Author: Thomas Wolfe
Publisher: LSU Press
ISBN: 9780807125038
Category : Drama
Languages : en
Pages : 160
Book Description
In 1920 Thomas Wolfe left the South with the strong desire to become a dramatist. To pursue his chosen craft, he enrolled in the Harvard 47 Workshop, at that time the most renowned in the nation. At first he wrote plays about Appalachian society and the Civil War. But it was not until Wolfe turned to the modern South—inspired by a disturbing return to his hometown of Asheville, North Carolina—that his genius awoke. There he found the material he would work into the best of his three full-length plays written at Harvard, the material that in the next decade would be recast into the novels that would make him famous. This is the first book publication of Welcome to Our City, Thomas Wolfe’s play in ten scenes of a modern South ruled by liars and real estate agents, overrun with boosterism, and dedicated to greed. This sprawling, fiery work has lain dormant among Wolfe’s papers for over fifty years, abandoned by its author after an unsuccessful attempt to revise and shorten it for a New York Theatre Guild production. For this edition, Richard S. Kennedy has reassembled a full performance text of the workshop version presented at Harvard in 1923—a production that involved forty-five cast members, including over thirty speaking parts, required seven stage changes, and lasted over three and a half hours in performance. The action of Welcome to Our City centers on a scheme of the town fathers and real estate promoters of Altamont, a small southern city, to snatch up all the property in a centrally located black district, evict the tenants, tear down their houses and shops, and build a new white residential section in its place. When the blacks, under the angry leadership of a strong-willed doctor, resist eviction, a race riot breaks out—shattering both the precarious social balance of the city and the “progressive” dreams of Altamont’s boosters. Building on this plot, Wolfe guides his audience through the back rooms, stately homes, ans shanty towns of Altamont, contrasting tradition-bound southern characters with a new breed of life drawn from the vast menagerie of 1920s Main Street America: fact-spouting yes-men, hypocritical religious leaders, anti-intellectual professors, provincial country club matrons, and politicians inauthentic from their heads to their feet. Welcome to Our City is not merely an exhibit in the artistic development of a future novelist. Wolfe used the dramatic form inventively and with considerable inspiration to expose the culture of greed that he saw spreading around him and to caricature the men who, he feared, would usher in an age of mediocrity across America. Emotionally gripping and mockingly satiric, Welcome to Our City captures the festering social climate of the 1920s in a vision of life that is uncomfortably relevant to our own times.
Welcome to Our City
Author: Thomas Wolfe
Publisher: LSU Press
ISBN: 9780807125038
Category : Drama
Languages : en
Pages : 160
Book Description
In 1920 Thomas Wolfe left the South with the strong desire to become a dramatist. To pursue his chosen craft, he enrolled in the Harvard 47 Workshop, at that time the most renowned in the nation. At first he wrote plays about Appalachian society and the Civil War. But it was not until Wolfe turned to the modern South—inspired by a disturbing return to his hometown of Asheville, North Carolina—that his genius awoke. There he found the material he would work into the best of his three full-length plays written at Harvard, the material that in the next decade would be recast into the novels that would make him famous. This is the first book publication of Welcome to Our City, Thomas Wolfe’s play in ten scenes of a modern South ruled by liars and real estate agents, overrun with boosterism, and dedicated to greed. This sprawling, fiery work has lain dormant among Wolfe’s papers for over fifty years, abandoned by its author after an unsuccessful attempt to revise and shorten it for a New York Theatre Guild production. For this edition, Richard S. Kennedy has reassembled a full performance text of the workshop version presented at Harvard in 1923—a production that involved forty-five cast members, including over thirty speaking parts, required seven stage changes, and lasted over three and a half hours in performance. The action of Welcome to Our City centers on a scheme of the town fathers and real estate promoters of Altamont, a small southern city, to snatch up all the property in a centrally located black district, evict the tenants, tear down their houses and shops, and build a new white residential section in its place. When the blacks, under the angry leadership of a strong-willed doctor, resist eviction, a race riot breaks out—shattering both the precarious social balance of the city and the “progressive” dreams of Altamont’s boosters. Building on this plot, Wolfe guides his audience through the back rooms, stately homes, ans shanty towns of Altamont, contrasting tradition-bound southern characters with a new breed of life drawn from the vast menagerie of 1920s Main Street America: fact-spouting yes-men, hypocritical religious leaders, anti-intellectual professors, provincial country club matrons, and politicians inauthentic from their heads to their feet. Welcome to Our City is not merely an exhibit in the artistic development of a future novelist. Wolfe used the dramatic form inventively and with considerable inspiration to expose the culture of greed that he saw spreading around him and to caricature the men who, he feared, would usher in an age of mediocrity across America. Emotionally gripping and mockingly satiric, Welcome to Our City captures the festering social climate of the 1920s in a vision of life that is uncomfortably relevant to our own times.
