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Author: Pete Docter
Publisher:
ISBN: 9781423172963
Category : Animators
Languages : en
Pages :
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Book Description
Author: Pete Docter
Publisher:
ISBN: 9781423172963
Category : Animators
Languages : en
Pages :
Get Book Here
Book Description
Author: Pete Docter
Publisher: Disney Editions
ISBN: 9781484745359
Category : Art
Languages : en
Pages : 0
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Book Description
There are nine flip books inside this box that pays tribute to Disney's early animators. Legendary animators Ub Iwerks, Norm Ferguson, Billl Tytla, Ham Luske, Art Babbitt, Grim Gatwick, Freddie Moore, Hal King, and John Sibley are featured in this special set. Each flipbook features a scene from an animated Disney feature in its original line-drawn form, having been selected from among a wide range of films for great movement and classic characters. In addition to the filpbooks, the box contains a booklet detailing the incredible talents that the animators contributed to The Walt Disney Animation Studios, for which they have all been named Disney Legends. With their enduring appeal, precise timing, and focused staging, it's no wonder the films created by these animation pioneers have been enjoyed by generation after generation.
Author: Andreas Deja
Publisher: CRC Press
ISBN: 1135015856
Category : Computers
Languages : en
Pages : 791
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Book Description
Learn from the men who changed animation forever Walt Disney’s team of core animators, who he affectionately called his "Nine Old Men," were known for creating Disney’s most famous works, as well as refining the 12 basic principles of animation. Follow master animator and Disney legend Andreas Deja as he takes you through the minds and works of these notable animators. An apprentice to the Nine Old Men himself, Deja gives special attention to each animator and provides a thoughtful analysis on their techniques that include figure drawing, acting, story structure, and execution. The in-depth analysis of each animator’s work will allow you to refine your approach to character animation. Rare sequential drawings from the Disney archives also give you unprecedented access and insight into the most creative minds that changed the course of animation. Instruction and analysis on the works of each of the Nine Old Men broaden your creative choices and approaches to character animation Original drawings, some never-before-seen by the public are explored in depth, giving you behind-the-scenes access into Disney animation history Gain first-hand insight into the foundation of timeless characters and scenes from some of Disney’s most memorable feature and short films
Author: Don Hahn
Publisher: Weldon Owen
ISBN: 9781681884448
Category : Art
Languages : en
Pages : 0
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Book Description
Celebrate the legacy of Disney’s core group of animators, with Walt Disney’s Nine Old Men: Masters of Animation, featuring original sketches from classic films such as Pinocchio, Bambi, and Peter Pan—including an exclusive look at the animators’ lives, with personal caricatures and fine artwork. In the mid-1930s, President Franklin D. Roosevelt coined the term “Nine Old Men” to describe the nine justices of the Supreme Court, who had seemingly lost touch with the ever-changing times. In jest, Walt Disney borrowed the term several years later to refer to his core team of animators—Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Wolfgang Reitherman, and Frank Thomas—even though they were neither old nor out of touch, and in fact would together make history with their cutting-edge contributions to the world of animation. Produced in conjunction with The Walt Disney Family Museum’s 2018 exhibition of the same name, Walt Disney’s Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio (1940), Bambi (1942), Peter Pan (1953), Lady and the Tramp (1955), and Sleeping Beauty (1959). Personal art, paintings, sculptures, flip-books, and hundreds of original animation drawings are all faithfully presented, alongside pencil tests and final color scenes that showcase their genius. In conducting his extensive research on the Nine Old Men, curator and celebrated producer Don Hahn sat down with each of the animators’ families for in-depth discussions, unearthing details about the unique personalities of the men behind iconic Disney characters and films. The result of this collaboration is a spectacular collection of personal artifacts and ephemera that have never been seen by the public, all of which help tell each animator’s individual story and reveal how they collectively elevated animation to an art form. After roughly 40 years of mentorship, the Nine Old Men were all named Disney Legends in 1989 in recognition of their lasting contributions, not only to The Walt Disney Studios, but to animation as a whole. This book offers a deep dive into their esteemed work and life stories—and a rich offering of the legacy they helped shape.
