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Author: Alan Read
Publisher: Routledge
ISBN: 1000052230
Category : Performing Arts
Languages : en
Pages : 440
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Book Description
The Dark Theatre is an indispensable text for activist communities wondering what theatre might have to do with their futures, students and scholars across Theatre and Performance Studies, Urban Studies, Cultural Studies, Political Economy and Social Ecology. The Dark Theatre returns to the bankrupted warehouse in Hope (Sufferance) Wharf in London’s Docklands where Alan Read worked through the 1980s to identify a four-decade interregnum of ‘cultural cruelty’ wreaked by financialisation, austerity and communicative capitalism. Between the OPEC Oil Embargo and the first screening of The Family in 1974, to the United Nations report on UK poverty and the fire at Grenfell Tower in 2017, this volume becomes a book about loss. In the harsh light of such loss is there an alternative to the market that profits from peddling ‘well-being’ and pushes prescriptions for ‘self-help’, any role for the arts that is not an apologia for injustice? What if culture were not the solution but the problem when it comes to the mitigation of grief? Creativity not the remedy but the symptom of a structural malaise called inequality? Read suggests performance is no longer a political panacea for the precarious subject but a loss adjustor measuring damages suffered, compensations due, wrongs that demand to be put right. These field notes from a fire sale are a call for angry arts of advocacy representing those abandoned as the detritus of cultural authority, second-order victims whose crime is to have appealed for help from those looking on, audiences of sorts.
Author: Alan Read
Publisher: Routledge
ISBN: 1000052230
Category : Performing Arts
Languages : en
Pages : 440
Get Book Here
Book Description
The Dark Theatre is an indispensable text for activist communities wondering what theatre might have to do with their futures, students and scholars across Theatre and Performance Studies, Urban Studies, Cultural Studies, Political Economy and Social Ecology. The Dark Theatre returns to the bankrupted warehouse in Hope (Sufferance) Wharf in London’s Docklands where Alan Read worked through the 1980s to identify a four-decade interregnum of ‘cultural cruelty’ wreaked by financialisation, austerity and communicative capitalism. Between the OPEC Oil Embargo and the first screening of The Family in 1974, to the United Nations report on UK poverty and the fire at Grenfell Tower in 2017, this volume becomes a book about loss. In the harsh light of such loss is there an alternative to the market that profits from peddling ‘well-being’ and pushes prescriptions for ‘self-help’, any role for the arts that is not an apologia for injustice? What if culture were not the solution but the problem when it comes to the mitigation of grief? Creativity not the remedy but the symptom of a structural malaise called inequality? Read suggests performance is no longer a political panacea for the precarious subject but a loss adjustor measuring damages suffered, compensations due, wrongs that demand to be put right. These field notes from a fire sale are a call for angry arts of advocacy representing those abandoned as the detritus of cultural authority, second-order victims whose crime is to have appealed for help from those looking on, audiences of sorts.
Author: Adam Z. Robinson
Publisher:
ISBN: 9781910067529
Category :
Languages : en
Pages : 62
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Book Description
"Three chilling tales. Two ghostly performers. One thrilling night. Legend has it that many years ago a book of terrifying tales was found. Now, you are invited to discover the secrets of The Book of Darkness & Lightif you dare. Join The Storyteller and The Musician for an evening of spine-tingling tales and haunting live music. Three ghostly stories to delight and horrify, accompanied by the beautiful sounds of the violin. Be thrilled, chilled and thoroughly entertained by this charming storytelling experience. But, be warned, once the pages of the book are opened, anything could happen."
Author: James Knowlson
Publisher: London : Turret Books
ISBN:
Category : Drama
Languages : en
Pages : 62
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Book Description
Author: David Hamilton
Publisher: New Generation Publishing
ISBN: 1789554845
Category : Fiction
Languages : en
Pages : 237
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Book Description
I have written essays on art, architecture and literature for New English Review under Theodore Dalrymple. People think we should follow and as it's the facebook age write in little bits or compete with reality TV by telling all about us. I write traditional-style poems with, I hope, meaning. A publisher described me as The Rebel Poet because I ignore literary fashion and write in my own way.I like travelling and have been to many parts of the country, towns, cities and villages. My method for finding interesting local places is to ring the local tourist office and when I arrive I go to a pub and talk to local people who know the interesting places. I take a lot of photographs of these places and a very small example is in the Gallery on my website. I am taking notes for a future large volume of Literary Essays which will range from medieval Literature to the twentieth century. I studied English literature, Dramatic Structure and Playwriting, Film Structure and script writing. I find that when I am busy a break in a traditional pub is refreshing and you return to work with new ideas and a fresh view of what you are doing. People ask what one's influences are: I try to write in my own way. But a lifetime of reading leaves a mark.
