Author: Mónica Montserrat Degen
Publisher: Bloomsbury Publishing
ISBN: 1350070858
Category : Art
Languages : en
Pages : 193
Book Description
The New Urban Aesthetic explores how cities worldwide are being transformed and reconfigured by the twin forces of digital technologies and 'urban branding' in the name of global capitalism. Both of these shifts entrain new sensory bodily experiences, and this digitally-mediated reconfiguration of what cities feel like is what this book terms the new urban aesthetic. Focussing on major case-studies of urban change from London to Doha, the book explores how different kinds of digital mediation play a central role in urban transformation, from smart city phone apps, to social media interactions, to computer-generated visualisations. The book reveals how different versions of the new urban aesthetic organize different sensory experiences of temporality and spatiality – leading to a new understanding of the way we experience cities today. The New Urban Aesthetic is essential reading for researchers and students in urban studies, architecture, digital studies, sociology, and human geography.
Brutal Beauty
Author: Jisha Menon
Publisher: Northwestern University Press
ISBN: 0810144077
Category : Performing Arts
Languages : en
Pages : 318
Book Description
Brutal Beauty: Aesthetics and Aspiration in Urban India follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life. Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‐class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
Publisher: Northwestern University Press
ISBN: 0810144077
Category : Performing Arts
Languages : en
Pages : 318
Book Description
Brutal Beauty: Aesthetics and Aspiration in Urban India follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life. Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‐class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
Aesthetics of Renewal
Author: Martina Urban
Publisher: University of Chicago Press
ISBN: 0226842738
Category : Religion
Languages : en
Pages : 254
Book Description
Martin Buber’s embrace of Hasidism at the start of the twentieth century was instrumental to the revival of this popular form of Jewish mysticism. Hoping to instigate a Jewish cultural and spiritual renaissance, he published a series of anthologies of Hasidic teachings written in German to introduce the tradition to a wide audience. In Aesthetics of Renewal, Martina Urban closely analyzes Buber’s writings and sources to explore his interpretation of Hasidic spirituality as a form of cultural criticism. For Buber, Hasidic legends and teachings were not a static, canonical body of knowledge, but were dynamic and open to continuous reinterpretation. Urban argues that this representation of Hasidism was essential to the Zionist effort to restore a sense of unity across the Jewish diaspora as purely religious traditions weakened—and that Buber’s anthologies in turn played a vital part in the broad movement to use cultural memory as a means to reconstruct a collective identity for Jews. As Urban unravels the rich layers of Buber’s vision of Hasidism in this insightful book, he emerges as one of the preeminent thinkers on the place of religion in modern culture.
Publisher: University of Chicago Press
ISBN: 0226842738
Category : Religion
Languages : en
Pages : 254
Book Description
Martin Buber’s embrace of Hasidism at the start of the twentieth century was instrumental to the revival of this popular form of Jewish mysticism. Hoping to instigate a Jewish cultural and spiritual renaissance, he published a series of anthologies of Hasidic teachings written in German to introduce the tradition to a wide audience. In Aesthetics of Renewal, Martina Urban closely analyzes Buber’s writings and sources to explore his interpretation of Hasidic spirituality as a form of cultural criticism. For Buber, Hasidic legends and teachings were not a static, canonical body of knowledge, but were dynamic and open to continuous reinterpretation. Urban argues that this representation of Hasidism was essential to the Zionist effort to restore a sense of unity across the Jewish diaspora as purely religious traditions weakened—and that Buber’s anthologies in turn played a vital part in the broad movement to use cultural memory as a means to reconstruct a collective identity for Jews. As Urban unravels the rich layers of Buber’s vision of Hasidism in this insightful book, he emerges as one of the preeminent thinkers on the place of religion in modern culture.
