Author: Pietro Aretino
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
Book Description
Summers (p. 242 and p. 367) mentions two works by Aretino with some homoerotic content: I piacevole ragionamenti (Diverting dialogues) written 1534-1536, and Il Marescalo (The Stablemaster), a comedy. -- dm.
The Works of Aretino
Author: Pietro Aretino
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
Book Description
Summers (p. 242 and p. 367) mentions two works by Aretino with some homoerotic content: I piacevole ragionamenti (Diverting dialogues) written 1534-1536, and Il Marescalo (The Stablemaster), a comedy. -- dm.
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
Book Description
Summers (p. 242 and p. 367) mentions two works by Aretino with some homoerotic content: I piacevole ragionamenti (Diverting dialogues) written 1534-1536, and Il Marescalo (The Stablemaster), a comedy. -- dm.
The Works of Aretino
Author: Pietro Aretino
Publisher:
ISBN:
Category : Italian literature
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Italian literature
Languages : en
Pages : 298
Book Description
A Companion to Pietro Aretino
Author: Marco Faini
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Aretino's Satyr
Author: Raymond B. Waddington
Publisher: University of Toronto Press
ISBN: 9780802088147
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Publisher: University of Toronto Press
ISBN: 9780802088147
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Cortigiana
Author: Pietro Aretino
Publisher: Editorial Edinumen
ISBN: 9781895537703
Category : Drama
Languages : en
Pages : 164
Book Description
Publisher: Editorial Edinumen
ISBN: 9781895537703
Category : Drama
Languages : en
Pages : 164
Book Description
Titian's Portraits through Aretino's Lens
Author:
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Titian's Pietro Aretino
Author: Francine Prose
Publisher: Frick Diptych
ISBN: 9781911282716
Category : Art
Languages : en
Pages : 72
Book Description
An essay by Xavier F. Salomon, Frick Curator, paired with a contribution by author Francine Prose bring to life one of Titian's most personal and revealing portraits. Author of lives of saints, scurrilous verses, comedies, tragedies, and innumerable letters, Pietro Aretino (1492-1556) attained considerable wealth and influence, in part through literary flattery and blackmail. Little is known of his early years, but by 1527 he had settled permanently in Venice. Among Aretino's friends and patrons were some of the most prominent figures of his time, several of whom gave him gold chains such as the one he wears in this portrait. He was on intimate terms with Titian, who painted at least three portraits of him. Here the artist conveys his friend's intellectual power through the keen, forceful head and his worldliness through the solid, weighty mass of the richly robed figure.
Publisher: Frick Diptych
ISBN: 9781911282716
Category : Art
Languages : en
Pages : 72
Book Description
An essay by Xavier F. Salomon, Frick Curator, paired with a contribution by author Francine Prose bring to life one of Titian's most personal and revealing portraits. Author of lives of saints, scurrilous verses, comedies, tragedies, and innumerable letters, Pietro Aretino (1492-1556) attained considerable wealth and influence, in part through literary flattery and blackmail. Little is known of his early years, but by 1527 he had settled permanently in Venice. Among Aretino's friends and patrons were some of the most prominent figures of his time, several of whom gave him gold chains such as the one he wears in this portrait. He was on intimate terms with Titian, who painted at least three portraits of him. Here the artist conveys his friend's intellectual power through the keen, forceful head and his worldliness through the solid, weighty mass of the richly robed figure.
