The Poetics of Decline in British Romanticism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Poetics of Decline in British Romanticism PDF full book. Access full book title The Poetics of Decline in British Romanticism by Jonathan Sachs. Download full books in PDF and EPUB format.
Author: Jonathan Sachs
Publisher: Cambridge University Press
ISBN: 1108420311
Category : Literary Criticism
Languages : en
Pages : 247
Get Book
Book Description
Offers fresh understanding of British Romanticism by exploring how anxieties about decline impacted debates about literature's form and meaning.
Author: Jonathan Sachs
Publisher: Cambridge University Press
ISBN: 1108420311
Category : Literary Criticism
Languages : en
Pages : 247
Get Book
Book Description
Offers fresh understanding of British Romanticism by exploring how anxieties about decline impacted debates about literature's form and meaning.
Author: Emily Rohrbach
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book
Book Description
Author: Lene Østermark-Johansen
Publisher: Museum Tusculanum Press
ISBN: 9788772898605
Category : Art
Languages : en
Pages : 182
Get Book
Book Description
Unlike the first two volumes of "ANGLES" on the English-Speaking World, this special issue does not originate in a set of conference papers. The idea of compiling a collection of essays on Romanticism emerged from the unusually strong concentration on Romantic studies among the graduate students of the English Department a couple of years ago. This volume places their work in the context of distinguished international scholars of greater seniority, scholars who have become academic contacts through conferences and assessment committees, and whose contributions I am very pleased to be able to include alongside the works of local contributors. The Romantic generations of the title of this volume thus strike a number of different chords: generations of scholars in Romantic studies; conventional divisions of Romantic poets into first, second and possibly third generations; the self-generative aspect of Romanticism; the awareness of poetic reputation and the image and afterlife of the poet. The collection spans just over a hundred years, from the 1780s to the 1890s, and while not in any way attempting to define Romanticism or raise issues of periodization the volume allows for the continued existence of Romantic features right until the end of the nineteenth century. Poetry looms large in this issue of ANGLES; apart from Ian Duncan's essay on Hume, Scott, and the "Rise of Fiction",' all the other essays are in some way concerned with the Romantic poet and his poetry. The Romantic poet is thus represented as a collector and editor of ballads, as a political radical and printmaker, as other to himself, essentially ignorant of the process of poetic composition, as a rival and collaborator with other poets, or as a poet long dead, the subject of successive generations of poetic lament. The boundaries between poetry and the visual arts is explored in a couple of the essays; indeed, the rivalry between portraiture and literature pervades no less than three of the contributions, and no matter whether the subject of inquiry is the image of the poet or the image of the poet's mother, the Romantic poet displays a high degree of self-consciousness with respect to both literary and visual media. Romantic generations generate both selves and others in poetry and portraiture.
Author: Stuart Curran
Publisher: Oxford University Press
ISBN: 0195363019
Category : Literary Criticism
Languages : en
Pages : 280
Get Book
Book Description
Across Europe, and particularly in Great Britain, the Romantic age coincided with a large-scale revival of lost literatures and the first attempts to create a coherent history of Western literature. Calling into question that history, Stuart Curran demonstrates that the Romantic poets, far from being indifferent or hostile to popular forms of literature were actually obsessed with them as repositories of literary conventions and conveyors of implicit ideological value. Whether in their proccupation with fixed forms, which resulted in the incomparable artistry of Romantic odes, or in their rethinking of major genres like the pastoral, the epic, and the romance, the Romantic poets transformed every element they touched to suit their own democratic, secular and skeptical ethos--a world view recognizably modern in its dimensions.