The New Urban Aesthetic
Author: Mónica Montserrat Degen
Publisher: Bloomsbury Publishing
ISBN: 1350070858
Category : Art
Languages : en
Pages : 193
Book Description
The New Urban Aesthetic explores how cities worldwide are being transformed and reconfigured by the twin forces of digital technologies and 'urban branding' in the name of global capitalism. Both of these shifts entrain new sensory bodily experiences, and this digitally-mediated reconfiguration of what cities feel like is what this book terms the new urban aesthetic. Focussing on major case-studies of urban change from London to Doha, the book explores how different kinds of digital mediation play a central role in urban transformation, from smart city phone apps, to social media interactions, to computer-generated visualisations. The book reveals how different versions of the new urban aesthetic organize different sensory experiences of temporality and spatiality – leading to a new understanding of the way we experience cities today. The New Urban Aesthetic is essential reading for researchers and students in urban studies, architecture, digital studies, sociology, and human geography.
Publisher: Bloomsbury Publishing
ISBN: 1350070858
Category : Art
Languages : en
Pages : 193
Book Description
The New Urban Aesthetic explores how cities worldwide are being transformed and reconfigured by the twin forces of digital technologies and 'urban branding' in the name of global capitalism. Both of these shifts entrain new sensory bodily experiences, and this digitally-mediated reconfiguration of what cities feel like is what this book terms the new urban aesthetic. Focussing on major case-studies of urban change from London to Doha, the book explores how different kinds of digital mediation play a central role in urban transformation, from smart city phone apps, to social media interactions, to computer-generated visualisations. The book reveals how different versions of the new urban aesthetic organize different sensory experiences of temporality and spatiality – leading to a new understanding of the way we experience cities today. The New Urban Aesthetic is essential reading for researchers and students in urban studies, architecture, digital studies, sociology, and human geography.
Cities Surround The Countryside
Author: Robin Visser
Publisher: Duke University Press
ISBN: 0822392771
Category : History
Languages : en
Pages : 375
Book Description
Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends. In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China’s urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government’s inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China’s neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance.
Publisher: Duke University Press
ISBN: 0822392771
Category : History
Languages : en
Pages : 375
Book Description
Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By relating the built environment to culture, Visser situates postsocialist Chinese urban aesthetics within local and global economic and intellectual trends. In the 1980s, writers, filmmakers, and artists began to probe the contradictions in China’s urbanization policies and rhetoric. Powerful neorealist fiction, cinema, documentaries, paintings, photographs, performances, and installations contrasted forms of glittering urban renewal with the government’s inattention to a livable urban infrastructure. Narratives and images depicting the melancholy urban subject came to illustrate ethical quandaries raised by urban life. Visser relates her analysis of this art to major transformations in urban planning under global neoliberalism, to the development of cultural studies in the Chinese academy, and to ways that specific cities, particularly Beijing and Shanghai, figure in the cultural imagination. Despite the environmental and cultural destruction caused by China’s neoliberal policies, Visser argues for the emergence of a new urban self-awareness, one that offers creative resolutions for the dilemmas of urbanism through new forms of intellectual engagement in society and nascent forms of civic governance.
The Ancient Middle Classes
Author: Emanuel Mayer
Publisher: Harvard University Press
ISBN: 0674065344
Category : Art
Languages : en
Pages : 313
Book Description
"Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times--art, architecture, and household artifacts from Pompeii and elsewhere--belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis. Starting in the first century B.C.E., ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 B.C.E. to 250 C.E., the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites."--Jacket.
Publisher: Harvard University Press
ISBN: 0674065344
Category : Art
Languages : en
Pages : 313
Book Description
"Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times--art, architecture, and household artifacts from Pompeii and elsewhere--belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis. Starting in the first century B.C.E., ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 B.C.E. to 250 C.E., the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites."--Jacket.
