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Author: Kenny Loui
Publisher: Universal-Publishers
ISBN: 1599426765
Category : Business & Economics
Languages : en
Pages : 92
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Book Description
As the sun set on the 20th century, a new age dawned in Japan. This new era, symbolized by the postmodern city of Tokyo, has ushered in not only technological innovation and economic prowess, but changing attitudes and values among Japanese young people. This transformation is not an uncommon or even new phenomenon, but simply the result of modern life. And one of the symptoms of modernity is the prevalence of an "ethics of materialism," the ever-increasing concern for the acquisition of wealth and commodity goods, sometimes at the expense of the concern for human life itself. Walter Benjamin (1892-1940) was a German-Jewish philosopher whose writings examined topics including, but not limited to, art, history, and politics. His life's work, published posthumously as The Arcades Project, is a "literary montage" combining excerpts from written works related to life in 19th-century Paris and Benjamin's own commentaries and reflections. Benjamin's project on Paris of the 19th century foreshadows what is now occurring in 21st-century Tokyo, and Japan in general. Like the Paris of yesteryear, life in modern Tokyo is essentially a "dream image" that warps people's perception of the world in which they live. The public thus finds itself trapped in what Benjamin refers to as the "phantasmagoria," an illusory reality of a relatively flawless society. But this phantasmagoria shrouds the "grotesqueness" of underlying truths such as the failure of advances in science and philosophy to eradicate poverty, discrimination and other social inequities. Drawing from a selection of Benjamin's writings including The Arcades Project, this thesis explores the social consequences as well as the political implications of the rise of commodity capitalism in modern Japan, concluding with a discussion on how political action can re-humanize a citizenry that has been "commodified" by their materialistic desires. Walter Benjamin wrote about a past generation while appealing to his own, and as this discourse on the Tokyo Phantasmagoria will reveal, Benjamin appeals to our generation as well.
Author: Kenny Loui
Publisher: Universal-Publishers
ISBN: 1599426765
Category : Business & Economics
Languages : en
Pages : 92
Get Book Here
Book Description
As the sun set on the 20th century, a new age dawned in Japan. This new era, symbolized by the postmodern city of Tokyo, has ushered in not only technological innovation and economic prowess, but changing attitudes and values among Japanese young people. This transformation is not an uncommon or even new phenomenon, but simply the result of modern life. And one of the symptoms of modernity is the prevalence of an "ethics of materialism," the ever-increasing concern for the acquisition of wealth and commodity goods, sometimes at the expense of the concern for human life itself. Walter Benjamin (1892-1940) was a German-Jewish philosopher whose writings examined topics including, but not limited to, art, history, and politics. His life's work, published posthumously as The Arcades Project, is a "literary montage" combining excerpts from written works related to life in 19th-century Paris and Benjamin's own commentaries and reflections. Benjamin's project on Paris of the 19th century foreshadows what is now occurring in 21st-century Tokyo, and Japan in general. Like the Paris of yesteryear, life in modern Tokyo is essentially a "dream image" that warps people's perception of the world in which they live. The public thus finds itself trapped in what Benjamin refers to as the "phantasmagoria," an illusory reality of a relatively flawless society. But this phantasmagoria shrouds the "grotesqueness" of underlying truths such as the failure of advances in science and philosophy to eradicate poverty, discrimination and other social inequities. Drawing from a selection of Benjamin's writings including The Arcades Project, this thesis explores the social consequences as well as the political implications of the rise of commodity capitalism in modern Japan, concluding with a discussion on how political action can re-humanize a citizenry that has been "commodified" by their materialistic desires. Walter Benjamin wrote about a past generation while appealing to his own, and as this discourse on the Tokyo Phantasmagoria will reveal, Benjamin appeals to our generation as well.
