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Author: Kirk Freudenburg
Publisher: Oxford University Press
ISBN: 0197643248
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
"This book concerns the rhetoric of visual manipulation that provokes readers to envision what is written on the page, treating visual details in ancient epic not as mere scene-setting information or enhancements to any given story, but as cues for performing specific imaginative processes. Through a series of close readings centred primarily on Virgil's Aeneid, the book aims to show that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive, and shifting them about in ways that move readers into and out of the visual and emotional worlds of the story's characters. Whereas most studies of narrative visualization concern seeing, this one concerns watching. And listening. And trying to keep up. Informing the book's theoretical approach are recent cognitivist and constructivist studies of how audiences watch narrative films and make sense of what they are being given to see. By looking to the world of narrative films, where directors use shots craftily edited to cue audiences to 'fill in' for what the camera itself cannot show, the book locates new narrative content lurking in old places, brought to life within the imaginations of readers. The end result is a new approach to the question of how ancient epic tales convey narrative content through visual means"--
Author: Kirk Freudenburg
Publisher: Oxford University Press
ISBN: 0197643248
Category : Literary Criticism
Languages : en
Pages : 201
Get Book Here
Book Description
"This book concerns the rhetoric of visual manipulation that provokes readers to envision what is written on the page, treating visual details in ancient epic not as mere scene-setting information or enhancements to any given story, but as cues for performing specific imaginative processes. Through a series of close readings centred primarily on Virgil's Aeneid, the book aims to show that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive, and shifting them about in ways that move readers into and out of the visual and emotional worlds of the story's characters. Whereas most studies of narrative visualization concern seeing, this one concerns watching. And listening. And trying to keep up. Informing the book's theoretical approach are recent cognitivist and constructivist studies of how audiences watch narrative films and make sense of what they are being given to see. By looking to the world of narrative films, where directors use shots craftily edited to cue audiences to 'fill in' for what the camera itself cannot show, the book locates new narrative content lurking in old places, brought to life within the imaginations of readers. The end result is a new approach to the question of how ancient epic tales convey narrative content through visual means"--
Author: Edward Kennard Rand
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Book Description
Author: Paolo Dainotti
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111067351
Category : History
Languages : en
Pages : 360
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Book Description
Though stylistics undoubtedly plays a crucial role in the scholarship on Latin poetry - from commentaries to textual criticism, from intertextuality to literary criticism - in recent years, for various reasons, it has not received the attention it deserves. This book, published a generation after Adams and Mayer's seminal 1999 volume, Aspects of the Language of Latin Poetry, ideally aims to complement and update it on a smaller scale, offering the reader a collection of stimulating papers from international scholars on the style of some of the most significant voices of Latin poetry, from early drama to the Flavian period.
Author: Edward Kennard Rand
Publisher:
ISBN:
Category : Literary style
Languages : en
Pages : 482
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Book Description
Author: Martin M. Winkler
Publisher: Cambridge University Press
ISBN: 1009396714
Category : History
Languages : en
Pages : 553
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Book Description
The first systematic study of classical literature and arts to explain their close affinities with modern visual technologies and media.
Author: Henry Washington Prescott
Publisher:
ISBN:
Category :
Languages : en
Pages : 490
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Book Description
Author: Henry W. Prescott
Publisher:
ISBN: 9781258149789
Category :
Languages : en
Pages : 502
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Book Description
Author: Steve Orlando
Publisher: Image Comics
ISBN: 1632155990
Category : Comics & Graphic Novels
Languages : en
Pages : 100
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Book Description
Betrayed, beaten, and banished by his own, an outed cop fights his way across Jamaica for revenge!
Author: Joanna Paul
Publisher: Oxford University Press, USA
ISBN: 0199542929
Category : History
Languages : en
Pages : 348
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Book Description
Paul explores the relationship between films set in the ancient world and the classical epic tradition, arguing that there is a connection between the genres. Through this careful consideration of how epic manifests itself through different periods and cultures, we learn how cinema makes a claim to be a modern vehicle for a very ancient tradition.
Author: Virgil Thomson
Publisher: Library of America
ISBN: 1598533649
Category : Music
Languages : en
Pages : 995
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Book Description
Revisit America’s Golden Age of classical music through the witty and wildly popular reviews of our greatest critic-composer For fourteen memorable years Virgil Thomson surveyed the worlds of opera and classical music as the chief music critic for the New York Herald Tribune. An accomplished composer who knew music from the inside, Thomson communicated its pleasures and complexities to a wide readership in a hugely entertaining, authoritative style, and his daily reviews and Sunday articles set a high-water mark in American cultural journalism. Thomson collected his newspaper columns in four volumes: The Musical Scene, The Art of Judging Music, Music Right and Left, and Music Reviewed. All are gathered here, together with a generous selection of Thomson’s uncollected writings. The result is a singular chronicle of a magical time when an unrivaled roster of great conductors (Koussevitzky, Toscanini, Beecham, Stokowski) and legendary performers (Horowitz, Rubinstein, Heifetz, Stern) presented new masters (Copland, Stravinsky, Britten, Bernstein) and re-introduced the classics to a rapt American audience. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
