philosophical Travel by Mark Offord. Download full books in PDF and EPUB format.
Author: Mark Offord
Publisher: Cambridge University Press
ISBN: 1316721000
Category : Literary Criticism
Languages : en
Pages : 293
Get Book Here
Book Description
At the heart of Wordsworth's concerns is the question of how travel - both foreign and everyday - might also become an adventure into philosophy itself. This is an art of travel both as an approach to experience - one that draws on habits in order to revise them in the shock of new - and as a poetic approach that gives voice to the singular and foreign through the unique shapes of verse. Close readings of Wordsworth's 'pictures of Nature, Man, and Society' show how the natural is entangled with - and not simply opposed to, as many critics have suggested - the social, the political and the historical in this verse. This book draws on both eighteenth-century anthropology and travel literature, and debates in modern critical theory, to highlight Wordsworth's remarkable originality and his ongoing ability to transform our theoretical prejudgements in the unknown territory of the travel encounter.
Author: Mark Offord
Publisher: Cambridge University Press
ISBN: 1316721000
Category : Literary Criticism
Languages : en
Pages : 293
Get Book Here
Book Description
At the heart of Wordsworth's concerns is the question of how travel - both foreign and everyday - might also become an adventure into philosophy itself. This is an art of travel both as an approach to experience - one that draws on habits in order to revise them in the shock of new - and as a poetic approach that gives voice to the singular and foreign through the unique shapes of verse. Close readings of Wordsworth's 'pictures of Nature, Man, and Society' show how the natural is entangled with - and not simply opposed to, as many critics have suggested - the social, the political and the historical in this verse. This book draws on both eighteenth-century anthropology and travel literature, and debates in modern critical theory, to highlight Wordsworth's remarkable originality and his ongoing ability to transform our theoretical prejudgements in the unknown territory of the travel encounter.
Author: Alexander Freer
Publisher: Oxford University Press
ISBN: 0192599046
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Wordsworth has traditionally been understood as the 'poet of memory'. This book argues that 'unremembered pleasure', an idea Wordsworth formulates in 'Tintern Abbey' but is often overlooked by modern readers, is central to understanding his writing. Wordsworth's poems discover and articulate a broad range of previously unfelt, unnoticed, and unconscious satisfactions. As well as providing new interpretations of major and under-studied writing by Wordsworth, this volume challenges a long tradition of psychoanalytic reading of romanticism, which uses trauma to explain the limits of literary memory. The book contests key psychoanalytic concepts in literary criticism including repression, sublimation, mourning, and pleasure. It asks what it would mean for us to be 'surprised by joy'.
Author: Philip Shaw
Publisher: Cambridge University Press
ISBN: 1009363182
Category : Literary Criticism
Languages : en
Pages : 297
Get Book Here
Book Description
A rich, illuminating study of how Wordsworth's late poetry reflects his lifelong engagement with the poetics and politics of peace.
Author: Brandon C. Yen
Publisher: Liverpool University Press
ISBN: 1800857225
Category : Literary Criticism
Languages : en
Pages : 336
Get Book Here
Book Description
This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude. Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.
Author: E. J. Clery
Publisher: Cambridge University Press
ISBN: 1108101429
Category : Literary Criticism
Languages : en
Pages : 329
Get Book Here
Book Description
In 1811 England was on the brink of economic collapse and revolution. The veteran poet and campaigner Anna Letitia Barbauld published a prophecy of the British nation reduced to ruins by its refusal to end the interminable war with France, titled Eighteen Hundred and Eleven. Combining ground-breaking historical research with incisive textual analysis, this new study dispels the myth surrounding the hostile reception of the poem and takes a striking episode in Romantic-era culture as the basis for exploring poetry as a medium of political protest. Clery examines the issues at stake, from the nature of patriotism to the threat to public credit, and throws new light on the views and activities of a wide range of writers, including radical, loyalist and dissenting journalists, Coleridge, Wordsworth, Southey, and Barbauld herself. Putting a woman writer at the centre of the enquiry opens up a revised perspective on the politics of Romanticism.
Author: Jonathan Sachs
Publisher: Cambridge University Press
ISBN: 1108349870
Category : Literary Criticism
Languages : en
Pages : 247
Get Book Here
Book Description
Anxieties about decline were a prominent feature of British public discourse in the late eighteenth and early nineteenth century. These anxieties were borne out repeatedly in books and periodicals, pamphlets and poems. Tracing the reciprocal development of Romantic-era Britain's rapidly expanding literary and market cultures through the lens of decline, Jonathan Sachs offers a fresh way of understanding British Romanticism. The book focuses on three aspects of literary experience - questions of value, the fascination with ruins, and the representation of slow time - to explore how shifting conceptions of progress and change inform a post-enlightenment sense of cultural decline. Combining close readings of Romantic literary texts with an examination of works from political economy, historical writing, classical studies, and media history the book reveals for the first time how anxieties about decline impacted literary form and shaped Romantic debates about poetry and the meaning of literature.
Author: Gillian Russell
Publisher: Cambridge University Press
ISBN: 1108487580
Category : Literary Criticism
Languages : en
Pages : 325
Get Book Here
Book Description
This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.
Author: Olivia Ferguson
Publisher: Cambridge University Press
ISBN: 1009274252
Category : Literary Criticism
Languages : en
Pages : 279
Get Book Here
Book Description
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' – and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1107158850
Category : History
Languages : en
Pages : 331
Get Book Here
Book Description
Michael Gamer explodes the myth of the unworldly Romantic poet, showing writers' interest in public presence, and profit and loss.
Author: Maureen N. McLane
Publisher: Cambridge University Press
ISBN: 1139827901
Category : Literary Criticism
Languages : en
Pages : 368
Get Book Here
Book Description
More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