Urban Interstices: The Aesthetics and the Politics of the In-between
Author: Dr Andrea Mubi Brighenti
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472410033
Category : Political Science
Languages : en
Pages : 363
Book Description
Bringing together a team of international scholars with an interest in urban transformations, spatial justice and territoriality, this volume questions how the interstice is related to the emerging processes of partitioning, enclave-making and zoning, showing how in-between spaces are intimately related to larger flows, networks, territories and boundaries. Illustrated with a range of case studies from places such as the US, Quebec, the UK, Italy, Gaza, Iraq, India, and South-east Asia, the volume analyses the place and function of interstitial locales in both a ‘disciplined’ urban space and a disordered space conceptualized through the notions of ‘excess’, ‘danger’ and ‘threat’. Warning not to romanticize the interstice, the book invites us to study it as not simply a place but also a set of phenomena, events and social interactions. How are interstices perceived and represented? What is the politics of visibility that is applied to them? How to capture their peculiar rhythms, speeds and affects? On the one hand, interstices open up venues for informality, improvisation, challenge, and bricolage, playful as well as angry statements on the neoliberal city and enhanced urban inequalities. On the other hand, they also represent a crucial site of governance (even governance by withdrawal) and urban management, where an array of techniques ranging from military urbanism to new forms of value extraction are experimented. At the point of convergence of all these tensions, interstices appear as veritable sites of transformation, where social forces clash and mesh prefiguring our urban future. The book interrogates these territories, proposing new ways to explore the dynamics, events and visibilities that define them.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472410033
Category : Political Science
Languages : en
Pages : 363
Book Description
Bringing together a team of international scholars with an interest in urban transformations, spatial justice and territoriality, this volume questions how the interstice is related to the emerging processes of partitioning, enclave-making and zoning, showing how in-between spaces are intimately related to larger flows, networks, territories and boundaries. Illustrated with a range of case studies from places such as the US, Quebec, the UK, Italy, Gaza, Iraq, India, and South-east Asia, the volume analyses the place and function of interstitial locales in both a ‘disciplined’ urban space and a disordered space conceptualized through the notions of ‘excess’, ‘danger’ and ‘threat’. Warning not to romanticize the interstice, the book invites us to study it as not simply a place but also a set of phenomena, events and social interactions. How are interstices perceived and represented? What is the politics of visibility that is applied to them? How to capture their peculiar rhythms, speeds and affects? On the one hand, interstices open up venues for informality, improvisation, challenge, and bricolage, playful as well as angry statements on the neoliberal city and enhanced urban inequalities. On the other hand, they also represent a crucial site of governance (even governance by withdrawal) and urban management, where an array of techniques ranging from military urbanism to new forms of value extraction are experimented. At the point of convergence of all these tensions, interstices appear as veritable sites of transformation, where social forces clash and mesh prefiguring our urban future. The book interrogates these territories, proposing new ways to explore the dynamics, events and visibilities that define them.
Urban Aesthetics in Early Modern London
Author: Christopher D'Addario
Publisher: Cambridge University Press
ISBN: 1009121022
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Tracing the demonstrative aesthetic shift in literary writings of fashionable London during the late 1590s, this book argues that the new forms which emerged during this period were intimately linked, arising out of a particular set of geographic, intellectual, and social circumstances that existed in these urban environs. In providing a cohesive view of these disparate generic interventions, Christopher D'Addario breaks new ground in significant ways. By paying attention to the relationship between environment and individual imagination, he provides a fresh and detailed sense of the spaces and social worlds in which the writings of prominent authors, including Thomas Nashe and John Donne, were produced and experienced. In arguing that the rise of the metaphysical aesthetic occurred across a number of urban genres throughout the 1590s, not just in lyric, but also earlier in Nashe's prose, as well as in the verse satire, he rewrites English Renaissance literary history itself.
Publisher: Cambridge University Press
ISBN: 1009121022
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Tracing the demonstrative aesthetic shift in literary writings of fashionable London during the late 1590s, this book argues that the new forms which emerged during this period were intimately linked, arising out of a particular set of geographic, intellectual, and social circumstances that existed in these urban environs. In providing a cohesive view of these disparate generic interventions, Christopher D'Addario breaks new ground in significant ways. By paying attention to the relationship between environment and individual imagination, he provides a fresh and detailed sense of the spaces and social worlds in which the writings of prominent authors, including Thomas Nashe and John Donne, were produced and experienced. In arguing that the rise of the metaphysical aesthetic occurred across a number of urban genres throughout the 1590s, not just in lyric, but also earlier in Nashe's prose, as well as in the verse satire, he rewrites English Renaissance literary history itself.
