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Author: Max Kozloff
Publisher: Phaidon Press
ISBN: 9780714843728
Category : Photography
Languages : en
Pages : 416
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Book Description
An engaging history of portrait photography by one of the world's leading critics. An engaging and authoritative commentary on the history of portrait photography by one of the world's leading photography critics, this book provides a new perspective on the history of the medium through examining the personalities both behind and in front of the camera, as well as the fascinating relationship between photographer and subject as revealed through the genre. It covers a broad range of styles and movements from early portraitists such as Edward Sheriff Curtis to the well-known work of seminal figures including Diane Arbus, Richard Avedon and August Sander, as well as contemporary portraiture by Thomas Ruff, Philip Lorca diCorcia and Cindy Sherman. This book will be an essential title for critics, students of photography, photography enthusiasts, or anyone with a general interest in portraiture.
Author: Max Kozloff
Publisher: Phaidon Press
ISBN: 9780714843728
Category : Photography
Languages : en
Pages : 416
Get Book Here
Book Description
An engaging history of portrait photography by one of the world's leading critics. An engaging and authoritative commentary on the history of portrait photography by one of the world's leading photography critics, this book provides a new perspective on the history of the medium through examining the personalities both behind and in front of the camera, as well as the fascinating relationship between photographer and subject as revealed through the genre. It covers a broad range of styles and movements from early portraitists such as Edward Sheriff Curtis to the well-known work of seminal figures including Diane Arbus, Richard Avedon and August Sander, as well as contemporary portraiture by Thomas Ruff, Philip Lorca diCorcia and Cindy Sherman. This book will be an essential title for critics, students of photography, photography enthusiasts, or anyone with a general interest in portraiture.
Author: Leonard Bell
Publisher: Auckland University Press
ISBN: 1776710649
Category : Biography & Autobiography
Languages : en
Pages : 707
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Book Description
For fifty years, Marti Friedlander (1928–2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century. From painters to potters, film makers to novelists, and actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more. Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250 photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.
Author: Leonard Bell
Publisher: Auckland University Press
ISBN: 1775581209
Category : Photography
Languages : en
Pages : 503
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Book Description
From journeys through various countries to New Zealand's transformation in the last half century, this is a riveting and comprehensive look at the work of photographer Marti Friedlander. Showing how this distinguished artist has not only recorded the places, events, and personalities of recent history, this engaging study also demonstrates how she brings subjectivity, empathy, and a distinctive eye to her subjects. From her arrival in New Zealand as a Jewish immigrant from England in 1958, this biography proves how her photographs—whether of artists, writers, protests, or street scenes—have consistently drawn out the key human dynamics of conflict, ambivalence, anger, and warmth. Beautifully illustrated amidst a world of throwaway images, this monograph provides evidence of how a sustained, inquiring, and attentive perspective for both the photographer and viewers can lead to new truths.
Author: Max Kozloff
Publisher: powerHouse Books
ISBN: 9781576879641
Category : Photography
Languages : en
Pages : 0
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Book Description
A Carnival of Mimics is a new photo essay from acclaimed photographer and art critic Max Kozloff. A street photographer on the lookout for miscellaneous piquancies, Kozloff gradually became aware that commercial effigies and statues, dummies and mannequins had begun to infiltrate his urban subject matter. He had accidentally documented a large selection of incredibly expressive naïve sculpture. Underfoot or overhead, these “mimics” comprise a subpopulation that begs for notice and often does not get it. Somewhere in the realm between banal and mysterious, in his hands this animistic spectacle acquires eerie overtones and beautiful presentation. A Carnival of Mimics is a late-career masterpiece, from one of modern photography’s most important minds.