Publisher: LSU Press
ISBN: 9780807125038
Category : Drama
Languages : en
Pages : 160
Book Description
In 1920 Thomas Wolfe left the South with the strong desire to become a dramatist. To pursue his chosen craft, he enrolled in the Harvard 47 Workshop, at that time the most renowned in the nation. At first he wrote plays about Appalachian society and the Civil War. But it was not until Wolfe turned to the modern South—inspired by a disturbing return to his hometown of Asheville, North Carolina—that his genius awoke. There he found the material he would work into the best of his three full-length plays written at Harvard, the material that in the next decade would be recast into the novels that would make him famous. This is the first book publication of Welcome to Our City, Thomas Wolfe’s play in ten scenes of a modern South ruled by liars and real estate agents, overrun with boosterism, and dedicated to greed. This sprawling, fiery work has lain dormant among Wolfe’s papers for over fifty years, abandoned by its author after an unsuccessful attempt to revise and shorten it for a New York Theatre Guild production. For this edition, Richard S. Kennedy has reassembled a full performance text of the workshop version presented at Harvard in 1923—a production that involved forty-five cast members, including over thirty speaking parts, required seven stage changes, and lasted over three and a half hours in performance. The action of Welcome to Our City centers on a scheme of the town fathers and real estate promoters of Altamont, a small southern city, to snatch up all the property in a centrally located black district, evict the tenants, tear down their houses and shops, and build a new white residential section in its place. When the blacks, under the angry leadership of a strong-willed doctor, resist eviction, a race riot breaks out—shattering both the precarious social balance of the city and the “progressive” dreams of Altamont’s boosters. Building on this plot, Wolfe guides his audience through the back rooms, stately homes, ans shanty towns of Altamont, contrasting tradition-bound southern characters with a new breed of life drawn from the vast menagerie of 1920s Main Street America: fact-spouting yes-men, hypocritical religious leaders, anti-intellectual professors, provincial country club matrons, and politicians inauthentic from their heads to their feet. Welcome to Our City is not merely an exhibit in the artistic development of a future novelist. Wolfe used the dramatic form inventively and with considerable inspiration to expose the culture of greed that he saw spreading around him and to caricature the men who, he feared, would usher in an age of mediocrity across America. Emotionally gripping and mockingly satiric, Welcome to Our City captures the festering social climate of the 1920s in a vision of life that is uncomfortably relevant to our own times.
The 4400: Welcome to Promise City
Author: Greg Cox
Publisher: Simon and Schuster
ISBN: 1416565507
Category : Fiction
Languages : en
Pages : 305
Book Description
Based on the hit USA Network series The 4400, an original novel about a group of 4400 people taken out of their time and returned to the present day with special powers, only no one, including them, is sure if they are a force for good...or for evil. Over nine thousand people were killed in Seattle, when promicin was unleashed within the city limits. Now the Federal government has to decide how to deal with citizens who have powers and abilities that cannot be legislated. An uneasy truce has arisen between Jordan Collier, the self-styled leader of The 4400, and the Federal government. While he stopped more people from being killed, Collier was the one responsible for unleashing promicin on the world. Now governments around the world have to wonder just who controls these powerful people and just what are Collier and The 4400 going to do next?
Publisher: Simon and Schuster
ISBN: 1416565507
Category : Fiction
Languages : en
Pages : 305
Book Description
Based on the hit USA Network series The 4400, an original novel about a group of 4400 people taken out of their time and returned to the present day with special powers, only no one, including them, is sure if they are a force for good...or for evil. Over nine thousand people were killed in Seattle, when promicin was unleashed within the city limits. Now the Federal government has to decide how to deal with citizens who have powers and abilities that cannot be legislated. An uneasy truce has arisen between Jordan Collier, the self-styled leader of The 4400, and the Federal government. While he stopped more people from being killed, Collier was the one responsible for unleashing promicin on the world. Now governments around the world have to wonder just who controls these powerful people and just what are Collier and The 4400 going to do next?
