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Author: Robert E. Gutsche (Jr.)
Publisher: Cognella Academic Publishing
ISBN: 9781516504107
Category : Art and society
Languages : en
Pages : 406
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Book Description
"The anthology Visual Culture for a Global Audience takes a conceptually progressive approach to visual images and examines the role of control in visuals and images of gender, science, technology, and race. The material connects practical visual issues to critical, cultural studies. Images at the focus of this book are related to militarization, state violence, control, and masculinity in entertainment, journalism, advertising, and more. The text features imagery from around the globe, including that of regional indigenous populations. Introductions to each main section highlight key concepts that provide readers with the language and perspectives necessary for critical interpretation. These introductions also feature guiding questions that prepare students for the subsequent chapters. Editors' comments throughout the text offer additional description. Each chapter includes references and recommended readings. Visual Culture for a Global Audience is ideal for undergraduate and graduate classes related to visual communication, design, media and journalism, and courses focused on meanings of media and new technologies. The book is relevant to those interested in interpreting the meanings of advertising, politics, international relations, current events, journalism, and images. Robert E. Gutsche, Jr., Ph.D., teaches journalism and visual communication at Florida International University, Miami. A journalist since 1996, his scholarship focuses on news, culture, and power. The author of three books, his work also appears in Visual Communication, Visual Communication Quarterly, and Journalism & Mass Communication Quarterly. Alina Rafikova, M.S., is a scholar and Fulbright grantee who studies place branding and intercultural relations. She has interned at the United Nations. She also participated in the organization of G20 and AsiaPacific Economic Cooperation events in Russia and served as a graduate research assistant at Florida International University."
Author: Robert E. Gutsche (Jr.)
Publisher: Cognella Academic Publishing
ISBN: 9781516504107
Category : Art and society
Languages : en
Pages : 406
Get Book Here
Book Description
"The anthology Visual Culture for a Global Audience takes a conceptually progressive approach to visual images and examines the role of control in visuals and images of gender, science, technology, and race. The material connects practical visual issues to critical, cultural studies. Images at the focus of this book are related to militarization, state violence, control, and masculinity in entertainment, journalism, advertising, and more. The text features imagery from around the globe, including that of regional indigenous populations. Introductions to each main section highlight key concepts that provide readers with the language and perspectives necessary for critical interpretation. These introductions also feature guiding questions that prepare students for the subsequent chapters. Editors' comments throughout the text offer additional description. Each chapter includes references and recommended readings. Visual Culture for a Global Audience is ideal for undergraduate and graduate classes related to visual communication, design, media and journalism, and courses focused on meanings of media and new technologies. The book is relevant to those interested in interpreting the meanings of advertising, politics, international relations, current events, journalism, and images. Robert E. Gutsche, Jr., Ph.D., teaches journalism and visual communication at Florida International University, Miami. A journalist since 1996, his scholarship focuses on news, culture, and power. The author of three books, his work also appears in Visual Communication, Visual Communication Quarterly, and Journalism & Mass Communication Quarterly. Alina Rafikova, M.S., is a scholar and Fulbright grantee who studies place branding and intercultural relations. She has interned at the United Nations. She also participated in the organization of G20 and AsiaPacific Economic Cooperation events in Russia and served as a graduate research assistant at Florida International University."
Author: Nicholas Mirzoeff
Publisher: Psychology Press
ISBN: 0415158761
Category : Art and society
Languages : en
Pages : 566
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Book Description
The author traces the history and theory of visual culture asking how and why visual media have become so central to contemporary everyday life. He explores a wide range of visual forms, including painting, sculpture, photography, television, cinema, virtual reality, and the Internet while addressing the subjects of race, ethnicity, gender, sexuality, the body, and the international media event that followed the death of Princess Diana.
Author: Shin, Ryan
Publisher: IGI Global
ISBN: 1522516662
Category : Art
Languages : en
Pages : 417
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Book Description
Art is a multi-faceted part of human society, and often is used for more than purely aesthetic purposes. When used as a narrative on modern society, art can actively engage citizens in cultural and pedagogical discussions. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement is a pivotal reference source for the latest scholarly material on the relationship between popular media, art, and visual culture, analyzing how this intersection promotes global pedagogy and learning. Highlighting relevant perspectives from both international and community levels, this book is ideally designed for professionals, upper-level students, researchers, and academics interested in the role of art in global learning.
