Author: Siân Adiseshiah
Publisher: Springer
ISBN: 1137484039
Category : Performing Arts
Languages : en
Pages : 349
Book Description
Within this landmark collection, original voices from the field of drama provide rich analysis of a selection of the most exciting and remarkable plays and productions of the twenty-first century. But what makes the drama of the new millenium so distinctive? Which events, themes, shifts, and paradigms are marking its stages? Kaleidoscopic in scope, Twenty-First Century Drama: What Happens Now creates a broad, rigorously critical framework for approaching the drama of this period, including its forms, playwrights, companies, institutions, collaborative projects, and directors. The collection has a deliberately British bent, examining established playwrights – such as Churchill, Brenton, and Hare – alongside a new generation of writers – including Stephens, Prebble, Kirkwood, Bartlett, and Kelly. Simultaneously international in scope, it engages with significant new work from the US, Japan, India, Australia, and the Netherlands, to reflect a twenty-first century context that is fundamentally globalized. The volume’s central themes – the financial crisis, austerity, climate change, new forms of human being, migration, class, race and gender, cultural politics and issues of nationhood – are mediated through fresh, cutting-edge perspectives.
Twenty-First Century Drama
Author: Siân Adiseshiah
Publisher: Springer
ISBN: 1137484039
Category : Performing Arts
Languages : en
Pages : 349
Book Description
Within this landmark collection, original voices from the field of drama provide rich analysis of a selection of the most exciting and remarkable plays and productions of the twenty-first century. But what makes the drama of the new millenium so distinctive? Which events, themes, shifts, and paradigms are marking its stages? Kaleidoscopic in scope, Twenty-First Century Drama: What Happens Now creates a broad, rigorously critical framework for approaching the drama of this period, including its forms, playwrights, companies, institutions, collaborative projects, and directors. The collection has a deliberately British bent, examining established playwrights – such as Churchill, Brenton, and Hare – alongside a new generation of writers – including Stephens, Prebble, Kirkwood, Bartlett, and Kelly. Simultaneously international in scope, it engages with significant new work from the US, Japan, India, Australia, and the Netherlands, to reflect a twenty-first century context that is fundamentally globalized. The volume’s central themes – the financial crisis, austerity, climate change, new forms of human being, migration, class, race and gender, cultural politics and issues of nationhood – are mediated through fresh, cutting-edge perspectives.
Publisher: Springer
ISBN: 1137484039
Category : Performing Arts
Languages : en
Pages : 349
Book Description
Within this landmark collection, original voices from the field of drama provide rich analysis of a selection of the most exciting and remarkable plays and productions of the twenty-first century. But what makes the drama of the new millenium so distinctive? Which events, themes, shifts, and paradigms are marking its stages? Kaleidoscopic in scope, Twenty-First Century Drama: What Happens Now creates a broad, rigorously critical framework for approaching the drama of this period, including its forms, playwrights, companies, institutions, collaborative projects, and directors. The collection has a deliberately British bent, examining established playwrights – such as Churchill, Brenton, and Hare – alongside a new generation of writers – including Stephens, Prebble, Kirkwood, Bartlett, and Kelly. Simultaneously international in scope, it engages with significant new work from the US, Japan, India, Australia, and the Netherlands, to reflect a twenty-first century context that is fundamentally globalized. The volume’s central themes – the financial crisis, austerity, climate change, new forms of human being, migration, class, race and gender, cultural politics and issues of nationhood – are mediated through fresh, cutting-edge perspectives.
Twenty-First Century American Playwrights
Author: Christopher Bigsby
Publisher: Cambridge University Press
ISBN: 1108419585
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
Introduces nine exciting and talented playwrights who have emerged in twenty-first century America, exploring issues of race, gender and society.
Publisher: Cambridge University Press
ISBN: 1108419585
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
Introduces nine exciting and talented playwrights who have emerged in twenty-first century America, exploring issues of race, gender and society.
The Methuen Drama Book of 21st Century British Plays
Author: Joe Penhall
Publisher: A&C Black
ISBN: 1408123916
Category : Drama
Languages : en
Pages : 465
Book Description
This collection showcases the five best new plays from the first decade of the twenty-first century and perfectly reflects why British theatre is regarded as the epicenter of vitality, relevance and innovation in drama and the performing arts. Blue/Orange, Elmina's Kitchen, Neilson's Realism, Gone Too Far! and Pornography.
Publisher: A&C Black
ISBN: 1408123916
Category : Drama
Languages : en
Pages : 465
Book Description
This collection showcases the five best new plays from the first decade of the twenty-first century and perfectly reflects why British theatre is regarded as the epicenter of vitality, relevance and innovation in drama and the performing arts. Blue/Orange, Elmina's Kitchen, Neilson's Realism, Gone Too Far! and Pornography.
Critical Perspectives on Contemporary Plays by Women
Author: Penny Farfan
Publisher: University of Michigan Press
ISBN: 047205435X
Category : Performing Arts
Languages : en
Pages : 327
Book Description
Explores how women playwrights illuminate the contemporary world and contribute to its reshaping
Publisher: University of Michigan Press
ISBN: 047205435X
Category : Performing Arts
Languages : en
Pages : 327
Book Description
Explores how women playwrights illuminate the contemporary world and contribute to its reshaping
Viewing America
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 110704393X
Category : Drama
Languages : en
Pages : 517
Book Description
Christopher Bigsby explores the potential of television drama to offer a radical critique of American politics, myths and values.
