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Author: F. Laviosa
Publisher: Springer
ISBN: 0230105203
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors in countries in the Mediterranean rim, this book spurs a contemporary discussion of women s human, civil, and social rights while situating feminist arguments on women s identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women s problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women s collective experience of struggle.
Author: F. Laviosa
Publisher: Springer
ISBN: 0230105203
Category : Performing Arts
Languages : en
Pages : 243
Get Book Here
Book Description
This provocative collection elaborates a trans-cultural definition of being a woman in struggle. Looking at the films of women directors in countries in the Mediterranean rim, this book spurs a contemporary discussion of women s human, civil, and social rights while situating feminist arguments on women s identity, roles, psychology and sexuality. Although their methodologies are diverse, these artists are united in their use of cinema as a means of intervention, taking on the role as outspoken and leading advocates for women s problems. Contributors examine the ways in which cinematic art reproduces and structures the discourses of realism and represents Mediterranean women s collective experience of struggle.
Author: Leila Simona Talani
Publisher: Routledge
ISBN: 1351062840
Category : Political Science
Languages : en
Pages : 244
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Book Description
The book addresses the challenges faced by women on the two shores of the Mediterranean from a multidisciplinary and interdisciplinary perspective. While in the European Union’s (EU) Mediterranean countries inequality is mostly linked to the social sphere and, in particular refers to labour market dynamics, in the Middle East and Northern Africa (MENA) area, the situation is more complicated as the social and private spheres are blended and cultural and religious factors have a great impact on women autonomy and opportunities beyond the family perimeter. The different challenges women are facing on the two sides of the Mediterranean have sometimes originated incomprehension and misperceptions. Western-supported policies devoted to fill the gap between men and women in the MENA area have overlooked countries’ peculiarities simply exporting models tailored for EU’s member states. The EU’s attempts to strengthen relations with the Mediterranean countries on a multilevel basis have not rescued women from marginalisation. Nevertheless, during the 2011 awakening, women played an important role in activating civil society. They are still considered as a key part of the fight against terrorism and radicalisation, although in some countries their condition has worsened after secular regimes have been downturned. The number of migrant women has increased and, not differently from men, they are looking for opportunities and better conditions of life while Western media tend to present them in a stereotyped way either as traumatized victim and/or as caring mother. There are other misleading common places, which need to be better conceptualised and understood, such as the alleged incompatibility between Islam and women rights. Unfortunately, women’s rights are still under attack even in European countries where they are considered consolidated. The chapters in this book were originally published in a special issue of the Journal of the Balkans and Near Eastern Studies.
Author: Mary Zeiss Stange
Publisher: SAGE
ISBN: 1412976855
Category : Social Science
Languages : en
Pages : 2017
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Book Description
This work includes 1000 entries covering the spectrum of defining women in the contemporary world.
Author: Patricia White
Publisher: Duke University Press
ISBN: 0822376016
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.
Author: Florentina C.Andreescu
Publisher: Routledge
ISBN: 1317747356
Category : Political Science
Languages : en
Pages : 203
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Book Description
This work is a critical intervention into the archive of female identity; it reflects on the ways in which the Central and Eastern European female ideal was constructed, represented, and embodied in communist societies and on its transformation resulting from the political, economic, and social changes specific to the post-communist social and political transitions. During the communist period, the female ideal was constituted as a heroic mother and worker, both a revolutionary and a state bureaucrat, which were regarded as key elements in the processes of industrial development and production. She was portrayed as physically strong and with rugged rather than with feminized attributes. After the post-communist regime collapsed, the female ideal’s traits changed and instead took on the feminine attributes that are familiar in the West’s consumer-oriented societies. Each chapter in the volume explores different aspects of these changes and links those changes to national security, nationalism, and relations with Western societies, while focusing on a variety of genres of expression such as films, music, plays, literature, press reports, television talk shows, and ethnographic research. The topics explored in this volume open a space for discussion and reflection about how radical social change intimately affected the lives and identities of women, and their positions in society, resulting in various policy initiatives involving women’s social and political roles. The book will be of interest to students and scholars of gender studies, comparative politics, Eastern European studies, and cultural studies.
Author: Daniel S. Cutrara
Publisher: University of Texas Press
ISBN: 1477307532
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to investigate how cinema represents and often denigrates religion and religious believers—an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today. Wicked Cinema examines films from the United States, Europe, and the Middle East, including Crimes and Misdemeanors, The Circle, Breaking the Waves, Closed Doors, Agnes of God, Priest, The Last Temptation of Christ, and Dogma. Central to all of the films is their protagonists' struggles with sexual transgression and traditional belief systems within Christianity, Judaism, or Islam—a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demonstrates that ultimately these films emphasize the "Otherness" of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.
Author: Peter Bondanella
Publisher: Bloomsbury Publishing USA
ISBN: 1501307630
Category : Performing Arts
Languages : en
Pages : 753
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Book Description
The only comprehensive and up-to-date book on the subject of Italian cinema available anywhere, in any language.
Author: Suzanne Gauch
Publisher: Oxford University Press
ISBN: 0190262583
Category : History
Languages : en
Pages : 257
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Book Description
'Maghrebs in Motion' analyzes nine key films and film cycles from Algeria, Morocco, and Tunisia made in the twenty-five years leading up to the Arab Spring. This study shows how each film draws on diverse cinematic and sociopolitical legacies to prefigure and capture the shifts of perception and relation that so stunned onlookers worldwide when nonideological protests in Tunisia overthrew the long-standing autocratic government.
Author: Richard K. Curry
Publisher: McFarland
ISBN: 1476627231
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
The first few minutes of a film orient the viewer, offering cues for a richer, more nuanced reading. With this premise, the author provides many insights into the history of Spanish language film, encouraging an enhanced understanding of the Spanish/Hispanic canon commonly taught in courses on film. The author explores El espiritu de la colmena (1973), La historia oficial (1985), Fresa y chocolate (1994), El crimen del padre Amaro (2002), Abre los ojos (1997), Te doy mis ojos (2003) and Carlos Saura's flamenco trilogy--Bodas de sangre (1981), Carmen (1983) and El amor bruno (1986), among others.
Author: Lisa K. Taylor
Publisher: Routledge
ISBN: 1317683056
Category : Social Science
Languages : en
Pages : 341
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Book Description
Following a long historical legacy, Muslim women’s lives continue to be represented and circulate widely as a vehicle of intercultural understanding within a context of the "war on terror." Following Edward Said’s thesis that these cultural forms reflect and participate in the power plays of empire, this volume examines the popular and widespread production and reception of Muslim women’s lives and narratives in literature, poetry, cinema, television and popular culture within the politics of a post-9/11 world. This edited collection provides a timely exploration into the pedagogical and ethical possibilities opened up by transnational, feminist, and anti-colonial readings that can work against sensationalized and stereotypical representations of Muslim women. It addresses the gap in contemporary theoretical discourse amongst educators teaching literary and cultural texts by and about Muslim Women, and brings scholars from the fields of education, literary and cultural studies, and Muslim women’s studies to examine the politics and ethics of transnational anti-colonial reading practices and pedagogy. The book features interviews with Muslim women artists and cultural producers who provide engaging reflections on the transformative role of the arts as a form of critical public pedagogy.