Author: Matthew Rampley
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 276
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Book Description
An introduction to the study of visual culture, this book offers a view of 'visual culture' that includes not only images, but also other visual media and forms of expression, from architecture to fashion, design and the human body. The book is organised around three broad themes, exploring key ideas and debates that have occurred during the last 20 or so years: *the meanings of the term 'visual culture' and of the various practices that form its basis*conceptual approaches to the contemporary analysis of visual culture*the cultural, social and historical contexts informing its production, distribution and consumption.Drawing on a wide range of examples from the last 100 years, the book adopts a cross-disciplinary perspective; it also explores, however, the limits of visual culture as an interdisciplinary field of study, engaging in current debates about the uses and value of the study of visual culture. It will therefore be of value both for readers new to the subject and also for those seeking fresh interventions into contemporary discussions within the field.Features*Accessibly written by a team of experts in the field*Illustrated throughout*Includes chapters on a wide range of visual forms, including architecture and urban design, film, crafts, fashion, design, fine art and the media.
Author: Frazer Ward
Publisher: UPNE
ISBN: 1611683351
Category : Art
Languages : en
Pages : 221
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Book Description
The changing role of the spectator in contemporary performance art
Author: Jeremy Pilcher
Publisher:
ISBN: 9781789381139
Category : Technology
Languages : en
Pages :
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Book Description
Author: Hamid Keshmirshekan
Publisher: Anthem Press
ISBN: 1783089202
Category : Art
Languages : en
Pages : 374
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Book Description
"Contemporary Art, World Cinema, and Visual Culture: Essays by Hamid Dabashi" is a collection of writings by the acclaimed cultural critic and scholar. A thorough Introduction rigorously frames chapters and identifies in Dabashi’s writings a comprehensive approach, which forms the criteria for selecting the essays for the volume. The Introduction also teases out of these essays the overarching theme that holds them together, the manner they inform a particularly critical angle in them and the way they cohere. The Introduction dwells on the work of one scholar, public intellectual and theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general. These scattered materials and their underlying theoretical and critical logic are a unique contribution to the field of modern and contemporary arts.
Author: Kerry Freedman
Publisher: Teachers College Press
ISBN: 9780807743713
Category : Education
Languages : en
Pages : 212
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Book Description
Offering a conceptual framework for teaching the visual arts (K-12 and higher education) from a cultural standpoint, the author discusses visual culture in a democracy.
Author: Fiona Carson
Publisher: Routledge
ISBN: 113670860X
Category : Art
Languages : en
Pages : 301
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Book Description
Visual culture is all around us: television, dance, film, fashion, painting, sculpture, installation and fine art are only a few of its many faces. Feminist Visual Culture looks at feminist theory, the role of women, and the contribution of women artists to the world of visual culture. This substantial introduction provides an overview of visual culture and of the origins of feminist practice. In the volume's three sections--Fine Art, Design, and Mass Media--the authors discuss the visual media specific to that area, incorporating wider issues such as class, culture, and ethnicity. Each chapter is written by a woman working in a different field of visual culture. A topical and comprehensive introduction, Feminist Visual Culture will be a valuable tool for readers and students in women's studies, visual studies, and media studies.
Author: Henriette Gunkel
Publisher: National Geographic Books
ISBN: 3956795385
Category : Art
Languages : en
Pages : 0
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Book Description
The notion of time travel marked by both possibility and loss: making the case for cultural research that is oriented toward the future. Visual Cultures as Time Travel makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands: a former plantation in St. George's Parish in Barbados, and the port city of Port of Spain in Trinidad. It visits a marine research institute on a third island, Seili in Finland, to consider how notions of temporality and adaptation are produced in the climate emergency we face. Henriette Gunkel introduces the idea of time travel through notions of dizziness, freefall, and of being in vertigo as set out in Octavia Butler's novel Kindred and Kitso Lynn Lelliott's multimedia installation South Atlantic Hauntings, exploring what counts as technology, how it operates in relation to time, including deep space time, and how it interacts with the different types of bodies—human, machine, planetary, spectral, ancestral—that inhabit the terrestrial and extraterrestrial worlds. In conversation, Hameed and Gunkel propose a notion of time travel marked by possibility and loss—in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of blackness and time, of wildfires and floods, of lost and co-opted futures, of deep geological time, and of falling. Copublished with Goldsmiths, University of London
