Author:
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 200

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Author: Adam Lindsay Gordon
Publisher:
ISBN:
Category :
Languages : en
Pages : 370

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Author: Adam Lindsay Gordon
Publisher:
ISBN:
Category : Australian poetry
Languages : en
Pages : 376

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Author:
Publisher:
ISBN:
Category : Recitations
Languages : en
Pages : 400

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Author: Justin A. Sider
Publisher: University of Virginia Press
ISBN: 0813941830
Category : Literary Criticism
Languages : en
Pages : 373

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Book Description
Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of poets' engagement with public culture, Parting Words explains how the valedictory allowed Victorian poets to explore the ways their poems might be received by distant and anonymous readers in an emergent mass culture. Using a wide array of materials such as letters and reviews to describe the rapidly changing print culture in which poets were intervening, Sider shows how the growing diversification and destabilization of the Victorian reading public was countered by the demand for a public poetry. Characteristically, the speakers of Tennyson's "Ulysses" and Matthew Arnold's "Empedocles on Etna" imagine their farewells as simultaneous entrances into a public space where they and their readers, however distant, might yet meet. This new consciousness anticipated modernist poetry, which in turn used the valedictory to underscore the futility and alienation of such hopes.

Author: B. H Hall
Publisher:
ISBN: 3752306890
Category :
Languages : en
Pages : 426

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Book Description
Reproduction of the original: A Collection of Collage Words and Customs by B.H Hall

Author: Rosemary F. Guruswamy
Publisher: Bloomsbury Publishing USA
ISBN: 0313093393
Category : Literary Criticism
Languages : en
Pages : 150

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Book Description
Edward Taylor (1642-1729) was one of the most influential ministers in Puritan New England. He was also a prolific but unpublished poet. With the discovery of his poetry in 1936 and the publication of a nearly complete volume in 1960, his reputation as the premiere early American poet has grown immensely. His widely anthologized work is taught in most introductory American literature courses and nearly all courses on early American literature. This reference is a convenient guide to his poetry, including a summarization of the current state of scholarship on his work. Beginning with an overview of his life and times, this reference analyzes Taylor's Preparatory Meditations and Gods Determinations, along with his other poems, in light of Puritan doctrine and his thoughts about poetry. The book traces the genesis of his works, their editorial and publication history, and the complex cultural and historical background of his writings. Later chapters discuss his themes, his poetic art, and the reception of his works. A brief bibliographical essay completes the volume.

Author:
Publisher:
ISBN:
Category : Speeches, addresses, etc
Languages : en
Pages : 232

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Author: Jerome Meckier
Publisher: LIT Verlag Münster
ISBN: 3643901011
Category : Literary Criticism
Languages : en
Pages : 393

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Book Description
Aldous Huxley began as a poet. He perfected the voice of the modern satirical poet of ideas, who used art against itself to produce a parodic poetry of breakdowns, collapses, stalemates, and dead ends best suited to the apparent pointlessness of the post-war era. His cleverest, most irreverent poems are contrapuntal: they, in effect, silence venerable poets and cancel traditional formats. Huxley's poetic personas either fail to preserve conventional forms or purposely sabotage them. By 1920, Huxley became the parodic equivalent of the formative intelligences (i.e., Dante, Goethe, and Lucretius) who once synthesized their respective eras positively. In this book, author Jerome Meckier explicates most of Huxley's poems, including Leda, his masterpiece, an ironical modern myth. Meckier traces Huxley's development in terms of the poets he inserted in five of his eleven novels, along with their poems. These poets mostly fail as poets, their different stances falling apart one after another. But Huxley began to detect a spiritual significance underlying the creative urge. This allowed him to rehabilitate many of the Romantic and Victorian poets he formerly ridiculed as frauds and liars. Eventually, he celebrated mystical contemplation as silent poetry, positing a utopia in which everyone is a poet to the limits of his or her potentiality. Huxley became the perennial philosopher, a neo-Brahmin: the sage-like figure he initially personified parodically. His paradigmatic career took him from a Pyrrhonic silencing of outmoded poems and poets to the advocacy of a poetry of silence. (Series: "Human Potentialities". Studien zu Aldous Huxley & zeitgenossischer Kultur/Studies in Aldous Huxley & Contemporary Culture - Vol. 11)

Author: Alan Parker
Publisher: Routledge
ISBN: 1134713754
Category : Literary Collections
Languages : en
Pages : 372

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Book Description
The definitive biographical guide to poetry throughout the world in the twentieth century and the only book of its kind to look at non-English language poets in such detail. Written in lively prose, with over 900 entries by over 75 international contributors, it brings a uniquely global perspective to bear on modern verse, encapsulating the lives and works of a vast array of poets in precise, compact detail alongside expert critical comment. Who's Who in Twentieth Century World Poetry is a scholarly and hugely enjoyable guide through the diverse arena of modern international poetry.