Author: Estelle C. Jelinek
Publisher: Xlibris Corporation
ISBN: 1462806473
Category : Social Science
Languages : en
Pages : 352
Book Description
The Tradition of Women's Autobiography
Author: Estelle C. Jelinek
Publisher: Xlibris Corporation
ISBN: 1462806473
Category : Social Science
Languages : en
Pages : 352
Book Description
Publisher: Xlibris Corporation
ISBN: 1462806473
Category : Social Science
Languages : en
Pages : 352
Book Description
Women and Autobiography
Author: Martine Watson Brownley
Publisher: Rowman & Littlefield
ISBN: 9780842027021
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
An overview of women's autobiography, providing historical background and contemporary criticism along with selections from a range of autobiographies by women. It seeks to provide a broad introduction to the major questions dominating autobiographical scholarship today.
Publisher: Rowman & Littlefield
ISBN: 9780842027021
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
An overview of women's autobiography, providing historical background and contemporary criticism along with selections from a range of autobiographies by women. It seeks to provide a broad introduction to the major questions dominating autobiographical scholarship today.
Black Women Writing Autobiography
Author: Joanne M. Braxton
Publisher:
ISBN: 9780877226390
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
"As black American women, we are born into a mystic sisterhood, and we live our lives within a magic circle, a realm of shared language, reference, and allusion within the veil of our blackness and our femaleness. We have been as invisible to the dominant culture as rain; we have been knowers, but we have not been known." Joanne Braxton argues for a redefinition of the genre of black American autobiography to include the images of women as well as their memoirs, reminiscences, diaries, and journals—as a corrective to both black and feminist literary criticism. Beginning with slave narratives and concluding with modern autobiography, she deals with individual works as representing stages in a continuum and situates these works in the context of other writings by both black and white writers. Braxton demonstrates that the criteria used to define the slave narrative genre are inadequate for analyzing Harriet "Linda Brent" Jacobs's pseudonymously publishedIncidents in the Life of a Slave Girl: Written by Herself(1861). She examines "sass" as a mode of women's discourse and a weapon of self-defense, and she introduces the "outraged mother" as a parallel to the articulate hero archetype. Not even emancipation authorized black women to define themselves or address an audience. Late-nineteenth-century accounts in the form of confessional spiritual autobiographies, travelogue/adventure stories, and slave memoirs enabled such women as Jarena Lee, Rebecca Cox Jackson, Elizabeth Keckley, Susie King Taylor, as well as Harriet Tubman and Sojourner Truth to tell their own extraordinary stories and to shed light on the thousands of lives obscured by illiteracy and sexual and racial oppression. In her diaries, Charlotte Forten Grimké, the gifted poet, epitomizes the problems faced by a well-educated, extremely articulate black woman attempting to find a public voice in America. Moving into the twentieth century, Braxton analyzes the memoir of Ida B. Wells, journalist and anti-lynching activist, and the work of Zora Neale Hurston and Era Bell Thompson. They represent the first generation of black female autobiographers who did not continually come into contact with former slaves and who transcended the essential struggle for survival that occupied earlier writings. For the contemporary black woman autobiographer, the quest for personal fulfillment is the central theme. Braxton concludes with Maya Angelou'sI Know Why the Caged Bird Sings(1996), which represents the black woman of the 1960s who has found the place to recreate the self in her own image—the place all the others had been searching for. Author note:Joanne M. Braxtonis Cummings Professor of American Studies and English at the College of William and Mary and author ofSometimes I think of Maryland, a collection of poems.
