Woodcuts in Modern China, 1937-2008 PDF Download
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Author: Joachim Homann
Publisher: Picker Art Gallery Colgate University
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 80
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Book Description
Author: Joachim Homann
Publisher: Picker Art Gallery Colgate University
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 80
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Book Description
Author: Julia F. Andrews
Publisher: Univ of California Press
ISBN: 0520238141
Category : Art
Languages : en
Pages : 383
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Book Description
“The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.
Author: Jérôme Bazin
Publisher: Central European University Press
ISBN: 9633860849
Category : Art
Languages : en
Pages : 532
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Book Description
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.
Author: Carolyn L. Hsu
Publisher: Taylor & Francis
ISBN: 1134854307
Category : Political Science
Languages : en
Pages : 177
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Book Description
Over the last thirty years, social entrepreneurship has boomed in the People’s Republic of China. Today there are hundreds of thousands of legally registered NGOs, and millions more unregistered, working in the areas of the environment, education, women’s issues, disability services, community development, LGBTQ rights, and healthcare. The rise of these Chinese NGOs and their implications for civil society merits the focus of significant scholarly attention. This book draws upon the personal stories of social entrepreneurs in China, as well as their supporters and beneficiaries, in order to examine what the rapid growth of social entrepreneurship reveals about China's complex and dynamic society in the 21st century. It discusses the historical, cultural, and political circumstances that allowed and inspired people to become social entrepreneurs and create new forms of democratic engagement. Examining what social entrepreneurship with Chinese characteristics looks like, the book explores how it is changing the relationship between Chinese citizens and the state, and goes on to explain the subsequent effect on Chinese society. Highlighting the importance of citizen activism in the PRC from an interdisciplinary perspective, this book will be of interest to students and scholars of Chinese Studies, Chinese Politics, Civil Society and Sociology.
Author: Xiaobing Tang
Publisher: Univ of California Press
ISBN: 9780520249097
Category : Art
Languages : en
Pages : 300
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Book Description
Xiaobing Tang's "Origins of the Chinese Avant-Garde "is much more than its title implies, for it is both a vivid account of the conflict between Chinese artistic conservatism, freedom of expression, and political commitment in the 1920s and 1930s and a deeply researched study of the origins and development of the woodcut movement. The author ranges widely over the controversial writings of this hectic period, showing how intimately art, literature, criticism, and politics were intertwined, but gives due prominence to such key figures as Cai Yuanpei and Lu Xun. This book will attract many readers for the vigor and lucidity of Tang's style and will become an essential source for anyone concerned with the cultural history of this turbulent era.--Michael Sullivan, author of "Modern Chinese Artists: A Biographical Dictionary" "Origins of the Chinese Avant-Garde" is a genuine masterpiece of scholarship, an impressively documented cultural history of the Republican period. In five substantial chapters written in highly lucid and eloquent prose, Xiaobing Tang reconstructs, in detail, the art world of the Republican era, with all its different styles, organisations, institutions, and individuals, and provides cross-references to contemporaneous events in other fields, especially literature. Presenting the emergence of the woodblock printing movement in the context of other art movements, traditionalist and modernist, this book offers an art history of the period more comprehensive than any other, in Chinese or in English.--Michel Hockx, Professor of Chinese, School of Oriental and African Studies, University of London "This is one of the first books in English to connect the literature and the fine arts of the early twentieth century. The author follows Lu Xun, one of the leading proponents of the revival of woodblock printmaking in early republican China, as the central thread in a narrative examining the intersections of art education, visual art, literature, and the cinema. Drawing on a wide variety of published materials, Tang successfully puts avant-garde work of the 1930s into a much broader cultural perspective."--Kuiyi Shen, author of "A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China"
Author: Paul Bevan
Publisher: BRILL
ISBN: 900430794X
Category : Art
Languages : en
Pages : 407
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Book Description
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Author: Yan Geng
Publisher: Springer
ISBN: 3658208252
Category : Art
Languages : en
Pages : 234
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Book Description
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.
Author: British Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
The British Museum holds one of the finest collections of Chinese prints outside Asia, with particular strength in the modern period. This book features 100 examples from the British Museums collection. It also explains the features of each print, including techniques, aesthetic principles and cultural context. Full description
Author:
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 406
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Book Description
Author: Felicity Lufkin
Publisher: Lexington Books
ISBN: 1498526292
Category : History
Languages : en
Pages : 317
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Book Description
Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.
