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Author: Mutlu Blasing
Publisher: Princeton University Press
ISBN: 1400827418
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
Author: Bart Eeckhout
Publisher: Springer Nature
ISBN: 3031070321
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Wallace Stevens’s musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poet’s work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry.
Author: Helen Vendler
Publisher: Harvard University Press
ISBN: 9780674634367
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Though Wallace Stevens' shorter poems are perhaps his best known, his longer poems, Vendler suggests in this book, deserve equal fame and equal consideration. She proposes that Stevens development as a poet can best be seen, not in description--which must be repetitive--of the abstract bases of his work, but rather in a view of his changing styles.
Author: Pamela J. Schirmeister
Publisher: Stanford University Press
ISBN: 0804780129
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Examining both why and how Emerson evades the ancient quarrel between literature and philosophy, this book entirely rethinks the nature of Emerson's radical individualism and its relation to the possibility of an ethics and a politics. The author argues that the quarrel between literature and philosophy never took place in America, and that instead traditional philosophical work staged itself here as a form of literary praxis and cultural therapeutics. Epitomized in the work of Emerson, this praxis takes shape explicitly in Emerson's understanding of democracy and occurs as an exchange within the act of reading. This is the exchange that Emerson so eloquently calls for in "The American Scholar" under the name of "letters." Emerson's project for American letters is the creation of a new national identity; as Less Legible Meanings makes clear, we have not yet understood the full range of implications that this project entails. After situating American letters in relation to German and British Romanticism and the features of American culture that augmented and altered their reception in the United States, the book goes on to explore the type of reading that Emersonian rhetoric engenders. Both persuasive and tropological, this rhetoric elicits from the reader something similar to psychoanalytic transference. Its goal is to lead the reader to a point at which representational logic breaks down so that a new subject can take shape. The purpose of such rhetoric, however, extends well beyond personal self-creation, because the construction of the subject emerges as the very possibility of the passage from the private sphere to the public one. In this passage, our entire notion of liberal individualism must be rethought, and with it, the pragmatic question of Emersonian ethics and politics. A revisionary study of some of Emerson's central essays, Less Legible Meanings also invites the reader to reconsider the nature of Emerson's influence on contemporary American culture and to discover new ways in which we might continue to understand his work. Interdisciplinary in scope, the book makes equal use of the history of philosophy, psychoanalytic theory, and cultural history.
Author: Bart Eeckhout
Publisher: Cambridge University Press
ISBN: 1108976743
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
The New Wallace Stevens Studies introduces a range of fresh voices and promising topics to the study of this great American poet. It is organized into three sections. The first explores concepts that have begun to emerge in Stevens criticism: imperialism and colonialism, his politics of utopia, his ideas about community-building and audience, his secularism, and his transnationalism. The second section applies recent methodological and theoretical advances that have left a prominent mark on literary studies - from world literature and ecocriticism to urban studies, queer studies, intersectional thinking, and cognitive literary studies. Essays in the third section reassess issues that have long inspired critics. Here investigations include Stevens's reception by later poets, his attitude toward modern fiction, different modes of his poetic thinking, aspects of his rhetoric and style, and his lyrical ethics. This volume captures a cross-section of the most striking recent developments in Stevens criticism.
Author: Charles Doyle
Publisher: Routledge
ISBN: 1136212809
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Author: Wallace Stevens
Publisher: Vintage
ISBN: 0307791874
Category : Poetry
Languages : en
Pages : 562
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Book Description
An essential book for all readers of poetry, and the definitive collection from the man Harold Bloom has called “the best and most representative American poet." Originally published in 1954 to honor Stevens’s seventy-fifth birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 1400880645
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index
Author: Wallace Stevens
Publisher: Knopf
ISBN: 0375711732
Category : Poetry
Languages : en
Pages : 353
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Book Description
The first new selection of this acclaimed poet’s work in nearly twenty years—now in paperback—is a rich reminder to poetry readers of his lasting contribution and his unending ability to puzzle, fascinate, and delight us.