Publisher:
ISBN: 9780877226390
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
"As black American women, we are born into a mystic sisterhood, and we live our lives within a magic circle, a realm of shared language, reference, and allusion within the veil of our blackness and our femaleness. We have been as invisible to the dominant culture as rain; we have been knowers, but we have not been known." Joanne Braxton argues for a redefinition of the genre of black American autobiography to include the images of women as well as their memoirs, reminiscences, diaries, and journals—as a corrective to both black and feminist literary criticism. Beginning with slave narratives and concluding with modern autobiography, she deals with individual works as representing stages in a continuum and situates these works in the context of other writings by both black and white writers. Braxton demonstrates that the criteria used to define the slave narrative genre are inadequate for analyzing Harriet "Linda Brent" Jacobs's pseudonymously publishedIncidents in the Life of a Slave Girl: Written by Herself(1861). She examines "sass" as a mode of women's discourse and a weapon of self-defense, and she introduces the "outraged mother" as a parallel to the articulate hero archetype. Not even emancipation authorized black women to define themselves or address an audience. Late-nineteenth-century accounts in the form of confessional spiritual autobiographies, travelogue/adventure stories, and slave memoirs enabled such women as Jarena Lee, Rebecca Cox Jackson, Elizabeth Keckley, Susie King Taylor, as well as Harriet Tubman and Sojourner Truth to tell their own extraordinary stories and to shed light on the thousands of lives obscured by illiteracy and sexual and racial oppression. In her diaries, Charlotte Forten Grimké, the gifted poet, epitomizes the problems faced by a well-educated, extremely articulate black woman attempting to find a public voice in America. Moving into the twentieth century, Braxton analyzes the memoir of Ida B. Wells, journalist and anti-lynching activist, and the work of Zora Neale Hurston and Era Bell Thompson. They represent the first generation of black female autobiographers who did not continually come into contact with former slaves and who transcended the essential struggle for survival that occupied earlier writings. For the contemporary black woman autobiographer, the quest for personal fulfillment is the central theme. Braxton concludes with Maya Angelou'sI Know Why the Caged Bird Sings(1996), which represents the black woman of the 1960s who has found the place to recreate the self in her own image—the place all the others had been searching for. Author note:Joanne M. Braxtonis Cummings Professor of American Studies and English at the College of William and Mary and author ofSometimes I think of Maryland, a collection of poems.
Traditions of Victorian Women's Autobiography
Author: Linda H. Peterson
Publisher: University of Virginia Press
ISBN: 9780813918839
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Victorian women's autobiography emerged at a historical moment when the field of life writing was particularly rich. Spiritual autobiography was developing interesting variations in the heroic memoirs of pioneering missionary women and in probing intellectual analyses of Nonconformists, Anglicans, agnostics, and other religious thinkers. The chroniques scandaleuses of the eighteenth century were giving way to the respectable artist's life of the professional Victorian woman. The domestic memoir, a Victorian variation on the family histories of the seventeenth and eighteenth centuries, flourished in a culture that celebrated the joys of home, family, and private life. Perhaps most important, Victorian women writers were experimenting with all these forms in various combinations and permutations. Arguing that women's autobiography does not represent a singular separate tradition but instead embraces multiple lineages, Linda H. Peterson explores the poetics and politics of these diverse forms of life writing. She carefully analyzes the polemical Autobiography of Harriet Martineau and Personal Recollections of Charlotte Elizabeth Tonna, the missionary memoirs that challenge Charlotte Brontë's Jane Eyre, the Romantic autobiographies of the poet and poetess that Barrett Browning reconstructs in Aurora Leigh, the professional life stories of Margaret Oliphant and her contemporaries, and the Brontëan and Eliotian bifurcations of Mary Cholmondeley's memoirs. The desire to know the details of other women's lives--and to use them for one's own purposes--underlies much Victorian women's autobiography, even as it helps to explain our continuing interest in their accounts.
Publisher: University of Virginia Press
ISBN: 9780813918839
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Victorian women's autobiography emerged at a historical moment when the field of life writing was particularly rich. Spiritual autobiography was developing interesting variations in the heroic memoirs of pioneering missionary women and in probing intellectual analyses of Nonconformists, Anglicans, agnostics, and other religious thinkers. The chroniques scandaleuses of the eighteenth century were giving way to the respectable artist's life of the professional Victorian woman. The domestic memoir, a Victorian variation on the family histories of the seventeenth and eighteenth centuries, flourished in a culture that celebrated the joys of home, family, and private life. Perhaps most important, Victorian women writers were experimenting with all these forms in various combinations and permutations. Arguing that women's autobiography does not represent a singular separate tradition but instead embraces multiple lineages, Linda H. Peterson explores the poetics and politics of these diverse forms of life writing. She carefully analyzes the polemical Autobiography of Harriet Martineau and Personal Recollections of Charlotte Elizabeth Tonna, the missionary memoirs that challenge Charlotte Brontë's Jane Eyre, the Romantic autobiographies of the poet and poetess that Barrett Browning reconstructs in Aurora Leigh, the professional life stories of Margaret Oliphant and her contemporaries, and the Brontëan and Eliotian bifurcations of Mary Cholmondeley's memoirs. The desire to know the details of other women's lives--and to use them for one's own purposes--underlies much Victorian women's autobiography, even as it helps to explain our continuing interest in their accounts.