Author: David Bate
Publisher: Berg
ISBN: 1845206673
Category : Photography
Languages : en
Pages : 212
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Book Description
Photography: The Key Concepts provides an ideal guide to the place of photography in our society and to the extraordinary range of photographic genres.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
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Book Description
Author: Alessandra Antola Swan
Publisher: Springer Nature
ISBN: 3030565068
Category : History
Languages : en
Pages : 402
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Book Description
This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image. It departs from the practice of using photographs purely for illustration and places them instead at the centre of the analysis. Throughout the 1930s photographs of the Italian dictator Benito Mussolini were chosen with much care by the regime. They were deployed to highlight those physical traits - the piercing eyes, protruding jaw, shaved head - that were meant to evoke the Duce's strength, determination and innate sense of leadership in the mind of his contemporaries. The chapters in this volume explore the photographic image in the socio-political context of the time and shows how it was a significant contributor to the development of Italian mass culture between the two world wars.
Author: Sarah Patricia Hill
Publisher: University of Toronto Press
ISBN: 144264933X
Category : Art
Languages : en
Pages : 395
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Book Description
Stillness in Motion brings together the writing of scholars, theorists, and artists on the uneasy relationship between Italian culture and photography. Highlighting the depth and complexity of the Italian contribution to the technology and practice of photography, this collection offers essays, interviews, and theoretical reflections at the intersection of comparative, visual, and cultural studies. Its chapters, illustrated with more than 130 black and white images and an eight-page colour section, explore how Italian literature, cinema, popular culture, and politics have engaged with the medium of photography over the course of time. The collection includes topics such as Futurism's ambivalent relationship to photography, the influence of American photography on Italian neorealist cinema, and the connection between the photograph and Duchamp's concept of the Readymade. With contributions from writer and theorist Umberto Eco, photographer Franco Vaccari, art historian Robert Valtorta, and cultural historian Robert Lumley, Stillness in Motion engages with crucial historical and cultural moments in Italian history, examining each one through particular photographic practices.
Author: Sarah Bassnett
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013801
Category : Photography
Languages : en
Pages : 228
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Book Description
In 1911, when Arthur Goss was hired as Toronto’s first official photographer, the city was at a critical juncture. Industry expansion and population growth produced pressing concerns about housing shortages, sanitation, and the health and welfare of citizens. Dispelling popular misconceptions, Picturing Toronto demonstrates that Goss and other photographers did not simply document the changing conditions of urban life – their photography contributed to the development of modern Toronto and shaped its inhabitants. Drawing on archival sources from the early twentieth century, Sarah Bassnett investigates how a range of groups, including the municipal government, social reformers, and the press, used photography to reconfigure the urban environment and constitute liberal subjects. Through a series of case studies, including the construction of the Bloor Viaduct, civic beautification plans, urban reform in “the Ward,” immigration and citizenship, and Goss’s portrait photography, Bassnett exposes how photographs were at the heart of debates over what the city should look like, how it should operate, and under what conditions it was appropriate for people to live. This lavishly illustrated book is the first study to treat images as vital elements that shaped Toronto’s social and political history. Interdisciplinary in its approach, Picturing Toronto displays the complex entanglements between photography and urban modernity.
Author: Rosemarie Garland-Thomson
Publisher: Oxford University Press
ISBN: 0199716765
Category : Social Science
Languages : en
Pages : 255
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Book Description
Drawing on examples from art, media, fashion, history and memoir, cultural critic Rosemarie Garland-Thomson tackles a basic human interaction which has remained curiously unexplored, the human stare. In the first book of its kind, Garland-Thomson defines staring, explores the factors that motivate it, and considers the targets and the effects of the stare. While borrowing from psychology and biology to help explain why the impulse to stare is so powerful, she also enlarges and complicates these formulations with examples from the realm of imaginative culture. Featuring over forty illustrations, Staring captures the stimulating combination of symbolic, material and emotional factors that make staring so irresistible while endeavoring to shift the usual response to staring, shame, into an engaged self-consideration. Elegant and provocative, this unique study advances new ways of thinking about visuality and the body that will appeal to readers who are interested in the overlap between the humanities and human behaviors.