Publisher: Cambridge University Press
ISBN: 110704393X
Category : Drama
Languages : en
Pages : 517
Book Description
Christopher Bigsby explores the potential of television drama to offer a radical critique of American politics, myths and values.
The Twenty-First Century Performance Reader
Author: Teresa Brayshaw
Publisher: Routledge
ISBN: 1000011887
Category : Art
Languages : en
Pages : 1012
Book Description
The Twenty-First Century Performance Reader combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of Dance, Theatre, Music, Live and Performance Art, and Activism to form an essential sourcebook for students, researchers and practitioners. This is the follow-on text from The Twentieth-Century Performance Reader, which has been the key introductory text to all kinds of performance for over 20 years since it was first published in 1996. Contributions from new and emerging practitioners are placed alongside those of long-established individual artists and companies, representing the work of this century’s leading practitioners through the voices of over 140 individuals. The contributors in this volume reflect the diverse and eclectic culture of practices that now make up the expanded field of performance, and their stories, reflections and working processes collectively offer a snapshot of contemporary artistic concerns. Many of the pieces have been specially commissioned for this edition and comprise a range of written forms – scholarly, academic, creative, interviews, diary entries, autobiographical, polemical and visual. Ideal for university students and instructors, this volume’s structure and global span invites readers to compare and cross-reference significant approaches outside of the constraints and simplifications of genre, encouraging cross-disciplinary understandings. For those who engage with new, live and innovative approaches to performance and the interplay of radical ideas, The Twenty-First Century Performance Reader is invaluable.
Publisher: Routledge
ISBN: 1000011887
Category : Art
Languages : en
Pages : 1012
Book Description
The Twenty-First Century Performance Reader combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of Dance, Theatre, Music, Live and Performance Art, and Activism to form an essential sourcebook for students, researchers and practitioners. This is the follow-on text from The Twentieth-Century Performance Reader, which has been the key introductory text to all kinds of performance for over 20 years since it was first published in 1996. Contributions from new and emerging practitioners are placed alongside those of long-established individual artists and companies, representing the work of this century’s leading practitioners through the voices of over 140 individuals. The contributors in this volume reflect the diverse and eclectic culture of practices that now make up the expanded field of performance, and their stories, reflections and working processes collectively offer a snapshot of contemporary artistic concerns. Many of the pieces have been specially commissioned for this edition and comprise a range of written forms – scholarly, academic, creative, interviews, diary entries, autobiographical, polemical and visual. Ideal for university students and instructors, this volume’s structure and global span invites readers to compare and cross-reference significant approaches outside of the constraints and simplifications of genre, encouraging cross-disciplinary understandings. For those who engage with new, live and innovative approaches to performance and the interplay of radical ideas, The Twenty-First Century Performance Reader is invaluable.
Staging 21st Century Tragedies
Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9780367495299
Category :
Languages : en
Pages : 272
Book Description
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice. In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach 21st century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West. Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.
Publisher: Routledge
ISBN: 9780367495299
Category :
Languages : en
Pages : 272
Book Description
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice. In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach 21st century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West. Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.
The Crime of the Twenty-first Century
Author: Edward Bond
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Elemental, stark and with a ruthless logic, 'The Crime of the Twenty-First Century' is a play about a devastated, desperate world, about the possibility of society and the inevitable momentum of violence. The dialogue is angular and tortured, the play is heavy with the great pain of a destructive world. Bond's play was first performed in 2001 at Le Théâtre National de la Colline in Paris. It is the second play in his 'The Paris Pentad' (originally called 'The Colline Tetralogy'), preceded by 'Coffee' and followed by 'Born', 'People' and 'Innocence'.
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Elemental, stark and with a ruthless logic, 'The Crime of the Twenty-First Century' is a play about a devastated, desperate world, about the possibility of society and the inevitable momentum of violence. The dialogue is angular and tortured, the play is heavy with the great pain of a destructive world. Bond's play was first performed in 2001 at Le Théâtre National de la Colline in Paris. It is the second play in his 'The Paris Pentad' (originally called 'The Colline Tetralogy'), preceded by 'Coffee' and followed by 'Born', 'People' and 'Innocence'.
International Theatre Festivals and Twenty-First-Century Interculturalism
Author: Ric Knowles
Publisher: Cambridge University Press
ISBN: 1316517241
Category : Drama
Languages : en
Pages : 331
Book Description
A far-reaching examination of how international theatre festivals shape 21st-century intercultural negotiation and exchange.
Publisher: Cambridge University Press
ISBN: 1316517241
Category : Drama
Languages : en
Pages : 331
Book Description
A far-reaching examination of how international theatre festivals shape 21st-century intercultural negotiation and exchange.
Trends in Twenty-First-Century African Theatre and Performance
Author: Kene Igweonu
Publisher: Rodopi
ISBN: 9401200823
Category : Business & Economics
Languages : en
Pages : 458
Book Description
Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.
Publisher: Rodopi
ISBN: 9401200823
Category : Business & Economics
Languages : en
Pages : 458
Book Description
Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.