Women's Autobiography
Author: Estelle C. Jelinek
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 274
Book Description
Life/Lines
Author: Bella Brodzki
Publisher: Cornell University Press
ISBN: 1501745565
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Autobiography raises a vital issue in feminist critical theory today: the imperative need to situate the female subject. Life/Lines, a collection of essays on women's autobiography, attempts to meet this need.
Publisher: Cornell University Press
ISBN: 1501745565
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Autobiography raises a vital issue in feminist critical theory today: the imperative need to situate the female subject. Life/Lines, a collection of essays on women's autobiography, attempts to meet this need.
Women, Autobiography, Theory
Author: Sidonie Smith
Publisher: Univ of Wisconsin Press
ISBN: 9780299158446
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.
Publisher: Univ of Wisconsin Press
ISBN: 9780299158446
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.
Sovereign Stories and Blood Memories
Author: Annette Angela Portillo
Publisher: University of New Mexico Press
ISBN: 0826359167
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
In Sovereign Stories, Annette Angela Portillo examines Native American women’s autobiographical discourses and multiple-voiced life stories that resist generic conventional notions of first-person narrative. She argues that these “sovereign stories” and “blood memories” not only reveal the multilayered histories and identities shared by each author, but demonstrate how their narratives are grounded in ancestral memory and land. These autobiographies recall settler-colonialism, deterritorialization, and genocide as the writers and activist-scholars reclaim their voices across cultural, national, and digital boundaries. Portillo provides close readings of memoirs, life stories, oral histories, blogs, social media sites, and experimental multigenre narratives including those by Delfina Cuero, Ruby Modesto, Leslie Marmon Silko, Pretty-Shield, Zitkala-Sa, and Sarah Winnemucca Hopkins.
Publisher: University of New Mexico Press
ISBN: 0826359167
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
In Sovereign Stories, Annette Angela Portillo examines Native American women’s autobiographical discourses and multiple-voiced life stories that resist generic conventional notions of first-person narrative. She argues that these “sovereign stories” and “blood memories” not only reveal the multilayered histories and identities shared by each author, but demonstrate how their narratives are grounded in ancestral memory and land. These autobiographies recall settler-colonialism, deterritorialization, and genocide as the writers and activist-scholars reclaim their voices across cultural, national, and digital boundaries. Portillo provides close readings of memoirs, life stories, oral histories, blogs, social media sites, and experimental multigenre narratives including those by Delfina Cuero, Ruby Modesto, Leslie Marmon Silko, Pretty-Shield, Zitkala-Sa, and Sarah Winnemucca Hopkins.
American Women's Autobiography
Author: Margo Culley
Publisher: Univ of Wisconsin Press
ISBN: 9780299132941
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Focus on the works of Harriet Jacobs, Elizabeth Cady Stanton, Gertrude Stein, Mary McCarthy, Maxine Hong Kingston, and others.
Publisher: Univ of Wisconsin Press
ISBN: 9780299132941
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Focus on the works of Harriet Jacobs, Elizabeth Cady Stanton, Gertrude Stein, Mary McCarthy, Maxine Hong Kingston, and others.
Self as Nation
Author: Tamar Hess
Publisher: Brandeis University Press
ISBN: 1611688809
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Reveals the intimate ties between selfhood and nationality, life story and national narrative, through Hebrew autobiography
Publisher: Brandeis University Press
ISBN: 1611688809
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Reveals the intimate ties between selfhood and nationality, life story and national narrative, through Hebrew autobiography