Author: Stephanie Tara Schwartz
Publisher: Cambridge Scholars Publishing
ISBN: 144382092X
Category : History
Languages : en
Pages : 280
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Book Description
Revolving around the theme of “counterpoint” extensively used by Edward Said as the interplay of diverse ideas and discrepant experiences, this book aims to explore Said’s contribution to the fields of comparative literature, literary criticism, postcolonial theory, exilic and transnational studies, and socio-political thought among many others. Overshadowed by his legitimate political positions in support to the Palestinian cause and at odds with Islamophobic hostilities, Said’s intellectual achievements in the fields of humanities and philosophical thinking should equally be acknowledged and celebrated. Said articulates his notion of counterpoints through a vivid description of the composition of Western classical music. In the counterpoint of Western classical music, various themes play off one another, with only a provisional privilege being given to any particular one; yet in the resulting polyphony there is concert and order, an organized interplay that derives from the themes, not from a rigorous melodic or formal principle outside the work. This book pays tribute to Said’s contrapuntal methodology as well as to his academic and humanistic legacy.
Author: Jane Ramey Correia
Publisher: Cambridge Scholars Publishing
ISBN: 1443831271
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
This collection of essays seeks to expand and refine the study of Sinophone and Franco-Japanese transnational cinema. Chapter by chapter, each author writes about two or three transnational films (and the characters within those films) that highlight issues related to migration, exile, and imprisonment. The essays are connected by themes of displacement, liminality, and (mis)communication. Overall, this anthology seeks to demonstrate that in-depth cinematic analysis is key to understanding filmic representations of diasporic and displaced communities in modern Mainland China and Japan.
Author: Daisuke Miyao
Publisher: Oxford University Press
ISBN: 0199731667
Category : History
Languages : en
Pages : 497
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Book Description
This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
Author: Munesuke Mita
Publisher: Routledge
ISBN: 1136916768
Category : Reference
Languages : en
Pages : 559
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Book Description
This study reveals the complex combination of cultural particularity and modern universality that underlies the reality of contemporary Japan. The work uses sources such as popular works of art, song, best-selling books and the advice columns of newspapers to draw a striking portrait of the Japanese public. Focussing on the four main phases of modernizing and modernized Japan beginning in the nineteenth century and continuing to today’s postmodern society, this groundbreaking work uses quantitative and qualitative data to show that the processes of modernization brought a coexistence of generational variation imbued with tensions, conflicts and synergies, that, taken together, provide the key to understanding the structure and dynamism of contemporary Japan.
Author: Sarah Teasley
Publisher: Reaktion Books
ISBN: 1780232306
Category : Design
Languages : en
Pages : 425
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Book Description
A revealing look at Japanese design weaving together the stories of people who shaped Japan’s design industries with social history, economic conditions, and geopolitics. From cars to cameras, design from Japan is ubiquitous. So are perceptions of Japanese design, from calming, carefully crafted minimalism to avant-garde catwalk fashion, or the cute, Kawaii aesthetic populating Tokyo streets. But these portrayals overlook the creativity, generosity, and sheer hard work that has gone into creating and maintaining design industries in Japan. In Designing Modern Japan, Sarah Teasley deftly weaves together the personal stories of people who shaped and shape Japan’s design industries with social history, economic conditions, and geopolitics.. Key to her account is how design has been a strategy to help communities thrive during turbulent times, and for making life better along the way. Deeply researched and superbly illustrated, Designing Modern Japan appeals to a wide audience for Japanese design, history, and culture.
Author: David Williams
Publisher: Routledge
ISBN: 1134833601
Category : Philosophy
Languages : en
Pages : 363
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Book Description
The historical experience of Japan in the period since it embarked on 'modernization' illuminates the limitations of Western social theory.
Author: Asiatic Society of Japan
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 118
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Book Description
List of transactions, v. 1-41 in v. 41.
Author:
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 120
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Book Description
Author: Yuji Sone
Publisher: Springer
ISBN: 1137525274
Category : Social Science
Languages : en
Pages : 273
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Book Description
Japanese Robot Culture examines social robots in Japan, those in public, domestic, and artistic contexts. Unlike other studies, this book sees the robot in relation to Japanese popular culture, and argues that the Japanese ‘affinity’ for robots is the outcome of a complex loop of representation and social expectation in the context of Japan’s continuing struggle with modernity. Considering Japanese robot culture from the critical perspectives afforded by theatre and performance studies, this book is concerned with representations of robots and their inclusion in social and cultural contexts, which science and engineering studies do not address. The robot as a performing object generates meaning in staged events and situations that make sense for its Japanese observers and participants. This book examines how specific modes of encounter with robots in carefully constructed mises en scène can trigger reflexive, culturally specific, and often ideologically-inflected responses.