The Marescalco
Author: Pietro Aretino
Publisher: Published for the Carleton University Centre for Renaissance Studies and Research by Doverhouse Editions
ISBN:
Category : Drama
Languages : en
Pages : 160
Book Description
Publisher: Published for the Carleton University Centre for Renaissance Studies and Research by Doverhouse Editions
ISBN:
Category : Drama
Languages : en
Pages : 160
Book Description
Renaissance Porn Star
Author: Mark Lamonica
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456598792
Category : Authors, Italian
Languages : en
Pages : 0
Book Description
ADVANCE PRAISE FOR RENAISSANCE PORN STAR THE SAGA OF PIETRO ARETINO: THE WORLD'S GREATEST HUSTLER Sex, drugs, and the Medicis. A story of murder, revenge, art, pornography, and celebration with an all-star cast of characters: Dante, Boccaccio, Machiavelli, Michelangelo, a klatch of mafi a-don-style popes, and Shakespeare. A tale that turns deep, deep erudition into exquisite sweets for the heart and mind. -Howard Bloom, author of The Genius of the Beast: A Radical Re-Vision of Capitalism If Jan Wenner had given Hunter S. Thompson an assignment to write a historical essay of Renaissance sexuality and literature, the resulting pages might have looked something like Renaissance Porn Star raw, uncensored, clearly mad, and quite brilliant. -Jess Winfi eld, author of My name is Will Like a buried treasure unearthed, Renaissance Porn Star sheds new light on how the Italian icon of the Renaissance, Pietro Aretino, helped shape an awakened world. Mark Lamonica mixes his amazing attention to historical detail and breathes new life into Shakespeare. -Thelma Reyna, Ph.D. author of The Heavens Weep for Us What art restoration has done for paintings, Mark Lamonica has done through a historical account of Pietro Aretino that wipes clean the whitewash of our puritanical perspective on the Renaissance over the past several hundred years. Not unlike a newly restored masterpiece, Renaissance Porn Star is both beautiful and shocking. -Adam Hall, Shakespeare scholar Mark Lamonica is an accomplished photographer and author of three highly acclaimed books: Junkyard Dogs and William Shakespeare (1997); co-author of Rio LA: Tales from the Los Angeles River (2001); named "a best book of the year" by the Los Angeles Times Book Review. Whacking Buddha: The Mysterious World of Shakespeare and Zen Buddhism (2005); hailed as a work of "spiritual literary dynamite." He is at work on a new book about the Devil.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456598792
Category : Authors, Italian
Languages : en
Pages : 0
Book Description
ADVANCE PRAISE FOR RENAISSANCE PORN STAR THE SAGA OF PIETRO ARETINO: THE WORLD'S GREATEST HUSTLER Sex, drugs, and the Medicis. A story of murder, revenge, art, pornography, and celebration with an all-star cast of characters: Dante, Boccaccio, Machiavelli, Michelangelo, a klatch of mafi a-don-style popes, and Shakespeare. A tale that turns deep, deep erudition into exquisite sweets for the heart and mind. -Howard Bloom, author of The Genius of the Beast: A Radical Re-Vision of Capitalism If Jan Wenner had given Hunter S. Thompson an assignment to write a historical essay of Renaissance sexuality and literature, the resulting pages might have looked something like Renaissance Porn Star raw, uncensored, clearly mad, and quite brilliant. -Jess Winfi eld, author of My name is Will Like a buried treasure unearthed, Renaissance Porn Star sheds new light on how the Italian icon of the Renaissance, Pietro Aretino, helped shape an awakened world. Mark Lamonica mixes his amazing attention to historical detail and breathes new life into Shakespeare. -Thelma Reyna, Ph.D. author of The Heavens Weep for Us What art restoration has done for paintings, Mark Lamonica has done through a historical account of Pietro Aretino that wipes clean the whitewash of our puritanical perspective on the Renaissance over the past several hundred years. Not unlike a newly restored masterpiece, Renaissance Porn Star is both beautiful and shocking. -Adam Hall, Shakespeare scholar Mark Lamonica is an accomplished photographer and author of three highly acclaimed books: Junkyard Dogs and William Shakespeare (1997); co-author of Rio LA: Tales from the Los Angeles River (2001); named "a best book of the year" by the Los Angeles Times Book Review. Whacking Buddha: The Mysterious World of Shakespeare and Zen Buddhism (2005); hailed as a work of "spiritual literary dynamite." He is at work on a new book about the Devil.
The Ragionamenti
Author: Pietro Aretino
Publisher:
ISBN:
Category : Courtesans
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Courtesans
Languages : en
Pages : 216
Book Description