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Author: Susan Glaspell
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Susan Glaspell
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Get Book Here
Book Description
Author: Susan Glaspell
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 313
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Book Description
Author: Linda Ben-Zvi
Publisher: Oxford University Press
ISBN: 0195313232
Category : Biography & Autobiography
Languages : en
Pages : 509
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Book Description
The biography of Susan Glaspell traces the development of the first important American female playwright and illustrates the ways in which her fascinating, avant-garde life provided the model and materials for her groundbreaking dramas and fiction.
Author:
Publisher: BRILL
ISBN: 9401203466
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
For the first time, this volume brings together essays by feminist, Americanist, and theater scholars who apply a variety of sophisticated critical approaches to Susan Glaspell’s entire oeuvre. Glaspell’s one-act play, “Trifles,” and the short story that she constructed from it, “A Jury of Her Peers,” have drawn the attention of many feminist critics, but the rest of her writing—the short stories, plays and novels—is largely unknown. The essays gathered here will allow students of literature, women’s studies and theater studies an insight into the variety and scope of her oeuvre. Glaspell’s political and literary thinking was radicalized by the turbulent Greenwich Village environment of the first decades of the twentieth century, by progressive-era social movements and by modernist literary and theatrical innovation. The focus of Glaspell studies has, till recently, been dominated by the feminist imperative to recover a canon of silenced women writers and, in particular, to restore Glaspell to her rightful place in American drama. Transcending the limitations generated by such a specific agenda, the contributors to this volume approach Glaspell’s work as a dialogic intersection of genres, texts, and cultural phenomena—a method that is particularly apt for Glaspell, who moved between genres with a unique fluidity, creating such modernist masterpieces as The Verge or Brook Evans. This volume establishes Glaspell’s work as an “intersection of textual surfaces,” resulting for the first time in the complex aesthetic appreciation that her varied life’s work merits.
Author: Susan Glaspell
Publisher: Good Press
ISBN:
Category : Drama
Languages : en
Pages : 214
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Book Description
"Plays" by Susan Glaspell Susan Keating Glaspell was an American playwright, novelist, journalist and actress. This book collects her four completed plays: Trifles, The Outside, The Verge, and Inheritors. Trifles is loosely based on the murder of John Hossack. The Outside centers on two women, Mrs. Patrick and Allie Mayo, who have exiled themselves from the world because of emotional pain caused by their husbands. Inheritors concerns the legacy of an idealistic farmer who wills his highly coveted midwest farmland to the establishment of a college. The Verge follows botanist Claire Archer as she experiments with strange plants in pursuit of creating a new form of life.
Author: Richard Walsh
Publisher: Springer
ISBN: 3319647148
Category : Computers
Languages : en
Pages : 319
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Book Description
This book stages a dialogue between international researchers from the broad fields of complexity science and narrative studies. It presents an edited collection of chapters on aspects of how narrative theory from the humanities may be exploited to understand, explain, describe, and communicate aspects of complex systems, such as their emergent properties, feedbacks, and downwards causation; and how ideas from complexity science can inform narrative theory, and help explain, understand, and construct new, more complex models of narrative as a cognitive faculty and as a pervasive cultural form in new and old media. The book is suitable for academics, practitioners, and professionals, and postgraduates in complex systems, narrative theory, literary and film studies, new media and game studies, and science communication.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 708
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Book Description
Author: Sheldon Cheney
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages : 386
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Book Description
Author: Philip A. Greasley
Publisher: Indiana University Press
ISBN: 9780253108418
Category : Reference
Languages : en
Pages : 980
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Book Description
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.
Author: Dorothy Chansky
Publisher: University of Iowa Press
ISBN: 1609383753
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
From 1918’s Tickless Time through Waiting for Lefty, Death of a Salesman, A Streetcar Named Desire, A Raisin in the Sun, and The Prisoner of Second Avenue to 2005’s The Clean House, domestic labor has figured largely on American stages. No dramatic genre has done more than the one often dismissively dubbed “kitchen sink realism” to both support and contest the idea that the home is naturally women’s sphere. But there is more to the genre than even its supporters suggest. In analyzing kitchen sink realisms, Dorothy Chansky reveals the ways that food preparation, domestic labor, dining, serving, entertaining, and cleanup saturate the lives of dramatic characters and situations even when they do not take center stage. Offering resistant readings that rely on close attention to the particular cultural and semiotic environments in which plays and their audiences operated, she sheds compelling light on the changing debates about women’s roles and the importance of their household labor across lines of class and race in the twentieth century. The story begins just after World War I, as more households were electrified and fewer middle-class housewives could afford to hire maids. In the 1920s, popular mainstream plays staged the plight of women seeking escape from the daily grind; African American playwrights, meanwhile, argued that housework was the least of women’s worries. Plays of the 1930s recognized housework as work to a greater degree than ever before, while during the war years domestic labor was predictably recruited to the war effort—sometimes with gender-bending results. In the famously quiescent and anxious 1950s, critiques of domestic normalcy became common, and African American maids gained a complexity previously reserved for white leading ladies. These critiques proliferated with the re-emergence of feminism as a political movement from the 1960s on. After the turn of the century, the problems and comforts of domestic labor in black and white took center stage. In highlighting these shifts, Chansky brings the real home.
