William Carlos Williams and the American Scene, 1920-1940 PDF Download
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Author: Dickran Tashjian
Publisher: Univ of California Press
ISBN: 9780520038547
Category : Art
Languages : en
Pages : 172
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Book Description
Author: Dickran Tashjian
Publisher: Univ of California Press
ISBN: 9780520038547
Category : Art
Languages : en
Pages : 172
Get Book Here
Book Description
Author: Jen Hedler Phillis
Publisher: University of Iowa Press
ISBN: 1609386612
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Poems of the American Empire argues that careful attention to a particular strain of twentieth-century lyric poetry yields a counter-history of American global power. The period that Phillis covers—from Ezra Pound’s A Draft of XXX Cantos in 1930 to Cathy Park Hong’s Engine Empire in 2012—roughly matches what some consider the ascent and decline of the American empire. The diverse poems that appear in this book are united by their use of epic forms in the lyric poem, a combination that violates a fundamental framework of both genres’ relationship to time. This book makes a groundbreaking intervention by insisting that lyric time is key to understanding the genre. These poems demonstrate the lyric form’s ability to represent the totality of history, making American imperial power visible in its fullness. Neither strictly an empty celebration of American exceptionalism nor a catalog of atrocities, Poems of the American Empire allows us to see both.
Author: Eric B White
Publisher: Edinburgh University Press
ISBN: 0748645225
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Provides an alternative account of the modernist transatlanticTransatlantic Avant-Gardes offers a revisionary account of the evolution of twentieth-century modernism. Complimenting recent studies of modernist expatriates, Eric White explores new points of contact between European and American avant-gardes to place 'located' figures such as William Carlos Williams, Marianne Moore, Wallace Stevens, Jean Toomer, and Alfred Kreymborg back into the 'global design' of literary modernism. Focusing on artist-run 'little magazines' (including Others, Contact, The Little Review, Blast, The Dial, Fire!!, and Pagany) and selected fine press publications and mainstream periodicals, White also reconsiders the boundaries that traditionally divide modernist literature into 'exile' and 'localist', or 'regionalist' and 'cosmopolitan', factions. Thus, the book proposes a version of localist modernism that prioritises issues of geographic and textual 'location' to deliver a 'networked' approach to American modernism in the transatlantic context. Combining literary-historical, textual, and cultural criticism, Transatlantic Avant-Gardes provides a new reading of the specialised literary networks that interrogated the relationship between geographic place, textual space and national identity in the modernist transatlantic.
Author: Mark Kaminsky
Publisher: Routledge
ISBN: 1317824059
Category : Fiction
Languages : en
Pages : 319
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Book Description
The meaning and value of reminiscence in the lives of elders is beautifully explored.
Author: Jonathan Veitch
Publisher: Univ of Wisconsin Press
ISBN: 0299157032
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Nathanael West has been hailed as “an apocalyptic writer,” “a writer on the left,” and “a precursor to postmodernism.” But until now no critic has succeeded in fully engaging West’s distinctive method of negation. In American Superrealism, Jonathan Veitch examines West’s letters, short stories, screenplays and novels—some of which are discussed here for the first time—as well as West’s collaboration with William Carlos Williams during their tenure as the editors of Contact. Locating West in a lively, American avant-garde tradition that stretches from Marcel Duchamp to Andy Warhol, Veitch explores the possibilities and limitations of dada and surrealism—the use of readymades, scatalogical humor, human machines, “exquisite corpses”—as modes of social criticism. American Superrealism offers what is surely the definitive study of West, as well as a provocative analysis that reveals the issue of representation as the central concern of Depression-era America.
Author: Ronald E. Martin
Publisher: Durham : Duke University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
This challenging study of a number of American writers belongs in the tradition of the history-of-ideas approach to literary history. It offers an analysis of American literary developments and the relationship between writers and the philosophical and social thought of their times. Martin examines the works of Emerson, Whitman, Dickinson, Crane, Frost, Pound, Hemingway, Dos Passos, Stevens, Williams, and several others with a sharp eye for the artistic consequences of changing epistemological assumptions and for the connection of ideas and form. ISBN 0-8223-1125-9: $29.95.
