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Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
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Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Get Book Here
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Author: R. Dale Guthrie
Publisher: University of Chicago Press
ISBN: 9780226311265
Category : Art
Languages : en
Pages : 544
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Book Description
Publisher Description
Author: Randall White
Publisher: Harry N. Abrams
ISBN: 9780810942622
Category : Art
Languages : en
Pages : 464
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Book Description
Drawing on the most up-to-the-minute research on prehistoric art, an anthropologist presents a global survey, starting with the first explosion of imagery that occurred approximately 40,000 years ago but also including the creations of essentially "prehistoric" peoples living as recently as the early 20th century. 226 illustrations.
Author: Paul G. Bahn
Publisher: Cambridge University Press
ISBN: 9780521454735
Category : Art
Languages : en
Pages : 348
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Book Description
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
Author: David S. Whitley
Publisher: Prometheus Books
ISBN: 1615920560
Category : Art
Languages : en
Pages : 324
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Book Description
Whitley, one of the world's leading experts on cave paintings, rewrites the understanding of shamanism and its connection with artistic creativity, myth, and religion by interweaving archaeological evidence with the latest findings of cutting-edge neuroscience.
Author: Baby Professor
Publisher: Speedy Publishing LLC
ISBN: 1541951697
Category : Juvenile Nonfiction
Languages : en
Pages : 73
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Book Description
Did your child enjoy the school discussions on prehistoric art? Then feed that excitement even more by supplementing with this book of social studies. Through the lessons discussed in these pages, your child will learn to examine and describe the key characteristics of prehistoric cave art. Get a copy for your child today.
Author: Barry Cooper
Publisher: University of Notre Dame Pess
ISBN: 0268107157
Category : Art
Languages : en
Pages : 542
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Book Description
Using his background in political theory and philosophical anthropology, Barry Cooper is the first political scientist to propose new interpretations of some of the most famous extant Paleolithic art and artifacts in Paleolithic Politics. This book is inspired by Eric Voegelin, one of the major political scientists of the last century, who developed an interest in the very early symbolism associated with the caves and rock shelters of the Upper Paleolithic, but never finished his analysis. Cooper, who has written extensively on Voegelin’s theories, takes up the enterprise of applying Voegelin’s approach to an analysis of portable and cave art. He specifically applies Voegelin’s philosophy of consciousness, his concept of the compactness and differentiation of consciousness, his argument regarding the experience and symbolizations of reality, and his notion of the primary experience of the cosmos to images previously regarded as pedestrian. Cooper demonstrates the political significance of the earliest expressions of human existence and is among the first to argue that political life began not with the Greeks, but 25,000 years before them. Archaeologists, prehistorians, and political scientists will all benefit from this original and provocative work.
Author: Georges Bataille
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Art of indigenous peoples.
Author: C. C. Lamberg-Karlovsky
Publisher: Cambridge University Press
ISBN: 9780521406437
Category : Social Science
Languages : en
Pages : 372
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Book Description
American archaeology today encompasses a huge range of approaches and draws eclectically on a multitude of academic disciplines. Until now, however, there has been no book seeking to separate the main strands and traditions of research and present a rounded picture of American archaeological thought in all its diversity. The seventeen essays in Archaeological Thought in America describe recent theoretical advances and present substantive interpretations of prehistoric data drawn from a variety of cultures and time-frames, including Mesoamerica, Central Asia, India and China. The contributors include many of the leading North American archaeologists of this generation.
Author: Jeffrey Skoblow
Publisher: punctum books
ISBN: 0692321284
Category : Art
Languages : en
Pages : 158
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Book Description
"In a Trance is just the sort of genre-defying work we at Peanut and punctum and, as it happens, Jeffrey Skoblow, revel in. It is a book-length essay by a fiction writer. It is a fictional essay by a literary scholar. It is a gallant assay by a smart man who thinks while he walks, and he walks a lot.The book is a meta-meditation on Paleolithic cave drawings and the humans who ponder them. It is fact-based and entrancing just as the cave drawings are actual (existing in time - loosely - and space - more definitively) and mesmerizing. Skoblow is devising stories as "we" (humans) have always devised stories though in a less familiar mode, along a less travelled path.The essay draws on (!) the careful/thoughtful/whimsical notebooks kept by Skoblow over a dozen years. The notebooks record/illuminate/complicate his visits to twelve Paleolithic art sites as well as his deep, eccentric reading of texts concerned in some way with the subject of cave drawings by an array of scientists, anthropologists, archeologists, art historians, and other sundry enthusiasts and experts, so-called and otherwise."
