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Author: Douglas W. Druick
Publisher: Thames & Hudson
ISBN: 0500510547
Category : Art
Languages : en
Pages : 418
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Book Description
A study of the personal and professional history of van Gogh and Gauguin takes a close-up look at their brief collaboration in Arles in 1888 and discusses the role of each artist in promoting the other's search for a personal style that incorporated the latest artistic developments but remained true to each artist's vision. BOMC.
Author: Douglas W. Druick
Publisher: Thames & Hudson
ISBN: 0500510547
Category : Art
Languages : en
Pages : 418
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Book Description
A study of the personal and professional history of van Gogh and Gauguin takes a close-up look at their brief collaboration in Arles in 1888 and discusses the role of each artist in promoting the other's search for a personal style that incorporated the latest artistic developments but remained true to each artist's vision. BOMC.
Author: Martin Gayford
Publisher: Little, Brown
ISBN: 9780316087209
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
This chronicle of the two months in 1888 when Paul Gauguin shared a house in France with Vincent Van Gogh describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Includes 60 B&W reproductions of the artists' paintings and drawings from the period.
Author: Martin Bailey
Publisher: Frances Lincoln Children's Books
ISBN: 0711268185
Category : Art
Languages : en
Pages : 226
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Book Description
Studio of the South tells the fascinating story of Van Gogh's time in Arles and the Yellow House.
Author: Bernadette Murphy
Publisher: Farrar, Straus and Giroux
ISBN: 0374716021
Category : Art
Languages : en
Pages : 337
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Book Description
The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.
Author: Amy Von Lintel
Publisher: American Wests, Sponsored by W
ISBN: 9781648430152
Category : Art
Languages : en
Pages : 341
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Book Description
Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.
Author: Sandra Gianfreda
Publisher: Steidl
ISBN: 9783869308999
Category : Art, French
Languages : en
Pages : 0
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Book Description
Japanese art is of fundamental importance for the development of modern art in Europe. Nearly all of the great nineteenth-century masters--from Edgar Degas, Édouard Manet, Claude Monet, Paul Gauguin and Vincent van Gogh to Pierre Bonnard, Henri de Toulouse-Lautrec and Édouard Vuillard--embraced the charm of Japanese pictorial motifs and stylistic devices, developing them in their own work. Even Henri Matisse and Pablo Picasso expressed enduring interest in Japan well into the twentieth century. Monet, Gauguin, Van Gogh ... Japanese Inspirations explores the most fascinating chapters of French art in the second half of the nineteenth century, in the phenomenon known as Japonisme. The catalogue and the exhibition it accompanies focus on the period between 1860 and 1910, the heyday of the craze for Japanese art in France. Alongside paintings and prints by artists active in France such as Paul Gauguin, Vincent van Gogh and Claude Monet, the volume showcases an extensive selection of Japanese color woodcut prints by Utagawa Hiroshige, Katsushika Hokusai, Kitagawa Utamaro and others. Japanese artifacts are likewise juxtaposed with works by French artists such as Félix Bracquemond, Jean Carriès and Émile Gallé, inspiring a dialogue between works rarely considered in tandem. Featuring essays by well-known authors as well as younger scholars, this comprehensively illustrated catalogue sheds light on the most important aspects of this formative epoch and the productive exploration of Japan embarked upon by artists living and working in France.
Author: Louis Gonse
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 282
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Book Description
Author: Eliza Rathbone
Publisher: Yale University Press
ISBN: 0300190824
Category : Art
Languages : en
Pages : 202
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Book Description
"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."
Author: O'REILLY Wenda
Publisher:
ISBN: 9781889613093
Category :
Languages : en
Pages : 0
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Book Description
Mixing learning and play, this game teaches youngsters about the artist Van Gogh, along with Cezanne, Gaugin, Seurat, Rousseau and Toulouse-Lautrec. Comes with a deck of 36 museum-quality cards and an art book, packaged in a treasure box. 90 color photos. Pkg.
Author: Maite van Dijk
Publisher:
ISBN: 9780300211573
Category : Art, Dutch
Languages : en
Pages : 0
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Book Description
The work and artistic ambitions of Edvard Munch (1863-1944) and Vincent van Gogh (1853-1890) show interesting parallels. They are known for their emotionally imbued paintings and drawings, their personal and innovative style and their tormented lives. Both strived to modernize art and developed expressive imagery to portray the universal emotions of human life. In 'Munch : Van Gogh', these similarities are focused on for the first time. The exhibition studies the essence of their art, their artistic ambitions, the development in their style and technique and the influences to which they were subjected. This shows why these artists are so often mentioned in one breath. With over one hundred art works including various iconic masterpieces and special artworks which are rarely loaned out ; the two artists are brought together on a large scale for the first time. Exhibition: Munch Museet, Oslo, Norway (5.-9.2015) / Van Gogh Museum, Amsterdam, the Netherlands (24.9.2015-17.1.2016)