Author: Gary Lenhart
Publisher: University of Michigan Press
ISBN: 9780472069170
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
The Stamp of Class is about reading poetry with an awareness of class and its themes. While numerous works have taken up the question of race and gender as they relate to literary creation, no single book has probed the interplay between class and American poetry. The nine essays in Gary Lenhart's book deal with the question of class as reflected in the works of Tracie Morris, Tillie Olsen, Melvin Tolson, William Carlos Williams, Walt Whitman, and others. The work is rooted in the author's own experiences as a working-class poet and teacher, and is the result of more than a decade of exploration.
Author: Elizabeth Gregory
Publisher: Texas A&M University Press
ISBN: 9780892633470
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In this volume Elizabeth Gregory addresses a number of key issues surrounding the formation of the American poetic canon. Taking as her primary examples T. S. Eliot's Waste Land, William Carlos Williams' Paterson, and selected poems by Marianne Moore, she examines the ways in which modern American writers struggled with questions of literary authority and cultural identity in relation to pre-existing European models. Gregory focuses on these issues through analysis of the use of quotation in modern and postmodern literature, a practice that was strikingly divergent from the accepted use of literary allusion. Her introduction traces a history of quotation as it has been practiced in literature from classical to modern times. She then focuses on the texts of Eliot, Williams, and Moore--three central figures of American modernism whose work the author believes represents a spectrum of responses to the established European model of poetical discourse. Gregory's selection of Moore also allows her to deal with feminist concerns as they emerge in the more general modernist dialogue. How was a female writer to make use of a literary canon that traditionally excluded female participation? "The implications of Gregory's argument . . . will surely be of especial interest to feminist scholars of American poetry."--Lois Parkinson Zamora, University of Houston.
Author: Ethan Lewis
Publisher: Cambridge Scholars Publishing
ISBN: 1443822493
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This text will “make one see something new [by granting] new eyes to see with,” as Ezra Pound remarked of Imagism. Still he soon dissociated himself from the movement he helped found, to which T. S. Eliot never belonged. Why, then, study Pound and Eliot as Imagists? As the former phrased it, to offer “language to think in” regarding their shared premium on precision; and to explicate differing reasons for this emphasis. Pound plies accuracy to carve distinctions. By carving, he sought to delineate components of a model culture. Conversely, and paradoxically, severances renderable through apt language enabled Eliot to intuit a divine “amalgamation”—which would displace inevitable confusions among objects, and between subject and object: turmoil dramatized in Eliot’s early work. A book focusing this opposition requires concrete manifestations. Imagist poetics of the nineteen teens and twenties, as our authors understood it, informs exploring their disparate tendencies; and provides examples of that contrast. Because they transcended it, Imagism initiates Pound’s and Eliot’s development. Poets wed to Imagism necessarily treat “small things” (Dasenbrock), due to their “poetic of stasis” (Kenner). Imagist techniques, however—presenting interactive “complexes”; creating illusions of spatio-temporal freedom—set the course for the Modernist long poem. Our subjects extend a tradition, limned by several scholars, principally Sir Frank Kermode. Romantic Imag[ism] “animates ... the best writing between Coleridge and Blake ... and Pound and Eliot.” A parallel critical inheritance this study will humbly continue.
Author: Sabrina Vellucci
Publisher: Rowman & Littlefield
ISBN: 1683934334
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
This volume examines the significance of place in contemporary Italian American literature from an ecocritical perspective. It fills a gap in the theoretical discourse on Italian American culture, whose concerns about environmental justice have been mostly overlooked. From mid-twentieth-century poets such as John Ciardi and Diane di Prima to late twentieth- and twenty-first-century fiction writers such as Carole Maso and Salvatore Scibona, the study combines Italian American literary criticism with the spatial turn that, over the last decades, has asserted the interpretive significance of place and the environment in literary texts. Questioning the prejudice that sees Italian American culture as detached from ecological issues, these works show that such diasporic heritage has helped forge different modes of relationship and new forms of expression in contact with the “American” land. Their relevance lies not so much in defining or redefining Italian American ethnicity but in forging ideas and futures beyond their immediate framework and subject matter. By focusing on the intersection of gender and ethnicity with local and transnational spaces and aesthetic practices, Italian American Poetics of Place contributes to the growing field of inquiry that explores the resources of the literary in laying the basis for more dialogic and inclusive forms of awareness and community with both the human and other-than-human.