Author: Walt Disney Animation Research Library
Publisher: Disney Editions
ISBN: 9781423138662
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
This fourth installment in The Archive Series showcases the scenic background and layout art that gives every piece of Disney animation a time and place. The Animation Research Library and curator John Lasseter, the Walt Disney Animation Studios Chief Creative Officer, have assembled over 300 pieces of artwork from the company's shorts and masterpieces from Snow White and the Seven Dwarfs to Tangled, and even the upcoming Winnie the Pooh. With many two-page spreads and several 30-inch gate-folds, Backgrounds & Layouts includes famous as well as unpublished work of the great layout artists and background painters such as Eyvind Earle, Claude Coats, Walter Peregoy, Maurice Noble, James Coleman, Serge Michaels, Al Dempster, Bill Layne, Art Riley, Brice Mack, and Lisa Keene. Collectors and animation enthusiasts couldn't be more thrilled with the first three books in the series, and they are eager to add Backgrounds & Layouts to their libraries.
Author: Walt Disney Animation Research Library
Publisher: Disney Editions
ISBN: 9781423134206
Category : Art
Languages : en
Pages : 0
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Book Description
Whether it consists of quick sketches on a lunch counter napkin, elaborate paintings in oils or watercolors, or dazzling computer renderings, the unparalleled creative process of Disney artists is lavishly showcased in Design, the third volume of The Walt Disney Animation Studios - The Archive Series. Among the incredible talents featured in this volume are Albert Hurter, Ferdinand Horvath, Joe Grant, Maurice Noble, Gustaf Tenggren, Tyrus Wong, Kay Nielsen, David Hall, Mel Shaw, Mary Blair, Bianca Majolie, Yale Gracey, Eyvind Earle, Walt Peregoy, Ken Anderson, James Coleman, Jean Gillmore, Rowland Wilson, Glen Keane, Chris Sanders, Andreas Deja, Mike Gabriel, Mike Giaimo, Hans Bacher, Chen Yi Chang, Paul Felix, Aaron Blaise, Ian Gooding, and John Musker. Design represents a rare opportunity to again enjoy a glimpse into the truly spectacular trove of treasures from the Walt Disney Animation Research Library.
Author: Mindy Johnson
Publisher: Disney Editions
ISBN: 9781484727812
Category : Art
Languages : en
Pages : 0
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Book Description
From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now. Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney's later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling. In her latest landmark book, Ink & Paint: The Women of Walt Disney's Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought handrendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.
Author: Walt Disney Animation Research Library
Publisher: Disney Editions
ISBN: 9781423117162
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
With an introduction by John Lasseter—and very little else in the way of words—this second book in The Artist Series lavishly showcases the most brilliant animation created by such luminaries as Ub Iwerks, Norm Ferguson, Ben Sharpsteen, Hamilton Luske, Dick Huemer, Grim Natwick, Art Babbitt, Fred Moore, Bill Tytla, Frank Thomas, Ollie Johnston, Milt Kahl, Marc Davis, John Lounsbery, Ward Kimball, Eric Larson, Les Clark, Wolfgang Reitherman, John Sibley, Bill Justice, Clyde Geronimi, Ted Berman, Glen Keane, Andreas Deja, Eric Goldberg, Mark Henn and Tony Bancroft. The artwork—much of which has never before been published—offers the opportunity to marvel at the those magical lines of pencil that brought life to so many unforgettable Disney characters. Animation represents a rare opportunity to enjoy a glimpse into the truly spectacular trove of treasures from the Walt Disney Animation Research Library.
Author: John Canemaker
Publisher: Weldon Owen
ISBN: 9781616287931
Category : Art
Languages : en
Pages : 0
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Book Description
Vibrant, splendidly hued, and charming beyond compare, the work of Disney designer and illustrator Mary Blair is more than just acclaimed—it is adored. She has charmed generations with her whimsical creations, from stunning art direction for Cinderella and Peter Pan to the wowing and wonderful “It’s a Small World” ride at Disneyland. Magic Color Flair celebrates this Disney icon, tracing the evolution of her mesmerizing style and showcasing her work in gorgeous, full-color imagery. Curated by award winning animation director and designer, John Canemaker, the Magic Color Flair is an authoritative celebration of Blair’s life work. From her precocious paintings she made while studying at the renowned Chouinard Art Institute, to her concept drawings for Disney films, to her treasured Golden Books, delightful advertisements and large-scale installations. With annotations about her artistic process, Magic Color Flair gives readers an inside look to her bold and lively artistic process that yielded such loveable, and memorable work. While at art school, Blair developed a dynamic style that emphasized drama and emotion. Her gift for visual storytelling caught the eye of Walt Disney himself, who loved her bold graphics, sophisticated whimsicality, and eye-catching use of color and who became a lifelong friend and champion of her work. This book accompanies the Walt Disney Family Museum’s 2014 Mary Blair exhibit of the same title.
Author: Ed Catmull
Publisher: Random House
ISBN: 0679644504
Category : Business & Economics
Languages : en
Pages : 367
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Book Description
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.