Aesthetics of Gentrification
Author: Gerard F. Sandoval
Publisher: Amsterdam University Press
ISBN: 904855117X
Category : Architecture
Languages : en
Pages : 296
Book Description
Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary-gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city. In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.
Publisher: Amsterdam University Press
ISBN: 904855117X
Category : Architecture
Languages : en
Pages : 296
Book Description
Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary-gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city. In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.
Ecoaesthetics and Ecosophy in China
Author: Cheng Xiangzhan
Publisher: Transnational Press London
ISBN: 1912997800
Category : Philosophy
Languages : en
Pages : 199
Book Description
Chinese ecoaesthetics, which originated in 1994, has developed theoretically over the last 30 years. This branch of aesthetics, which is "based on ecology" and to "transform aesthetically towards the era of ecological civilization," uses ecological realism as its philosophical foundation and ecohumanism as its guiding principles. Its central aesthetic paradigm is known as the "body-mind-environment" model. Its main research object is "...ecological aesthetic appreciation," an exploration of how to appreciate aesthetics and ecology through "ecological beauty." Additionally, ecohumanism can be further improved by referring to principles of ecology and examining the aesthetic synergies between humans and the earth's ecosystem. Ultimately, ecohumanism is not only a method to aid in survival in an ecological crisis, but to elevate the human condition through assuming ecological responsibilities and promoting ecological civilization, leading to a more valuable and meaningful life. The theme of this book, Ecosophy C, can be summarized as "Moving toward the Aesthetics of Eternal Engendering". Its key phrase, "Creating life" corresponds to shengsheng (生生) in Chinese, literally implying a continuous cycle of reproduction. Philosophically, this concept translates to "eternal engendering". In essence, ecoaesthetics is the pursuit of the endless cycling of bio-engendering, which is the main goal of ecoaesthetics. "Cheng Xiangzhan is outstanding among Chinese environmental aestheticians in joining classical and contemporary Western environmental aesthetics with his original contributions to the more recent work by Chinese scholars. Cheng’s creative and integrative accomplishments are supported by a remarkable facility in English and reflected in his original and systematic consideration of the outstanding issues. While much can be debated, there is substantial material here, and this book makes a signal contribution to carrying the discussion forward." - Arnold Berleant, distinguished environmental aesthetician. His latest book, The Social Aesthetics of Human Environments, will appear in September 2023. Contents SECTION I - BASIC ISSUES IN ECOAESTHETICS CHAPTER 1. Ecohumanism and the Construction of Ecoaesthetics in China CHAPTER 2. The Four Keystones of Ecological Aesthetic Appreciation CHAPTER 3. An Ecoaesthetic Reflection on the Hazy Weather: The Naturalization of Nature CHAPTER 4. Ecological Civilization and Ecological Aesthetics in China SECTION Ⅱ - ECOLOGICAL AESTHETIC APPRECIATION AND ECOSOPHY C CHAPTER 5. Aesthetic Engagement, Ecosophy C, and Ecological Appreciation CHAPTER 7. The Archetype of Chinese Aesthetic Activity and a Construction of Everyday Aesthetics CHAPTER 8. Creating with Nature: Ecosophy C as an Ecological Rationality for Healing the Earth Community SECTION Ⅲ - ECOAESTHETICS AND ENVIRONMENTAL AESTHETICS CHAPTER 9. Arnold Berleant’s Environmental Aesthetics and Chinese Ecological Aesthetics CHAPTER 10. Some Critical Reflections on Berleantian Critique of Kantian Aesthetics from the Perspective of Ecoaesthetics CHAPTER 11. Critical Reflection on Arnold Berleant’s Ideas on Ecological Aesthetics SECTION Ⅳ - ECOAESTHETICS’ APPLICATION CHAPTER 12. Ecoaesthetics and Ecocriticism CHAPTER 13. Contribution of Ecological Aesthetics to Urban Planning CHAPTER 14. Urban Image and Urban Aesthetics: Urban Aesthetics in Cross-Cultural Perspective
