Hermeneutics in the Philosophy of Giambattista Vico PDF Download
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Author: Emanuel L. Paparella
Publisher: Emtext
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Author: Emanuel L. Paparella
Publisher: Emtext
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Author: Giorgio Tagliacozzo
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 176
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Book Description
Author: Robert Crease
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 66
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Book Description
Author: Molly Black Verene
Publisher: Philosophy Documentation Center
ISBN:
Category : Philosophy
Languages : en
Pages : 208
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Book Description
Author: Paul G. Haschak
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
To find more information about Rowman & Littlefield titles please visit us at www.rowmanlittlefield.com.
Author: Edwin Mellen Press
Publisher: Edwin Mellen Press
ISBN: 9780889464452
Category : Music
Languages : en
Pages : 204
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Book Description
This volume comprises papers presented at the 1988 Wagner conference in Seattle exploring this opera cycle as music, myth, theatre art, and literature, including comparisons with T. S. Eliot's The Wasteland and James Joyce's Finnegan's Wake.
Author: Katherine O'Callaghan
Publisher: Routledge
ISBN: 1351865889
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.
Author: Gabriel R. Ricci
Publisher: Transaction Publishers
ISBN: 1412846846
Category : Social Science
Languages : en
Pages : 245
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Book Description
The present work is a study in the history of an enduring idea that defines the inner life of the mind and also supplied a substratum for the twentieth-century literary imagination and substance for philosophical thinking, producing a unique alliance between philosophy and literature. This special union was forged by a new holistic conception of time which supplemented, and even supplanted, the conventional sense of chronological time. This temporal turn animated the existential insights of Husserl, Heidegger, and Bergson, but it was grounded in nineteenth-century advances in the biological sciences, the hegemony of Hegelianism, and even stretched back to Augustine’s early meditation on time in Book XI of his Confessions. In linking together a set of thinkers who addressed this form of temporal consciousness, Gabriel R. Ricci illuminates a common intellectual preoccupation from the vantage point of a concept. The authors do not together assemble the thought; it is the thought that produced a collective voice. This voice appears in the episodes outlined in each chapter, and they are framed by an introduction, which explores Joseph Frank’s insights into the new spatial forms in literature, and an epilogue, which resurrects J.W. Dunne’s peculiar dream experiments and theory of precognition. Ricci employs Frank’s seminal essay to draw comparisons between literature’s adaptation of the new time sense and philosophy’s expression of the new compatibility between space and time. Dunne’s theory serves to demonstrate the continuity between literary form and philosophical speculation.
Author: Giorgio Tagliacozzo
Publisher: Baltimore : Johns Hopkins Press
ISBN:
Category :
Languages : en
Pages : 680
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Book Description
Author: Francesca Lembo Fazio
Publisher: Taylor & Francis
ISBN: 1003828248
Category : Architecture
Languages : en
Pages : 217
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Book Description
Emotions and Architecture: Forging Mediterranean Cities Between the Middle Ages and Early Modern Time explores architecture as a medium to arouse or conceal emotions, to build consensus through shared values, or to reconnect the urban community to its alleged ancestry. The chapters in this edited collection outline how architectonic symbols, images, and structures were codified – and sometimes recast – to match or to arouse emotions awakened by wars, political dominance, pandemic challenges, and religion. As signs of spiritual and political power, these elements were embraced and modulated locally, providing an endorsement to authorities and rituals for the community. This volume provides an overview of the phenomenon across the Italian region, stressing the transnationality of selected symbols and their various declinations in local contexts. It deepens the issue of refitting symbols, artworks, and structures to arouse emotions by carefully analysing specific cases, such as the Septizodium in Rome, the Holy House of Loreto in Venice, and the reconstruction of L'Aquila. The collection, through its variegated contributions, offers a comprehensive view of the phenomenon: exploring the issue from political, social, religious, and public health perspectives, and seeking to propose a new definition of architecture as a visual emotional language. Together, the chapters show how the representation of virtues and emotions through architecture was part of a symbolic practice shared by many across the Italian context. This book will be of interest to researchers and students studying architectural history, the history of emotions, and the history of art.