Author: F. L. Lucas
Publisher: Read Books Ltd
ISBN: 1447495128
Category : History
Languages : en
Pages : 292
Get Book
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Maureen N. McLane
Publisher: Cambridge University Press
ISBN: 1139827901
Category : Literary Criticism
Languages : en
Pages :
Get Book
Book Description
More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
Author: David Duff
Publisher: Oxford University Press
ISBN: 0191019704
Category : Literary Criticism
Languages : en
Pages : 800
Get Book
Book Description
The Oxford Handbook of British Romanticism offers a comprehensive guide to the literature and thought of the Romantic period, and an overview of the latest research on this topic. Written by a team of international experts, the Handbook analyses all aspects of the Romantic movement, pinpointing its different historical phases and analysing the intellectual and political currents which shaped them. It gives particular attention to devolutionary trends, exploring the English, Scottish, Welsh, and Irish strands in 'British' Romanticism and assessing the impact of the constitutional changes that brought into being the 'United Kingdom' at a time of revolutionary turbulence and international conflict. It also gives extensive coverage to the publishing and reception history of Romantic writing, highlighting the role of readers, reviewers, publishers, and institutions in shaping Romantic literary culture and transmitting its ideas and values. Divided into ten sections, each containing four or five chapters, the Handbook covers key themes and concepts in Romantic studies as well as less chartered topics such as freedom of speech, literature and drugs, Romantic oratory, and literary uses of dialect. All the major male and female Romantic authors are included along with numerous lesser-known writers, the emphasis throughout being on the diversity of Romantic writing and the complexities and internal divisions of the culture that sustained it. The volume strikes a balance between familiarity and novelty to provide an accessible guide to current thinking and a conceptual reorganization of this fast-moving field.
Author: Mark Canuel
Publisher: Oxford University Press
ISBN: 0192895303
Category : Romanticism
Languages : en
Pages : 251
Get Book
Book Description
What did Romantic writers mean when they wrote about progress and perfection? This book shows how Romantic writers inventively responded to familiar ideas about political progress which they inherited from the eighteenth century. Whereas earlier writers such as Voltaire and John Millar likened improvements in political institutions to the progress of the sciences or refinement of manners, the novelists, poets, and political theorists examined in this book reimagined politically progressive thinking in multiple genres. While embracing a commitment to optimistic improvement--increasing freedom, equality, and protection from injury--they also cultivated increasingly visible and volatile energies of religious and political dissent. Earlier narratives of progress tended not only to edit and fictionalize history but also to agglomerate different modes of knowledge and practice in their quest to describe and prescribe uniform cultural improvement. But romantic writers seize on internal division and take it less as an occasion for anxiety, exclusion, or erasure, and more as an impetus to rethink the groundwork of progress itself. Political entities, from Percy Shelley's plans for political reform to Charlotte Smith's motley associations of strangers in The Banished Man, are progressive because they advance some version of collective utility or common good. But they simultaneously stake a claim to progress only insofar as they paradoxically solicit contending vantage points on the criteria for the very public benefit which they passionately pursue. The majestic edifices of Wordsworth's imagined university in The Prelude embrace members who are republican or pious, not to mention the recalcitrant enthusiast who is the poet himself.
Author: Sophie Laniel-Musitelli
Publisher: Open Book Publishers
ISBN: 1800640749
Category : Literary Criticism
Languages : en
Pages : 185
Get Book
Book Description
‘Eternity is in love with the productions of time’. This original edited volume takes William Blake’s aphorism as a basis to explore how British Romantic literature creates its own sense of time. It considers Romantic poetry as embedded in and reflecting on the march of time, regarding it not merely as a reaction to the course of events between the late-eighteenth and mid-nineteenth centuries, but also as a form of creative engagement with history in the making. The authors offer a comprehensive overview of the question of time from a literary perspective, applying a diverse range of critical approaches to Romantic authors from William Blake and Percy Shelley to John Clare and Samuel Rodgers. Close readings uncover fresh insights into these authors and their works, including Frankenstein, the most familiar of Romantic texts. Revising current thinking about periodisation, the authors explore how the Romantic poetics of time bears witness to the ruptures and dislocations at work within chronological time. They consider an array of topics, such as ecological time, futurity, operatic time, or the a-temporality of Venice. As well as surveying the Romantic canon’s evolution over time, these essays approach it as a phenomenon unfolding across national borders. Romantic authors are compared with American or European counterparts including Beethoven, Irving, Nietzsche and Beckett. Romanticism and Time will be of great value to literary scholars and students working in Romantic Studies. It will be of further interest to philosophers and historians working on the connections between philosophy, history and literature during the nineteenth century.
Author: J. Robinson
Publisher: Springer
ISBN: 140398283X
Category : Literary Criticism
Languages : en
Pages : 301
Get Book
Book Description
This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
