William Carlos Williams and the American Scene, 1920-1940 PDF Download
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Author: Dickran Tashjian
Publisher: Univ of California Press
ISBN: 9780520038547
Category : Art
Languages : en
Pages : 172
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Book Description
Author: Dickran Tashjian
Publisher: Univ of California Press
ISBN: 9780520038547
Category : Art
Languages : en
Pages : 172
Get Book Here
Book Description
Author: Dickran Tashjian
Publisher:
ISBN: 9780520038783
Category : Art and literature
Languages : en
Pages : 0
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Book Description
Author: Dickran Tashjian
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author: Dickran Tashjian
Publisher:
ISBN: 9780520038547
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Dickran Tashjian
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 0
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Sandra Kumamoto Stanley
Publisher: Univ of California Press
ISBN: 0520340949
Category : Poetry
Languages : en
Pages : 208
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Book Description
Viewing Louis Zukofsky as a reader, writer, and innovator of twentieth-century poetry, Sandra Stanley argues that his works serve as a crucial link between American modernism and post- modernism. Like Ezra Pound, Zukofsky saw himself as a participant in the transformation of a modern American poetics; but unlike Pound, Zukofsky, the ghetto-born son of an immigrant Russian Jew, was keenly aware of his marginal position in society. Championing the importance of the little words, such as a and the, Zukofsky effected his own proletarian "revolution of the word." Stanley explains how Zukofsky emphasized the materiality of language, refusing to reduce it to a commodity controlled by an "authorial/authoritarian" self. She also describes his legacy to contemporary poets, particularly such Language poets as Ron Silliman and Charles Bernstein.
Author: Jen Hedler Phillis
Publisher: New American Canon
ISBN: 1609386612
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Poems of the American Empire argues that careful attention to a particular strain of twentieth-century lyric poetry yields a counter-history of American global power. The period that Phillis covers--from Ezra Pound's A Draft of XXX Cantos in 1930 to Cathy Park Hong's Engine Empire in 2012--roughly matches what some consider the ascent and decline of the American empire. The diverse poems that appear in this book are united by their use of epic forms in the lyric poem, a combination that violates a fundamental framework of both genres' relationship to time. This book makes a groundbreaking intervention by insisting that lyric time is key to understanding the genre. These poems demonstrate the lyric form's ability to represent the totality of history, making American imperial power visible in its fullness. Neither strictly an empty celebration of American exceptionalism nor a catalog of atrocities, Poems of the American Empire allows us to see both.
Author: Bruce Holsapple
Publisher: University of New Mexico Press
ISBN: 0826357601
Category :
Languages : en
Pages : 429
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Book Description
Introduction: A life that is here and now -- Growth of a poet's mind -- The disjointing process, Kora in hell: improvisation -- Getting from sentiment to form -- Painting the wind -- A renaissance twilight with triphammers -- Imagining America -- A new order of knowing -- The verse line -- Form, structure, and vernacular
Author: Eric B White
Publisher: Edinburgh University Press
ISBN: 0748645225
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Provides an alternative account of the modernist transatlanticTransatlantic Avant-Gardes offers a revisionary account of the evolution of twentieth-century modernism. Complimenting recent studies of modernist expatriates, Eric White explores new points of contact between European and American avant-gardes to place 'located' figures such as William Carlos Williams, Marianne Moore, Wallace Stevens, Jean Toomer, and Alfred Kreymborg back into the 'global design' of literary modernism. Focusing on artist-run 'little magazines' (including Others, Contact, The Little Review, Blast, The Dial, Fire!!, and Pagany) and selected fine press publications and mainstream periodicals, White also reconsiders the boundaries that traditionally divide modernist literature into 'exile' and 'localist', or 'regionalist' and 'cosmopolitan', factions. Thus, the book proposes a version of localist modernism that prioritises issues of geographic and textual 'location' to deliver a 'networked' approach to American modernism in the transatlantic context. Combining literary-historical, textual, and cultural criticism, Transatlantic Avant-Gardes provides a new reading of the specialised literary networks that interrogated the relationship between geographic place, textual space and national identity in the modernist transatlantic.