Publisher: Transnational Press London
ISBN: 1912997800
Category : Philosophy
Languages : en
Pages : 199
Book Description
Chinese ecoaesthetics, which originated in 1994, has developed theoretically over the last 30 years. This branch of aesthetics, which is "based on ecology" and to "transform aesthetically towards the era of ecological civilization," uses ecological realism as its philosophical foundation and ecohumanism as its guiding principles. Its central aesthetic paradigm is known as the "body-mind-environment" model. Its main research object is "...ecological aesthetic appreciation," an exploration of how to appreciate aesthetics and ecology through "ecological beauty." Additionally, ecohumanism can be further improved by referring to principles of ecology and examining the aesthetic synergies between humans and the earth's ecosystem. Ultimately, ecohumanism is not only a method to aid in survival in an ecological crisis, but to elevate the human condition through assuming ecological responsibilities and promoting ecological civilization, leading to a more valuable and meaningful life. The theme of this book, Ecosophy C, can be summarized as "Moving toward the Aesthetics of Eternal Engendering". Its key phrase, "Creating life" corresponds to shengsheng (生生) in Chinese, literally implying a continuous cycle of reproduction. Philosophically, this concept translates to "eternal engendering". In essence, ecoaesthetics is the pursuit of the endless cycling of bio-engendering, which is the main goal of ecoaesthetics. "Cheng Xiangzhan is outstanding among Chinese environmental aestheticians in joining classical and contemporary Western environmental aesthetics with his original contributions to the more recent work by Chinese scholars. Cheng’s creative and integrative accomplishments are supported by a remarkable facility in English and reflected in his original and systematic consideration of the outstanding issues. While much can be debated, there is substantial material here, and this book makes a signal contribution to carrying the discussion forward." - Arnold Berleant, distinguished environmental aesthetician. His latest book, The Social Aesthetics of Human Environments, will appear in September 2023. Contents SECTION I - BASIC ISSUES IN ECOAESTHETICS CHAPTER 1. Ecohumanism and the Construction of Ecoaesthetics in China CHAPTER 2. The Four Keystones of Ecological Aesthetic Appreciation CHAPTER 3. An Ecoaesthetic Reflection on the Hazy Weather: The Naturalization of Nature CHAPTER 4. Ecological Civilization and Ecological Aesthetics in China SECTION Ⅱ - ECOLOGICAL AESTHETIC APPRECIATION AND ECOSOPHY C CHAPTER 5. Aesthetic Engagement, Ecosophy C, and Ecological Appreciation CHAPTER 7. The Archetype of Chinese Aesthetic Activity and a Construction of Everyday Aesthetics CHAPTER 8. Creating with Nature: Ecosophy C as an Ecological Rationality for Healing the Earth Community SECTION Ⅲ - ECOAESTHETICS AND ENVIRONMENTAL AESTHETICS CHAPTER 9. Arnold Berleant’s Environmental Aesthetics and Chinese Ecological Aesthetics CHAPTER 10. Some Critical Reflections on Berleantian Critique of Kantian Aesthetics from the Perspective of Ecoaesthetics CHAPTER 11. Critical Reflection on Arnold Berleant’s Ideas on Ecological Aesthetics SECTION Ⅳ - ECOAESTHETICS’ APPLICATION CHAPTER 12. Ecoaesthetics and Ecocriticism CHAPTER 13. Contribution of Ecological Aesthetics to Urban Planning CHAPTER 14. Urban Image and Urban Aesthetics: Urban Aesthetics in Cross-Cultural Perspective
Urban Aesthetics and the Planner
Author: Lynda Hughes Wannamaker
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description