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Author: Barry Day
Publisher: Limelight
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 366
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Book Description
The story of one man's dream fulfilled, This Wooden "O" tells of American actor Sam Wanamake's efforts to reconstruct Shakespeare's Globe Theater. "A tale of intrigue and bitter rivalry, it reads more like a political thriller than a slice of recent theatrical history." -Time Out (London) "...an extraordinary document of human endeavor. When I got to the final pages I found there were tears running down my face." -Rosemary Harris
Author: Barry Day
Publisher: Limelight
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 366
Get Book Here
Book Description
The story of one man's dream fulfilled, This Wooden "O" tells of American actor Sam Wanamake's efforts to reconstruct Shakespeare's Globe Theater. "A tale of intrigue and bitter rivalry, it reads more like a political thriller than a slice of recent theatrical history." -Time Out (London) "...an extraordinary document of human endeavor. When I got to the final pages I found there were tears running down my face." -Rosemary Harris
Author: Ben Iden Payne
Publisher: Yale University Press
ISBN: 9780300105520
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Ben Iden Payne spent more than seventy years in the theatre in England and America. On his retirement at the age of ninety it was a very different theatre from the one he entered at nineteen on joining Frank Benson's touring Shakespeare company. That change was due in no small part to his own efforts. Payne could point to many experiences that would have guaranteed him a place in theatre annals: He was a director of the Abbey Theatre in Dublin. He staged plays for such stars as John Drew, William Gillette, John and Ethel Barrymore, Otis Skinner, and Helen Hayes. And for eight years he was general director of the Shakespeare Memorial Theatre at Stratford-upon-Avon. Though Payne's career fills three columns in Who's Who in the Theatre, two unique achievements stand out from the others. In 1907, as director of Miss Horniman's Gaiety Theatre company in Manchester, he initiated the repertory movement in England. In four years he brought it to a peak of excellence that has never been surpassed. Later, in America, he began a career in educational theatre that would span half a century. At the Carnegie Institute of Technology he developed his "modified Elizabethan staging" - a technique that has left an indelible mark on the production of Shakespeare's plays. In this memoir Payne recalls the English theatre at the turn of the century with wit and affection. His accounts of the popular actor-managers, the fit-up companies, the Playboy riots, and of Yeats, Miss Horniman, and William Poel vividly depict an era. He captures the spirit of the American theatre of the teens, twenties, and thirties - the flamboyance of its producers, the foibles of its stars, and the casting practices that reduced able actors to types. Above all, Payne tells of his consuming desire to recreate the basic conditions of Shakespeare's own theatre in order to present his plays most effectively. No antiquarian, he does not quibble over structural details of the "wooden O's" that housed Elizabethan stages. Instead he writes as a practical theatre man determined to achieve the continuous and fluid movement needed to preserve the "melodic line" of Shakespeare's plays. The success with which he pursued this ambition has influenced theatre design and inspired others to carry on his work. Yet, in spite of the distinction of his long career, Payne recalls it with the modest simplicity that endeared him to generations of actors and students.
Author: Vin Nardizzi
Publisher: University of Toronto Press
ISBN: 1442664185
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries – in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London’s commercial theatre industry on England’s woodlands, the primary resource required to build all structures in early modern England. Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the “trees” within them were used in imaginative ways to mediate England’s resource crisis.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Book Description
Author: Bruce R. Smith
Publisher: University of Chicago Press
ISBN: 0226763773
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Journeying into the sound-worlds of Shakespeare's contemporaries, this text explores the physical aspects of human speech and the surrounding environment, as well as social and political structures.
Author: William Shakespeare
Publisher: Evans Brothers
ISBN: 9780237521585
Category : Juvenile Nonfiction
Languages : en
Pages : 52
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Book Description
The Graphic Shakespeare Series offers an introduction to Shakespeare's plays. This teacher's book provides a range of photocopiable activities written to develop pupils knowledge of the original play.
Author: Guy Ogilvy
Publisher: Bloomsbury Publishing USA
ISBN: 0802715400
Category : Science
Languages : en
Pages : 68
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Book Description
Packed with everything from ancient recipes for glues, varnishes, and paints to spiritual preparations of herbal tinctures and oils, including magical formulae and practices of alchemy, The Alchemist's Kitchen will appeal to anyone fascinated by the past and by the occult world. Guy Ogilvy takes you inside medieval laboratories and kitchens, revealing the hows and whys of mythical recipes and concoctions.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 518
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Book Description
Author: David Willbern
Publisher: University of Pennsylvania Press
ISBN: 1512809373
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The essence of Shakespeare, observes David Willbern, is in the details. What matters most in our appreciation of Hamlet is not the staged play but the play of language we find in the words of the Bard. This book explores the expressions of Shakespeare's poetic will—his sexual desire, conscious and unconscious volition, and posthumous legacy—within the linguistic matrix that enfolds his characters and readers. Using a combination of psychoanalytic approaches, Willbern rescues Shakespeare from the limitations and distortions of dramatic performance by showing that his language, scenes, and characters are propelled by the genius of this will and need to be understood primarily as written narrative. In these provocative essays, Willbern examines the deep analogy between poetic creativity and sexual procreation as he explores the parallels between Shakespearean and Freudian representations of fantasy, thus offering readers a heightened awareness of the sexual and bodily substrate of Shakespeare's language. Engaging current debars between psychological and social approaches, he develops new strategies of reading in a search for the limits of Shakespeare's language and our responses to it. He then applies these strategies to all of Shakespeare's genres via detailed analysis of a comedy (Twelfth Night) a history (Henry IV, Part One) a tragedy (MacBeth) and a poem (Lucrece). Additional essays provide an overview of Shakespeare both as a creative agent and as a body of work. Questions of identity, authenticity, and representation-especially as posed in Hamlet—are a recurrent concern throughout the book. Poetic Will frees the play of language in Shakespeare from its illusory anchors in characters and resituates the experience of reading his work within individual response and reconstruction. Offering practical criticism with a bold, American slant, it emphasizes the rich potential of Shakespeare's poetic language while exploring the interpretive and rhetorical limits of psychoanalytic literary criticism.