Welcome to Fear City
Author: Nathan Holmes
Publisher: SUNY Press
ISBN: 1438471211
Category : History
Languages : en
Pages : 246
Book Description
Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public lifein stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. Rejecting the easy abstractions and postmodern playfulness of noir and neo-noir criticism, Holmes places 1970s crime films, as he says, in relation to the urban context that was their location, setting, and subject. He does this brilliantly, convincingly, and uniquely. David Desser, former editor, Cinema Journal
Publisher: SUNY Press
ISBN: 1438471211
Category : History
Languages : en
Pages : 246
Book Description
Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public lifein stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture. Rejecting the easy abstractions and postmodern playfulness of noir and neo-noir criticism, Holmes places 1970s crime films, as he says, in relation to the urban context that was their location, setting, and subject. He does this brilliantly, convincingly, and uniquely. David Desser, former editor, Cinema Journal
My Mind Is Not Yours: Welcome to Tarot Tori City
Author: Eliot D. Esparza
Publisher: Eliot D. Esparza
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 334
Book Description
"Nothing can escape these eyes!" Apparition Vision - the power capable of deciphering people's souls. Female sleuth Florian Lilly Cobblestone is meticulously mastering this supernatural power. Florian sees everyone's unique spirits while hers remains unseen. She seeks help from psychologist Dr. Ronaldo Von Nirvanas. As he studies Florian's abilities, they encounter criminals hiding in Tarot Tori City. This is the beginning of an eccentric genius detective vs. criminal masterminds series. Prepare for dynamic battles of wits with bizarre elements. (Contains Acts 1-4 Tarot Tori Gate, Flourishing, Ghosts, and Relinquishing Sovereignty) My Mind Is Not Yours: Welcome to Tarot Tori City is a finalist in the thriller category in the 2023 Next Generation Indie Book Awards, the world’s largest book awards program for independent publishers and self-published authors.
Publisher: Eliot D. Esparza
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 334
Book Description
"Nothing can escape these eyes!" Apparition Vision - the power capable of deciphering people's souls. Female sleuth Florian Lilly Cobblestone is meticulously mastering this supernatural power. Florian sees everyone's unique spirits while hers remains unseen. She seeks help from psychologist Dr. Ronaldo Von Nirvanas. As he studies Florian's abilities, they encounter criminals hiding in Tarot Tori City. This is the beginning of an eccentric genius detective vs. criminal masterminds series. Prepare for dynamic battles of wits with bizarre elements. (Contains Acts 1-4 Tarot Tori Gate, Flourishing, Ghosts, and Relinquishing Sovereignty) My Mind Is Not Yours: Welcome to Tarot Tori City is a finalist in the thriller category in the 2023 Next Generation Indie Book Awards, the world’s largest book awards program for independent publishers and self-published authors.
Welcome to the Urban Revolution
Author: Jeb Brugmann
Publisher: Bloomsbury Publishing USA
ISBN: 1608190927
Category : Social Science
Languages : en
Pages : 359
Book Description
The author argues that urban locations are ideal for technological, economic, and social innovation.
Publisher: Bloomsbury Publishing USA
ISBN: 1608190927
Category : Social Science
Languages : en
Pages : 359
Book Description
The author argues that urban locations are ideal for technological, economic, and social innovation.
The Plumbers Trade Journal
Author:
Publisher:
ISBN:
Category : Air conditioning
Languages : en
Pages : 1006
Book Description
Publisher:
ISBN:
Category : Air conditioning
Languages : en
Pages : 1006
Book Description
Railway Conductors' Monthly
Author:
Publisher:
ISBN:
Category : Railroad conductors
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Railroad conductors
Languages : en
Pages : 770
Book Description
Hearings
Author: United States. Congress. House
Publisher:
ISBN:
Category :
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 846
Book Description
Canadian Engineer
Author:
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 970
Book Description
The History of the Riverside Church in the City of New York
Author: Peter J. Paris
Publisher: NYU Press
ISBN: 0814767133
Category : History
Languages : en
Pages : 364
Book Description
An illustrated history of an important cultural institute in NYC - not just religiously influential.
Publisher: NYU Press
ISBN: 0814767133
Category : History
Languages : en
Pages : 364
Book Description
An illustrated history of an important cultural institute in NYC - not just religiously influential.