Author: Dark and Light Theatre Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Adam Alston
Publisher: Bloomsbury Publishing
ISBN: 147425120X
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches. This book considers the aesthetics and phenomenology of dark, gloomy and shadow-strewn theatre performances, as well as the historical and cultural significances of darkness, shadow and the night in theatre and performance contexts. It is concerned as much with the experiences elicited by darkness and obscured or diminished lighting as it is with the conditions that define, frame and at times re-shape what each might 'mean' and 'do'. Contributors provide surveys of relevant practice, interviews with practitioners, theoretical reflections and close critical analyses of work by key innovators in the aesthetics of light, shadow and darkness. The book has a particular focus on the work of contemporary theatre makers – including Sound&Fury, David Rosenberg and Glen Neath, Lundahl & Seitl, Extant, and Analogue – and seeks to deepen the engagement of theatre and performance studies with what might be called 'the sensory turn'. Theatre in the Dark explores ground-breaking areas that will appeal to researchers, practitioners and audiences alike.
Author: Adam Alston
Publisher: Bloomsbury Publishing
ISBN: 1474251196
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches. This book considers the aesthetics and phenomenology of dark, gloomy and shadow-strewn theatre performances, as well as the historical and cultural significances of darkness, shadow and the night in theatre and performance contexts. It is concerned as much with the experiences elicited by darkness and obscured or diminished lighting as it is with the conditions that define, frame and at times re-shape what each might 'mean' and 'do'. Contributors provide surveys of relevant practice, interviews with practitioners, theoretical reflections and close critical analyses of work by key innovators in the aesthetics of light, shadow and darkness. The book has a particular focus on the work of contemporary theatre makers – including Sound&Fury, David Rosenberg and Glen Neath, Lundahl & Seitl, Extant, and Analogue – and seeks to deepen the engagement of theatre and performance studies with what might be called 'the sensory turn'. Theatre in the Dark explores ground-breaking areas that will appeal to researchers, practitioners and audiences alike.
Author: Adam Alston
Publisher:
ISBN: 9781474251211
Category : Theater
Languages : en
Pages : 283
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Book Description
'Theatre in the Dark' responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Michael Peter Bolus
Publisher:
ISBN: 9781516582747
Category :
Languages : en
Pages : 246
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Book Description
Through an engaging and enlightening selection of readings and articles, The Light in the Dark: The Evolution, Mechanics, and Purpose of Cinema investigates cinema from a variety of diverse perspectives. The anthology explores the technical aspects of the filmmaking process, the ways in which certain elements of cinema are creatively combined toward emotional and intellectual effect, and the myriad ways cinema both interacts with and reflects culture. The opening chapter is comprised of readings that examine the nature and origin of cinematic technique, speaking to its early development as both a commercial and artistic endeavor. The second chapter reviews the core components of filmmaking, including mise-en-scène, editing, sound design, acting, and shot composition. In the final chapter, students explore film in cultural context. The readings examine particular stages in cinema's evolution, the role and implications of complex gender constructs, and the manner in which race and racial tensions have manifested themselves in filmic narratives. A highly contemporary and accessible anthology, The Light in the Dark is an excellent resource for courses in filmmaking and film studies. Michael Peter Bolus is the CEO of MEANSTREET Productions, a founding partner of the educational consulting firm CampusPro Group, the department chair of the Liberal Arts Program at The Los Angeles Film School, and a professor of film studies at Santa Monica College. He holds a Ph.D. in theatre studies from the City University of New York Graduate Center and a master's degree in creative writing from Boston University. He is the author of Aesthetics and the Cinematic Narrative: An Introduction (Anthem Press), and his articles, interviews, and criticism have appeared in a wide array of academic and scholarly journals.
