Three Nineteenth-century French Writer/artists and the Maghreb PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Three Nineteenth-century French Writer/artists and the Maghreb PDF full book. Access full book title Three Nineteenth-century French Writer/artists and the Maghreb by Elwood Hartman. Download full books in PDF and EPUB format.
Author: Elwood Hartman
Publisher: Gunter Narr Verlag
ISBN: 9783823346135
Category : Africa, North
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Elwood Hartman
Publisher: Gunter Narr Verlag
ISBN: 9783823346135
Category : Africa, North
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Naomi Charlotte Fukuzawa
Publisher: Taylor & Francis
ISBN: 1040154468
Category : Literary Criticism
Languages : en
Pages : 288
Get Book Here
Book Description
This book examines the transnational phenomenon of Japonisme in the exoticist and “autoexoticist” literature of the late nineteenth century. Focusing on the way in which reciprocal processes of transcultural acquisition – by Japan and from Japan – were portrayed in the medium of literature, the book illustrates how literary Japonisme and the wider processes whereby Japan, with its alien exotic culture and unique refined aestheticism, was absorbing Western civilization in its own way in the late nineteenth century at the same time as the phenomenon of Japonisme was occurring in Western fine arts, which were inspired by traditional Japanese artistic practices. Specifically, the book focuses on the literary works of Lafcadio Hearn and Pierre Loti, who travelled from France and America, respectively, to Japan, and Mori Ōgai and Natsume Sōseki, who in turn went, respectively, to Germany and England from Japan. Exploring the eclectic hybridity of Japan’s modernization during the late nineteenth century, this book will appeal to students and scholars of Japanese Studies, Postcolonial Studies and Comparative Literature.
Author: Eugene Fromentin
Publisher: Bloomsbury Publishing
ISBN: 0857710834
Category : Biography & Autobiography
Languages : en
Pages : 226
Get Book Here
Book Description
Between Sea and Sahara is one of the great classics of travel writing about the Middle East - a landmark in the story of Europe's fascination with 'the Orient'. Travelling in Algeria in the third decade of French colonisation, Eugène Fromentin weaves a tale of passion, drama and adventure, a masterpiece that established him as one of the foremost Orientalists of the age. His influence extended beyond the literary and artistic circles of Europe to inspire the political rhetoric of the mid-19th century and reflect France's imperial development in the region. In his desire to capture the spirit of 'the Orient', on paper as well as canvas, Fromentin reveals much about the roots of a colonial relationship which continues to affect Algeria today. This is a work of stunning originality and insight - a vivid portrayal of the way in which the West has historically perceived the East.
Author: Emily A. Haddad
Publisher: Routledge
ISBN: 1351913212
Category : Literary Criticism
Languages : en
Pages : 364
Get Book Here
Book Description
Orientalist Poetics is the only book on literary orientalism that spans the nineteenth century in both England and France with particular attention to poetry and poetics. It convincingly demonstrates orientalism's centrality to the evolution of poetry and poetics in both nations, and provides a singularly comprehensive and definitive analysis of the aesthetic impact of orientalism on nineteenth-century poetry. Because it examines the poetry of the entire century across both national literatures, the book is in a unique position to articulate the essential part orientalism plays in major developments of nineteenth-century poetics. Through probing discussions of an array of prominent nineteenth-century poets-including Shelley, Southey, Byron, Hugo, Musset, Leconte de Lisle, Wordsworth, Hemans, Gautier, Tennyson, Arnold and Wilde-Emily A. Haddad reveals how orientalism functions as a diffuse avant-garde, a crucial medium for the cultivation and refinement of a broad range of experimental positions on poetry and poetics. Haddad argues that while orientalist poems are often viewed mainly as artefacts of European attitudes towards the East and imperialism, poetic representations of the Islamic Orient also provide an indispensable matrix for the reexamination of such aesthetically fundamental issues as the purpose of poetry, the value of mimesis, and the relationship between nature and art. Orientalist Poetics effectively bridges the gap between the analysis of poetics and the analysis of orientalism. In showing that major poetic developments have roots in orientalism, Haddad's book offers a valuable and innovative revisionist view of nineteenth-century literary history.
Author: Peter James Turberfield
Publisher: Rodopi
ISBN: 9042023635
Category : Education
Languages : en
Pages : 265
Get Book Here
Book Description
Pierre Loti and the Theatricality of Desire offers an original analysis of patterns of unconscious desire observable in the life and work of the French orientalist writer Pierre Loti. It aims to reconcile attitudes and conduct that have been regarded as contradictory and not amenable to analysis by locating the unconscious urges that motivate them. It looks at the ambiguous feelings Loti expresses towards his mother, the conflicting desires inherent in his bisexuality, and his deeply ambiguous sense of a cultural identity as expressed through his cross-cultural transvestism. The political implications of this reappraisal are also considered, offering a potential reassessment of the apparently exploitative nature of much of Loti's writing. This new reading in terms of the unconscious not only serves as a way of understanding inconsistencies, but also suggests how such new interpretations can offer an alternative way of viewing the hierarchies of power his work portrays on both a sexual and political level. This volume is consequently of interest to those interested in gender studies and sexual politics, and offers a way of appreciating writing that might otherwise appear dated and embarrassingly sexist and colonialist in content to twenty-first century readers.
Author: Sage Goellner
Publisher: Lexington Books
ISBN: 1498538738
Category : Literary Criticism
Languages : en
Pages : 147
Get Book Here
Book Description
This book applies the growing theoretical field of hauntology to a body of literature which has previously been examined through the lenses of Orientalism and exoticism. Through a chronological study and close readings of the writings of Théophile Gautier, Eugène Fromentin, Gustave Flaubert, and Pierre Loti, the project identifies haunting echoes within the texts which demonstrate an ambivalence of attitudes towards colonialism and which undermine any claim towards a monolithic imperialist French ideology. Whereas hauntological theory has be used to illuminate literature from the Francophone post-colonial period, it has not yet been applied to texts produced during the French colonial period. The originality of this project thus lies in the application of Derridean hauntological theory to works from an earlier period, each of which in one way or another addresses the theme of colonial violence. By revisiting four classic works of colonial Orientalism with haunting as a principal theme, this analysis provides a critical witnessing of France’s violent colonization of Algeria that demonstrates France’s latent anxieties about the colonial project at the time.
Author: Mary Kelly
Publisher: Routledge
ISBN: 1000405346
Category : Art
Languages : en
Pages : 270
Get Book Here
Book Description
This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.
Author: Adam J. Goldwyn
Publisher: Springer
ISBN: 1137586567
Category : History
Languages : en
Pages : 375
Get Book Here
Book Description
This book explores how Modernist movements all across the Mediterranean basin differed from those of other regions. The chapters show how the political and economic turmoil of a period marked by world war, revolution, decolonization, nationalism, and the rapid advance of new technologies compelled artists, writers, and other intellectuals to create a new hybrid Mediterranean Modernist aesthetic which sought to balance the tensions between local and foreign, tradition and innovation, and colonial and postcolonial.
Author: Christopher W. Thompson
Publisher: Oxford University Press (UK)
ISBN: 0199233543
Category : Literary Criticism
Languages : en
Pages : 466
Get Book Here
Book Description
A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 280
Get Book Here
Book Description
