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Author: Song Hwee Lim
Publisher: University of Hawaii Press
ISBN: 0824839234
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture. Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film. Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.
Author: Song Hwee Lim
Publisher: University of Hawaii Press
ISBN: 0824839234
Category : Performing Arts
Languages : en
Pages : 242
Get Book Here
Book Description
How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture. Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film. Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly.
Author: Song Hwee Lim
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
This is the first dedicated study of all of Tsai Ming-Liangs feature length films to date. One of contemporary cinemas most distinctive filmmakers, Tsais films are typically slow paced and minimalist in plot, dialogue and characterization, full of static long takes with very little happening within the shots. Rather than provide a chronological survey of Tsais films, the book is theorized through the concept of slowness. It examines the two filmic elements, sights and sound, through detailed analysis of Tsais use of stillness and silence, it also situates Tsais filmmaking in the context of a trend in contemporary cinema toward slowness, by directors as diverse as Abbas Kiarostami, Bela Tarr, and Aleksandr Sokurov. The author argues that slowness in cinema can be seen as a response to the increasing pace of mainstream films as well as to the unstoppable speed of a postmodern world compressed in time and space.
Author: Emre Çağlayan
Publisher: Springer
ISBN: 3319968726
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition’s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies—lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence.
Author: Tiago de Luca
Publisher: Edinburgh University Press
ISBN: 0748696059
Category : Performing Arts
Languages : en
Pages : 539
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Book Description
Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
Author: Jean-Pierre Rehm
Publisher: Dis Voir Editions
ISBN:
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
The first in-depth study of filmmaker Tsai Ming-liang's sensual and solitary universe. Acclaimed Taiwan-based filmmaker Tsai Ming-liang is renowned for creating some of the most nihilistic and erotic films of the 1990s. His films often use water in its multiple capacities--cleansing, raining, nourishing, flooding--to symbolize his character's emotions. Depicting the human body as a mysterious, malleable machine consuming and excreting on its own volition, he turns bodily functions into metaphors for loneliness, desire, decay, and escape. His obsessive and isolated characters give his films a bleak outlook, but they also embody a wry sense of absurdist humor. Taiwanese filmmaker Tsai Ming-liang (born 1957) has directed a dozen full-length films, inlcluding Rebels of Neon God, Vive l'Amour (Golden Lion at the Venice Film Festival, 1994), The River (Silver Bear at the Berlin Film Festival, 1997), The Hole, The Wayward Cloud, Face and Stray Dogs (Silver Lion at the Venice Film Festival, 2013). In 2013, Tsai was voted by UK newspaper The Guardian as number 18 of the 40 best directors in the world.
Author: Ira Jaffe
Publisher: Columbia University Press
ISBN: 0231169795
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.
Author: Lutz Koepnick
Publisher: U of Minnesota Press
ISBN: 1452955077
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
In The Long Take, Lutz Koepnick posits extended shot durations as a powerful medium for exploring different modes of perception and attention in our fast-paced world of mediated stimulations. Grounding his inquiry in the long takes of international filmmakers such as Béla Tarr, Tsai Ming-liang, Abbas Kiarostami, Apichatpong Weerasethakul, and Michael Haneke, Koepnick reveals how their films evoke wondrous experiences of surprise, disruption, enchantment, and reorientation. He proceeds to show how the long take has come to thrive in diverse artistic practices across different media platforms: from the work of photographer Hiroshi Sugimoto to the screen-based installations of Sophie Calle and Tacita Dean, from experimental work by Francis Alÿs and Janet Cardiff to durational images in contemporary video games. Deeply informed by film and media theory, yet written in a fluid and often poetic style, The Long Take goes far beyond recent writing about slow cinema. In Koepnick’s account, the long take serves as a critical hallmark of international art cinema in the twenty-first century. It invites viewers to probe the aesthetics of moving images and to recalibrate their sense of time. Long takes unlock windows toward the new and unexpected amid the ever-mounting pressures of 24/7 self-management.
Author: Song Hwee Lim
Publisher:
ISBN: 9780197503393
Category : Motion pictures
Languages : en
Pages :
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Book Description
"This book seeks to understand cinema as a form of soft power tool. It proposes Taiwan as a prime example of cinema's effect in assisting a small nation gain prominence on the international stage. It maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called "little freshness", which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia"--
Author: G. Hong
Publisher: Springer
ISBN: 0230118321
Category : History
Languages : en
Pages : 369
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Book Description
A groundbreaking study of Taiwan cinema, Hong provides helpful insight into how it is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book is essential for students and scholars of Taiwan, film and visual studies, and East Asian cultural history.
Author: Paul Schrader
Publisher: Univ of California Press
ISBN: 0520969146
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
